Representations of Newcastle in Popular Culture

Here are the image hand-outs I distributed in class; the first, a collection of stereotypical references and iconography of Newcastle reinforced in popular culture.

‘Geordieness’

Images taken from:

Official Ant and Dec. com

NewcastleGateshead.com

A Touch Far Vetched fan Blog – NUFC image

NorthernCulture Blog

The Chronicle Live (local newspaper)

The NUFC Blog

Amber Films website (local film studio)

The second, a collection of photos I took during research fieldwork in 2011, representing something of the reality of Newcastle (at that time)

research findings

What I was hoping to illustrate here, were how representations in popular media about Newcastle, construct and rely on stereotypes and caricatures (eg. the old steep cobbled streets of Byker, the landmark Tyne Bridge. There’s a familiarity about these images, which is part of the reason we except them and continue to refer to them as ‘standing for’ Newcastle.

The selection of photographs I took during fieldwork, observing, making notes and walking around Newcastle, shows some similarities to the first hand-out, so Cruddus Park housing block for example, communal living at least, not being dissimilar from the image of bygone Byker. However, the Polish café sign, and the ‘To let’ board in Chinese Mandarin, speak of a more culturally diverse Newcastle than the one being persistently portrayed in popular culture.

If you’re interested in this relationship between Popular Culture, Representation and the City take a look at the work of Grieves (1985). While some of the cultural references in this thesis are outdated, the theoretical framework of the piece is still very relevant.

Grieves, James (1985) Popular culture and public order: an empirical investigation into socio-cultural relationships in the city of Newcastle upon Tyne. Doctoral thesis, Durham University.

To finish then, take a look at the opening theme tune of popular BBC children’s drama from the 1980s, Geordie Racer (BBC Look and Read series, BBC Two, 1988, dir. David Meldrum). The city of Newcastle Upon Tyne was an integral feature of the show, a show which was incidentally praised as presenting a ‘grittier’ image of everyday family like to children’s television programming. What might this say about Newcastle’s (mis)place (ment) in popular culture? The iconic and rousing images of The Great North Run moving across the Tyne Bridge, against the traditional working class pastime of pigeon racing…

And finally, to link in with our thoughts on the song ‘Home Newcastle’  https://blogs.ncl.ac.uk/chnewcastleblog/2017/07/04/home-Newcastle , here are the lyrics to the theme tune of Geordie Racer, written by Derek Griffiths:

Flying free, flying high,
Flashing wings across the sky,
Geordie racer, Geordie racer.

On the road, in the street,
Hear the sound of pounding feet,
Geordie racer, Geordie racer.

Don’t wait, don’t stop,
You’re heading home.
Don’t rest, don’t drop,
You’re heading home.

In the air, on the ground,
See them moving all around.
Running hard, flying fast,
See them all go rushing past,
Geordie racer – fly!

Place and the fluidity of identity

You’ll need to zoom in on the photos to read our whiteboard ideas, but here’s a record of our classroom discussions yesterday.

These are some of the many really interesting points that came out of our discussions yesterday:

Regional identity

This idea that regional identity was loosing relevance, and in particular whether the ‘next generation’ (youth in the UK) are thinking more ‘nationally’ rather than regionally compared to previous generations (in the wake of Brexit? we mused). If you’re interested in this, have a look at Paasi’s work on regional identity:

Paasi, A, Region and place: regional identity in question, Progress in Human, 2016, Vol 27, Issue 4, pp. 475 – 485

Fluidity

Another point made was about the fluidity of identities, and this contestation between an ascribed identities and attributed identities. Take a look at Brah’s seminal work on Diaspora which argues that identity is fairly fixed culturally but malleable geographically:

Brah, E. 1996: Cartographies of diaspora: contesting identities. London: Routledge

Personal versus place

There was also some argument around whether our personality and familial ties and relationships governed our sense of place, rather than or physical geography. There was mention of ‘being born on the banks of the Tyne’ as a physical definition of being a Geordie, but then talk of accent as imperative to belonging and claiming identities. Something that we didn’t touch on, were experiences and memories of place, and in particular our sensory reception and then projection of place through these experiences. If you’re interested in this more psycho-geographic approach to identity, take a look at the work of Hough:

Hough, M, Out of Place: Restoring Identity to the Regional Landscape, Yale university Press, 1990: New Haven and London

Places that have a placed identity / ‘authentic places’

Another area of discussion was around some places having more of a placed identity than others, so Newcastle, for example, having many cultural and literary associations and stereotypes, having many physical outputs and industries, and being widely portrayed and ‘known’ in popular culture.  All these aspects help to authenticate and brand the city, and with it, an identity that goes alongside the city. If you’re interested in this, there’s a very interesting article  by Sim, who looks at the branding and authenticating of two towns in the Lake District via their food heritage and outputs.

