{"id":263,"date":"2019-02-17T22:27:41","date_gmt":"2019-02-17T22:27:41","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/bridges\/?page_id=263"},"modified":"2019-04-01T11:08:06","modified_gmt":"2019-04-01T10:08:06","slug":"poetry-magazines-and-publishers","status":"publish","type":"page","link":"https:\/\/blogs.ncl.ac.uk\/bridges\/poetry-magazines-and-publishers\/","title":{"rendered":"Poetry Magazines and Publishers"},"content":{"rendered":"<p><span style=\"color: #ff0000\"><strong>Poetry Magazines<\/strong><\/span><\/p>\n<p>&nbsp;<\/p>\n<ul>\n<li><em style=\"color: #1b8be0\"><em><em style=\"color: #333333\"><a style=\"font-style: normal\" href=\"http:\/\/bansheelit.tumblr.com\/submissionsguidelines\"><em>Banshee<\/em><\/a><\/em><\/em><\/em><\/li>\n<li><a href=\"https:\/\/www.barefictionmagazine.co.uk\/\"><em>Bare Fiction<\/em><\/a><\/li>\n<li><em><a href=\"https:\/\/theblacklightengineroom.wordpress.com\/2014\/05\/11\/the-black-light-engine-room-press\/\">The\u00a0Black Light Engine Room<\/a><\/em><\/li>\n<li><em style=\"color: #1b8be0\"><em><em style=\"color: #333333\"><em><a href=\"http:\/\/www.crannogmagazine.com\/\">Crannog<\/a><\/em><\/em><\/em><\/em><\/li>\n<li><em><a href=\"https:\/\/eunoiareview.wordpress.com\/\">Eunoia Review<\/a><\/em><\/li>\n<li><em style=\"color: #1b8be0\"><em><em style=\"color: #333333\"><a href=\"https:\/\/www.haranapoetry.com\/\">Harana\u00a0Poetry &#8211;\u00a0<\/a><\/em><\/em><\/em><em>poetry by authors who write in English as their second language<\/em><\/li>\n<li><a href=\"http:\/\/humag.co\/\"><em>The Honest Ulsterman<\/em><\/a><\/li>\n<li><a href=\"http:\/\/www.gatehousepress.com\/lighthouse\/\"><em>Lighthouse<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.lazuliliterarygroup.com\/\"><em>Lazuli Literary Group<\/em><\/a><\/li>\n<li><a href=\"http:\/\/levurelitteraire.com\/\"><em>Levure Letteraire<\/em> \u00a0<\/a>\u2013 international multi-lingual magazine<\/li>\n<li><a href=\"https:\/\/thelonelycrowd.org\/\"><em>The Lonely Crowd<\/em><\/a><\/li>\n<li><a href=\"http:\/\/www.themanchesterreview.co.uk\/\"><em>The Manchester Review<\/em><\/a><\/li>\n<li><em><a href=\"http:\/\/www.themothmagazine.com\/\">The Moth<\/a><\/em><\/li>\n<li><em><a href=\"https:\/\/mslexia.co.uk\/\">Mslexia<\/a><\/em><\/li>\n<li><a href=\"https:\/\/www.newwelshreview.com\/\"><em>New Welsh Review<\/em><\/a><\/li>\n<li><a href=\"http:\/\/poetrylondon.co.uk\/\"><em>Poetry London<\/em><\/a><\/li>\n<li><em><a href=\"https:\/\/www.poetryireland.ie\/writers\/submission-to-pir\">Poetry Ireland Review<\/a><\/em><\/li>\n<li><\/li>\n<li><\/li>\n<li><a href=\"https:\/\/www.pnreview.co.uk\/\"><em>PN Review<\/em><\/a><\/li>\n<li><em><a href=\"http:\/\/www.poetrysalzburg.com\/guidelines.htm\">Poetry Salzburg Review<\/a><\/em><\/li>\n<li><a href=\"https:\/\/www.therialto.co.uk\/pages\/\"><em>The Rialto<\/em><\/a><\/li>\n<li><a href=\"http:\/\/www.snakeskinpoetry.co.uk\/\"><em>Snakeskin<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.strixleeds.com\/about\"><em>Strix<\/em><\/a><\/li>\n<li><a href=\"https:\/\/stingingfly.org\/\"><em>The Stinging Fly<\/em><\/a><\/li>\n<li><a href=\"https:\/\/www.acumen-poetry.co.uk\/\"><em>Acumen<\/em><\/a><\/li>\n<li><a href=\"http:\/\/www.agendapoetry.co.uk\/\"><em>Agenda<\/em><\/a><\/li>\n<li><em>Alba (poems of 12 lines)<\/em><\/li>\n<li><a href=\"https:\/\/algebraofowls.com\/\"><em>Algebra of Owls<\/em><\/a><\/li>\n<li><em>Arete <\/em><\/li>\n<li><em>Ambit<\/em><\/li>\n<li><em>Brittle Star<\/em><\/li>\n<li><em>Cake<\/em><\/li>\n<li><em>Cannon\u2019s Mouth<\/em><\/li>\n<li><em>Coast to Coast to Coast<\/em><\/li>\n<li><em>Cyphers<\/em><\/li>\n<li><em>The Dark