Place and the fluidity of identity

You’ll need to zoom in on the photos to read our whiteboard ideas, but here’s a record of our classroom discussions yesterday.

These are some of the many really interesting points that came out of our discussions yesterday:

Regional identity

This idea that regional identity was loosing relevance, and in particular whether the ‘next generation’ (youth in the UK) are thinking more ‘nationally’ rather than regionally compared to previous generations (in the wake of Brexit? we mused). If you’re interested in this, have a look at Paasi’s work on regional identity:

Paasi, A, Region and place: regional identity in question, Progress in Human, 2016, Vol 27, Issue 4, pp. 475 – 485

Fluidity

Another point made was about the fluidity of identities, and this contestation between an ascribed identities and attributed identities. Take a look at Brah’s seminal work on Diaspora which argues that identity is fairly fixed culturally but malleable geographically:

Brah, E. 1996: Cartographies of diaspora: contesting identities. London: Routledge

Personal versus place

There was also some argument around whether our personality and familial ties and relationships governed our sense of place, rather than or physical geography. There was mention of ‘being born on the banks of the Tyne’ as a physical definition of being a Geordie, but then talk of accent as imperative to belonging and claiming identities. Something that we didn’t touch on, were experiences and memories of place, and in particular our sensory reception and then projection of place through these experiences. If you’re interested in this more psycho-geographic approach to identity, take a look at the work of Hough:

Hough, M, Out of Place: Restoring Identity to the Regional Landscape, Yale university Press, 1990: New Haven and London

Places that have a placed identity / ‘authentic places’

Another area of discussion was around some places having more of a placed identity than others, so Newcastle, for example, having many cultural and literary associations and stereotypes, having many physical outputs and industries, and being widely portrayed and ‘known’ in popular culture.  All these aspects help to authenticate and brand the city, and with it, an identity that goes alongside the city. If you’re interested in this, there’s a very interesting article  by Sim, who looks at the branding and authenticating of two towns in the Lake District via their food heritage and outputs.

(Souvenirs: branding and creating the city: photo taken during our  live photostream exercise)

Sims, R, Food, place and authenticity: local food and the sustainable tourism experience, Journal of Sustainable Tourism, 17:3, 2009

There’s also some interesting work coming from urban planning and architecture on place making and place shaping, that looks at how to design spaces with placed identity in mind. Take a look at:

Andres, L, Differential Spaces, Power Hierarchy and Collaborative Planning: A Critique of the Role of Temporary Uses in Shaping and Making Places Urban Studies, 2012, Vol 50, Issue 4, pp. 759 – 775


 


 

 


Home Newcastle

A really interesting conversation yesterday about the song ‘Home Newcastle’ by ‘Busker’ (aka Ronnie Lambert)

I probably should have mentioned for those uninitiated that this song is played before every NUFC home game, is regularly included in compilation albums of ‘Geordie songs’ (our spotify playlist included) and has become an adopted anthem of the football club, and the city more generally.

A couple of the points we raised about this hymn to Geordie identity:

the specificity of it — this being both a way to map the ‘everyday’, the small things. But also this specificity giving a kind of ‘insider knowledge’ to the audience (so if you know what ‘The Gallowgate End’ is, you are allowed to claim this Geordie identity too).

This led into a discussion of the ‘them and us’ theme in the lyrics — Newcastle versus ‘the big fat city’ of London, and the power inequality that many see between ‘the north’ and ‘the south’ (which I think we agreed were more than strictly geographical terms, but have a sense of economy, history, class etc attached to them).

Accent we talked about — which I think is an unavoidable, and centrally important, aspect of Geordie identity. And the idea that what was being said is only part of the identity, how it is being said adds an extra level of context and significance to the words (hence they appear always in their phonetic version, rather than in standard spelling). And this links back to the ‘in group/out group’ thing — a self-definition as ‘hard to understand’.

