{"id":14,"date":"2020-08-21T16:51:32","date_gmt":"2020-08-21T15:51:32","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/?page_id=14"},"modified":"2021-02-11T18:29:39","modified_gmt":"2021-02-11T18:29:39","slug":"reading-material","status":"publish","type":"page","link":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/reading-material\/","title":{"rendered":"Reading Material"},"content":{"rendered":"\n<p>Forum 1: Performance and public space<\/p>\n\n\n\n<p><a href=\"https:\/\/greg.org\/archive\/2013\/08\/06\/stop-and-piss-david-hammons-pissed-off.html\" data-type=\"URL\" data-id=\"https:\/\/greg.org\/archive\/2013\/08\/06\/stop-and-piss-david-hammons-pissed-off.html\">David Hammons &#8211; <em>Pissed Off <\/em>(1981)<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=0N7OnQkch7s&amp;ab_channel=TheMuseumofModernArt\" data-type=\"URL\" data-id=\"https:\/\/www.youtube.com\/watch?v=0N7OnQkch7s&amp;ab_channel=TheMuseumofModernArt\">Pope.L &#8211; <em>Tompkins Square Crawl<\/em>&nbsp;(1991)<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.newyorker.com\/culture\/culture-desk\/crawling-through-new-york-city-with-the-artist-pope-l\">Pope.L feature in the New Yorker<\/a><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Forum 2: Sound, image and video collage<\/strong><\/p>\n\n\n\n<p>Evan Ifekoya &#8211; <a href=\"https:\/\/lux.org.uk\/work\/nature-nurture-sketch\" data-type=\"URL\" data-id=\"https:\/\/lux.org.uk\/work\/nature-nurture-sketch\">Nature Nurture (sketch) (2013)<\/a> and <a href=\"https:\/\/lux.org.uk\/work\/contoured-thoughts\">Contoured Thoughts (2019)<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/lux.org.uk\/writing\/taylor-le-melle-on-evan-ifekoya\" data-type=\"URL\" data-id=\"https:\/\/lux.org.uk\/writing\/taylor-le-melle-on-evan-ifekoya\">LUX New Artist Focus: Taylor Le Melle on Evan Ifekoya<\/a><\/p>\n\n\n\n<p><strong>Forum&nbsp;5:&nbsp;Trauma, Survival and Spirituality&nbsp;in Moving Image<\/strong><\/p>\n\n\n\n<p>\u00a0Larisa Sheptiko&#8217;s seminal film\u00a0<em>Ascent<\/em>\u00a01977.<br><br><a rel=\"noreferrer noopener\" href=\"https:\/\/ncl.kanopy.com\/video\/ascent-1\" target=\"_blank\">Link to film Ascent on Kanopy<\/a><\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=b_jPu2xkU4k\" target=\"_blank\">Scholar Barbora Bartunkova discusses Larisa Shepitko\u2019s singular vision and fearless<\/a><\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.youtube.com\/watch?v=b_jPu2xkU4k\" target=\"_blank\">The Story of Larisa Shepitko<\/a><\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.theguardian.com\/film\/2005\/jan\/10\/russia\" target=\"_blank\">Larushka Ivan-Zadeh. <\/a><\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.theguardian.com\/film\/2005\/jan\/10\/russia\" target=\"_blank\">Guardian article on Larisa Shepitko\u00a0<\/a><\/p>\n\n\n\n<p><strong>Other reading:<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/libsearch.ncl.ac.uk\/permalink\/f\/1jraif3\/NCL_ALMA21149931290002411\" data-type=\"URL\" data-id=\"https:\/\/libsearch.ncl.ac.uk\/permalink\/f\/1jraif3\/NCL_ALMA21149931290002411\">Artists&#8217; moving image in Britain since 1989<\/a> edited by Erika Balsom, Lucy Reynolds and Sarah Perks<\/p>\n\n\n\n<p><a href=\"https:\/\/libsearch.ncl.ac.uk\/primo-explore\/fulldisplay?docid=NCL_ALMA21132440590002411&amp;context=L&amp;vid=NEWUI&amp;lang=en_US&amp;search_scope=NotPC&amp;adaptor=Local%20Search%20Engine&amp;tab=default_tab&amp;query=any,contains,roselee%20goldberg&amp;offset=0\">Performance now<\/a> by Roselee Goldberg<\/p>\n\n\n\n<p><a href=\"https:\/\/www.womenandperformance.org\/\" data-type=\"URL\" data-id=\"https:\/\/www.womenandperformance.org\/\">Women and Performance<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Forum 1: Performance and public space David Hammons &#8211; Pissed Off (1981) Pope.L &#8211; Tompkins Square Crawl&nbsp;(1991) Pope.L feature in the New Yorker Forum 2: Sound, image and video collage Evan Ifekoya &#8211; Nature Nurture (sketch) (2013) and Contoured Thoughts (2019) LUX New Artist Focus: Taylor Le Melle on Evan Ifekoya Forum&nbsp;5:&nbsp;Trauma, Survival and Spirituality&nbsp;in [&hellip;]<\/p>\n","protected":false},"author":8273,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/wp-json\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/wp-json\/wp\/v2\/users\/8273"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":5,"href":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/wp-json\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":86,"href":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/wp-json\/wp\/v2\/pages\/14\/revisions\/86"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/filmandperformance\/wp-json\/wp\/v2\/media?parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}