Horse<\/em><\/li>\n<li><em>Dawntreader<\/em><\/li>\n<li><em>Dreamcatcher<\/em><\/li>\n<li><em>Edinburgh Review<\/em><\/li>\n<li><em>The Emma Press<\/em><\/li>\n<li><em>Envoi<\/em><\/li>\n<li><em>Eye Flash Poetry Journal<\/em><\/li>\n<li><em>Eyot<\/em><\/li>\n<li><em>The Fenland Reed<\/em><\/li>\n<li><em>Funhouse<\/em><\/li>\n<li><em>Guttural<\/em><\/li>\n<li><em>Headstuff<\/em><\/li>\n<li><em>HVTN<\/em><\/li>\n<li><em>Ink, Sweat and Tears<\/em><\/li>\n<li><em>The Interpreters House<\/em><\/li>\n<li><em>Iota<\/em><\/li>\n<li><em>The Journal<\/em><\/li>\n<li><em>London Magazine<\/em><\/li>\n<li><em>London Review of Books<\/em><\/li>\n<li><em>Magma<\/em><\/li>\n<li><em>Modern Poetry in Translation (translations)<\/em><\/li>\n<li><em>Neon<\/em><\/li>\n<li><em>The New Statesman<\/em><\/li>\n<li><em>New Walk<\/em><\/li>\n<li><em>The North<\/em><\/li>\n<li><em>Obsessed with Pipework<\/em><\/li>\n<li><em>Orbis<\/em><\/li>\n<li><em>Oxford Poetry<\/em><\/li>\n<li><em>Pennine Platform<\/em><\/li>\n<li><em>Playerist<\/em><\/li>\n<li><em>Poetry Wales<\/em><\/li>\n<li><em>Popshot<\/em><\/li>\n<li><em>Porridge Magazine<\/em><\/li>\n<li><em>The Projectionist\u2019s Playground<\/em><\/li>\n<li><em>Prole<\/em><\/li>\n<li><em>Riggwelter<\/em><\/li>\n<li><em>Sarasvati<\/em><\/li>\n<li><em>The Seventh Quarry<\/em><\/li>\n<li><em>Shearsman<\/em><\/li>\n<li><em>South<\/em><\/li>\n<li><em>South Bank Poetry<\/em><\/li>\n<li><em>Stand<\/em><\/li>\n<li><em>Tears in the Fence<\/em><\/li>\n<li><em>Tentacular<\/em><\/li>\n<li><em>Test Centre<\/em><\/li>\n<li><em>Times Literary Supplement<\/em><\/li>\n<li><em>Under the Radar<\/em><\/li>\n<li><em>Wasafiri<\/em><\/li>\n<li><em>The White Review<\/em><\/li>\n<li><em>Zarf<\/em><\/li>\n<\/ul>\n<p><em>\u00a0<\/em><\/p>\n<p><span style=\"color: #ff0000\"><strong>List of Poetry Pamphlet Publishers<\/strong><\/span><\/p>\n<ul>\n<li>HappenStance<\/li>\n<li>V-Press<\/li>\n<li>Bad Betty Press<\/li>\n<li>The Emma Press<\/li>\n<li>HVTN press<\/li>\n<li>Ignitionpress<\/li>\n<li>Indigo Dreams<\/li>\n<li>Nine Archers Press<\/li>\n<li>Out-Spoken Press<\/li>\n<li>Poetry Salzburg<\/li>\n<li>Rack Press<\/li>\n<li>Red Ceilings Press<\/li>\n<li>Red Squirrel Press<\/li>\n<li>The Rialto<\/li>\n<li>Salt Publishing<\/li>\n<li>Smith Doorstop<\/li>\n<li>Tangerine Press<\/li>\n<li>Valley Press<\/li>\n<li>Vane Women Press<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Poetry Magazines &nbsp; Banshee Bare Fiction The\u00a0Black Light Engine Room Crannog Eunoia Review Harana\u00a0Poetry &#8211;\u00a0poetry by authors who write in English as their second language The Honest Ulsterman Lighthouse Lazuli Literary Group Levure Letteraire \u00a0\u2013 international multi-lingual magazine The Lonely &hellip; <a href=\"https:\/\/blogs.ncl.ac.uk\/bridges\/poetry-magazines-and-publishers\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7691,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-263","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/bridges\/wp-json\/wp\/v2\/pages\/263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/bridges\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/bridges\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/bridges\/wp-json\/wp\/v2\/users\/7691"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/bridges\/wp-json\/wp\/v2\/comments?post=263"}],"version-history":[{"count":5,"href":"https:\/\/blogs.ncl.ac.uk\/bridges\/wp-json\/wp\/v2\/pages\/263\/revisions"}],"predecessor-version":[{"id":409,"href":"https:\/\/blogs.ncl.ac.uk\/bridges\/wp-json\/wp\/v2\/pages\/263\/revisions\/409"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/bridges\/wp-json\/wp\/v2\/media?parent=263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}