I think also how important landmarks are in mapping the identity is really important — look at the places Lambert lists here: St. James’ Park, the river Tyne (and bridge, and quayside — a very different place when Lambert wrote this song!), Fenwicks, and ‘the streets’. It’s worth pointing out that this excludes as much of Newcastle (and the North-East more generally) within the concept of Geordie identity — it is not just a geographical place. Notice Lambert doesn’t stroll through Jesmond Dene, or remember Gosforth High Street. So Geordie identity is attached to more than just place.

Home Newcastle — Busker

Ah had te come te London, Coz ah couldn’t find a job,
But ah don’t intend te stay long, If ah make a few quick bob
It’s cold up there it Summer, It’s like sitting inside a fridge,
But ah wish ah was on the Quayside, Looking at the owld Tyne Bridge

Ahm coming home Newcastle, Ah might as well a been in jail,
Ahd walk the streets al day al neet, For a bottle a ye own Brown Ale,
Ahm coming home Newcastle, If ye never win the Cup again,
Ahl brave the dark at St. James’s Park, At the Gallowgate End in the rain,
Ahm coming home…

And ahm proud te be ay Geordie, And te live in Geordie land,
Some people think wi bowdy, And wi hard te understand,
And they say it’s just self pity, And wi not so very tough,
Coz the people in the big fat City, Haven’t had it half as rough,

Ahm coming home Newcastle, Ye can keep ye London wine,
Ahd walk the streets al day al neet, For a bottle a the River Tyne,
Ahm coming home Newcastle, Ah wish ahd never been away,
Ahd kiss the ground for the welcome sound, Of me mother saying hinny howay,
Ahm coming home…

And ah miss the auld blind busker, Who stands at Fenwicks door,
He plays ay mean accordion, Ye’ve arl seen him there before
And ah love the Geordie heroes, There’s so many famous names,
Like Lindisfarne and Gazza, Brendan Foster and the Gateshead games

‘Prezzi’ Presentation on Urban Art in The North East

‘Prezzi’ Presentation on Urban Art in The North East

Between 2010 -2012 I conducted an ethnographic study of  ‘Identity in The North East’, photographing anything I deemed interesting as a comment on ‘identity’. Urban Art in the North East became an incidental but main feature of the project, as my interests grew, I started to see how urban art itself fell into different categories, and with that, held different cultural values and said different things. I’m interested in the link between urban art and place, so what art might say about an area and why.

Have a look at this Prezzi Presentation, as see what you think:

‘Prezzi’ Presentation on Urban Art

Do you agree with my classifications of urban art? What have I left out? Can you add to the collection?

Further Reading:

If you’re interested in conducting a project like this, here’s some further reading:

Metro-Roland, M, Tourists, Signs and the City: The Semiotics of culture in an urban landscape, Ashgate Publishing, London: 2012

Tourists, signs and the city : the semiotics of culture in an urban landscape

 

 

YouTube Film: The city in sound and image

The way we perceive ‘place’, in this case the city of Newcastle Upon Tyne, is influenced by the images and accompanying sounds used to define, stylise and objectify.

I have put together this short video using YouTube Editor, which aims to show how presenting the city through iconic images (in the case of Newcastle- the river, bridges, characteristic ‘Tyneside’ housing stock), and using a soundtrack more reminiscent of the way other big cityscapes are presented (so in this case I’ve chosen a jazz soundtrack, synonymous with the Manhattan skyline), removes Newcastle from the traditional ‘working class, football, heavy industry’ association or stereotype that we’re often talking about in class.

‘Imagining place’ or ‘constructing the city’, as is discussed in the literature surrounding this topic, is a way of inverting or supporting cultural expectations. In this video I have included some travelling shots, such as the view from an escalator going down in to the metro, to get a ‘big city feel’.

If you’re interested in this try these reading about place, branding, image construction, events, and the city:

Ed Aitken, S and Zonn, L (1994) Place, Power, Situation and Spectacle: A Geography of Film, Rowmann and Littelfield

Alberto Vanolo, The image of the creative city: Some reflections on urban branding in Turin, Cities, Volume 25, Issue 6, 2008, Pages 370-382, ISSN 0264-2751, http://dx.doi.org/10.1016/j.cities.2008.08.001
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