Place and the fluidity of identity

You’ll need to zoom in on the photos to read our whiteboard ideas, but here’s a record of our classroom discussions yesterday.

These are some of the many really interesting points that came out of our discussions yesterday:

Regional identity

This idea that regional identity was loosing relevance, and in particular whether the ‘next generation’ (youth in the UK) are thinking more ‘nationally’ rather than regionally compared to previous generations (in the wake of Brexit? we mused). If you’re interested in this, have a look at Paasi’s work on regional identity:

Paasi, A, Region and place: regional identity in question, Progress in Human, 2016, Vol 27, Issue 4, pp. 475 – 485

Fluidity

Another point made was about the fluidity of identities, and this contestation between an ascribed identities and attributed identities. Take a look at Brah’s seminal work on Diaspora which argues that identity is fairly fixed culturally but malleable geographically:

Brah, E. 1996: Cartographies of diaspora: contesting identities. London: Routledge

Personal versus place

There was also some argument around whether our personality and familial ties and relationships governed our sense of place, rather than or physical geography. There was mention of ‘being born on the banks of the Tyne’ as a physical definition of being a Geordie, but then talk of accent as imperative to belonging and claiming identities. Something that we didn’t touch on, were experiences and memories of place, and in particular our sensory reception and then projection of place through these experiences. If you’re interested in this more psycho-geographic approach to identity, take a look at the work of Hough:

Hough, M, Out of Place: Restoring Identity to the Regional Landscape, Yale university Press, 1990: New Haven and London

Places that have a placed identity / ‘authentic places’

Another area of discussion was around some places having more of a placed identity than others, so Newcastle, for example, having many cultural and literary associations and stereotypes, having many physical outputs and industries, and being widely portrayed and ‘known’ in popular culture.  All these aspects help to authenticate and brand the city, and with it, an identity that goes alongside the city. If you’re interested in this, there’s a very interesting article  by Sim, who looks at the branding and authenticating of two towns in the Lake District via their food heritage and outputs.

(Souvenirs: branding and creating the city: photo taken during our  live photostream exercise)

Sims, R, Food, place and authenticity: local food and the sustainable tourism experience, Journal of Sustainable Tourism, 17:3, 2009

There’s also some interesting work coming from urban planning and architecture on place making and place shaping, that looks at how to design spaces with placed identity in mind. Take a look at:

Andres, L, Differential Spaces, Power Hierarchy and Collaborative Planning: A Critique of the Role of Temporary Uses in Shaping and Making Places Urban Studies, 2012, Vol 50, Issue 4, pp. 759 – 775


 


 

 


YouTube Film: The city in sound and image

The way we perceive ‘place’, in this case the city of Newcastle Upon Tyne, is influenced by the images and accompanying sounds used to define, stylise and objectify.

I have put together this short video using YouTube Editor, which aims to show how presenting the city through iconic images (in the case of Newcastle- the river, bridges, characteristic ‘Tyneside’ housing stock), and using a soundtrack more reminiscent of the way other big cityscapes are presented (so in this case I’ve chosen a jazz soundtrack, synonymous with the Manhattan skyline), removes Newcastle from the traditional ‘working class, football, heavy industry’ association or stereotype that we’re often talking about in class.

‘Imagining place’ or ‘constructing the city’, as is discussed in the literature surrounding this topic, is a way of inverting or supporting cultural expectations. In this video I have included some travelling shots, such as the view from an escalator going down in to the metro, to get a ‘big city feel’.

If you’re interested in this try these reading about place, branding, image construction, events, and the city:

Ed Aitken, S and Zonn, L (1994) Place, Power, Situation and Spectacle: A Geography of Film, Rowmann and Littelfield

Alberto Vanolo, The image of the creative city: Some reflections on urban branding in Turin, Cities, Volume 25, Issue 6, 2008, Pages 370-382, ISSN 0264-2751, http://dx.doi.org/10.1016/j.cities.2008.08.001
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