{"id":1899,"date":"2022-02-28T00:52:46","date_gmt":"2022-02-28T00:52:46","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/?p=1899"},"modified":"2022-05-16T20:10:24","modified_gmt":"2022-05-16T19:10:24","slug":"poetry-and-feelings-optional-workshop-for-fine-art-students","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/2022\/02\/28\/poetry-and-feelings-optional-workshop-for-fine-art-students\/","title":{"rendered":"Poetry and Feelings: Optional Workshop for Fine Art Students"},"content":{"rendered":"\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile is-vertically-aligned-top has-light-gray-background-color has-background\" style=\"grid-template-columns:32% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"794\" height=\"1016\" src=\"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/files\/2022\/02\/Sam2.jpg\" alt=\"\" class=\"wp-image-1894 size-full\" srcset=\"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/files\/2022\/02\/Sam2.jpg 794w, https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/files\/2022\/02\/Sam2-234x300.jpg 234w, https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/files\/2022\/02\/Sam2-768x983.jpg 768w\" sizes=\"auto, (max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 984px) 61vw, (max-width: 1362px) 45vw, 600px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><span class=\"has-inline-color has-bright-red-color\">NEW DATE: <\/span><br>27\u00a0April,11.00-13.00, G.13 (Studio Space), Armstrong Building.<\/h4>\n\n\n\n<p><strong><em>Dr Sam Buchan-Watts, Leverhulme Early Career Fellow in Art Writing<\/em><\/strong><\/p>\n\n\n\n<p>Wordsworth once declared that \u2018poetry is the spontaneous overflow of powerful feelings\u2019, a phrase often used to suggest the uniquely personal and passionate status of poetry as an art form. However, Wordsworth\u2019s modulating clause, \u2018it takes its origin from emotion recollected in tranquillity\u2019, can get forgotten.&nbsp;<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>This workshop offers us a forum to explore ideas (and anxieties) about poetry as an emotional medium, and to discuss the limits of the personal in contemporary poetry. What is being asked of the language of a poem, in contrast to other forms of speech, and particularly to text-based works of visual art? How does writing \u2018recollect\u2019 affective states? Is poetry a medium for oversharing?<\/p>\n\n\n\n<p>We\u2019ll be looking at poets, like Eileen Myles, James Schuyler and CAConrad, whose work and practice is often in dialogue with contemporary art discourses.&nbsp;<\/p>\n\n\n\n<p>No prior knowledge or experience of writing poetry is necessary. We will be reading some poems and exploring a short writing exercise. You are welcome to bring along poems (by you or others). Numbers are limited, please email&nbsp;<a href=\"mailto:sam.buchan-watts@newcastle.ac.uk\">sam.buchan-watts@newcastle.ac.uk<\/a>&nbsp;to reserve a place.&nbsp;<\/p>\n\n\n\n<p><strong>Image: <\/strong><em>Sylvia Plath\u2019s \u2018Daddy\u2019 rendered by artist Patrick Hayman (1971)<\/em><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>NEW DATE: 27\u00a0April,11.00-13.00, G.13 (Studio Space), Armstrong Building. Dr Sam Buchan-Watts, Leverhulme Early Career Fellow in Art Writing Wordsworth once declared that \u2018poetry is the spontaneous overflow of powerful feelings\u2019, a phrase often used to suggest the uniquely personal and passionate status of poetry as an art form. However, Wordsworth\u2019s modulating clause, \u2018it takes its &hellip; <a href=\"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/2022\/02\/28\/poetry-and-feelings-optional-workshop-for-fine-art-students\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Poetry and Feelings: Optional Workshop for Fine Art Students&#8221;<\/span><\/a><\/p>\n","protected":false},"author":8273,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1899","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/posts\/1899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/users\/8273"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/comments?post=1899"}],"version-history":[{"count":6,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/posts\/1899\/revisions"}],"predecessor-version":[{"id":1951,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/posts\/1899\/revisions\/1951"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/media?parent=1899"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/categories?post=1899"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/tags?post=1899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}