{"id":344,"date":"2015-05-07T14:28:31","date_gmt":"2015-05-07T14:28:31","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/?p=344"},"modified":"2015-05-07T14:28:31","modified_gmt":"2015-05-07T14:28:31","slug":"bove-scarpa-exhibition-in-leeds","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/2015\/05\/07\/bove-scarpa-exhibition-in-leeds\/","title":{"rendered":"Bove \/ Scarpa exhibition in Leeds"},"content":{"rendered":"<p>In the light of some of the conversation that took place in the XL Gallery I thought this description of Carol Bove&#8217;s work (exhibition currently running at the Henry Moore Institute Leeds) was quite pertinent:<\/p>\n<p>&#8220;Bove&#8217;s grouping asks how a historical exhibition of sculpture might be rethought today. Towering above the grouping is &#8216;Cretaceous&#8217; (2014), an ancient chunk of petrified wood bolted directly to an I-beam. At almost four metres high, &#8216;Cretaceous&#8217; extends Bove&#8217;s concern with the fine line between &#8216;specimen&#8217; and &#8216;sculpture&#8217;, the moment a ready-made is designated meaning as an art object&#8221;.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/www.henry-moore.org\/hmi\/exhibitions\/carol-bove-carlo-scarpa\" target=\"_blank\">http:\/\/www.henry-moore.org\/hmi\/exhibitions\/carol-bove-carlo-scarpa<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the light of some of the conversation that took place in the XL Gallery I thought this description of Carol Bove&#8217;s work (exhibition currently running at the Henry Moore Institute Leeds) was quite pertinent: &#8220;Bove&#8217;s grouping asks how a &hellip; <a href=\"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/2015\/05\/07\/bove-scarpa-exhibition-in-leeds\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5555,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-344","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/posts\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/users\/5555"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/comments?post=344"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/posts\/344\/revisions"}],"predecessor-version":[{"id":345,"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/posts\/344\/revisions\/345"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/media?parent=344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/categories?post=344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/bridgetkennedy\/wp-json\/wp\/v2\/tags?post=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}