(Souvenirs: branding and creating the city: photo taken during our  live photostream exercise)

Sims, R, Food, place and authenticity: local food and the sustainable tourism experience, Journal of Sustainable Tourism, 17:3, 2009

There’s also some interesting work coming from urban planning and architecture on place making and place shaping, that looks at how to design spaces with placed identity in mind. Take a look at:

Andres, L, Differential Spaces, Power Hierarchy and Collaborative Planning: A Critique of the Role of Temporary Uses in Shaping and Making Places Urban Studies, 2012, Vol 50, Issue 4, pp. 759 – 775


 


 

 


Home Newcastle

A really interesting conversation yesterday about the song ‘Home Newcastle’ by ‘Busker’ (aka Ronnie Lambert)

I probably should have mentioned for those uninitiated that this song is played before every NUFC home game, is regularly included in compilation albums of ‘Geordie songs’ (our spotify playlist included) and has become an adopted anthem of the football club, and the city more generally.

A couple of the points we raised about this hymn to Geordie identity:

the specificity of it — this being both a way to map the ‘everyday’, the small things. But also this specificity giving a kind of ‘insider knowledge’ to the audience (so if you know what ‘The Gallowgate End’ is, you are allowed to claim this Geordie identity too).

This led into a discussion of the ‘them and us’ theme in the lyrics — Newcastle versus ‘the big fat city’ of London, and the power inequality that many see between ‘the north’ and ‘the south’ (which I think we agreed were more than strictly geographical terms, but have a sense of economy, history, class etc attached to them).

Accent we talked about — which I think is an unavoidable, and centrally important, aspect of Geordie identity. And the idea that what was being said is only part of the identity, how it is being said adds an extra level of context and significance to the words (hence they appear always in their phonetic version, rather than in standard spelling). And this links back to the ‘in group/out group’ thing — a self-definition as ‘hard to understand’.

I think also how important landmarks are in mapping the identity is really important — look at the places Lambert lists here: St. James’ Park, the river Tyne (and bridge, and quayside — a very different place when Lambert wrote this song!), Fenwicks, and ‘the streets’. It’s worth pointing out that this excludes as much of Newcastle (and the North-East more generally) within the concept of Geordie identity — it is not just a geographical place. Notice Lambert doesn’t stroll through Jesmond Dene, or remember Gosforth High Street. So Geordie identity is attached to more than just place.

Home Newcastle — Busker

Ah had te come te London, Coz ah couldn’t find a job,
But ah don’t intend te stay long, If ah make a few quick bob
It’s cold up there it Summer, It’s like sitting inside a fridge,
But ah wish ah was on the Quayside, Looking at the owld Tyne Bridge

Ahm coming home Newcastle, Ah might as well a been in jail,
Ahd walk the streets al day al neet, For a bottle a ye own Brown Ale,
Ahm coming home Newcastle, If ye never win the Cup again,
Ahl brave the dark at St. James’s Park, At the Gallowgate End in the rain,
Ahm coming home…

And ahm proud te be ay Geordie, And te live in Geordie land,
Some people think wi bowdy, And wi hard te understand,
And they say it’s just self pity, And wi not so very tough,
Coz the people in the big fat City, Haven’t had it half as rough,

Ahm coming home Newcastle, Ye can keep ye London wine,
Ahd walk the streets al day al neet, For a bottle a the River Tyne,
Ahm coming home Newcastle, Ah wish ahd never been away,
Ahd kiss the ground for the welcome sound, Of me mother saying hinny howay,
Ahm coming home…

And ah miss the auld blind busker, Who stands at Fenwicks door,
He plays ay mean accordion, Ye’ve arl seen him there before
And ah love the Geordie heroes, There’s so many famous names,
Like Lindisfarne and Gazza, Brendan Foster and the Gateshead games