{"id":3435,"date":"2024-10-22T13:31:38","date_gmt":"2024-10-22T12:31:38","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/?p=3435"},"modified":"2024-10-22T13:36:10","modified_gmt":"2024-10-22T12:36:10","slug":"everybody-in-the-place-an-incomplete-history-of-britain","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/2024\/10\/22\/everybody-in-the-place-an-incomplete-history-of-britain\/","title":{"rendered":"\u2018Everybody in the Place, An Incomplete History of Britain 1984-1992\u2019"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Link to short extract\/Frieze<\/a><\/p>\n\n\n\n

Link to Guardian review<\/a><\/p>\n\n\n\n

Jeremy Deller has generously given us authorisation to screen his excellent film <\/p>\n\n\n\n

Everybody in the Place: An Incomplete History of Britain 1984-1992<\/em>s <\/strong>currently on show at 180 the Strand as part of the The Vinyl Factory: Reverb exhibition. <\/em><\/p>\n\n\n\n

Everybody in the Place: An Incomplete History of Britain 1984-1992 <\/em>is not a film about climate change, but it is a film about lateral ways of thinking about modes of resistance: It can also be understood as it is a great introduction to the entanglement of capitalist structures at the root of the cliamte emergency and cultural production. <\/p>\n\n\n\n

The film dives into the world of music; examining the socio-political history of the 1980 rave culture and positioning it as a form of resistance to dominant powerstrucures and the miner’s strikes. This work is a film of a lecture Deller delivered to a class of A-level Politics students, it combines rare archive footage with an oral history tracing house music from its Chicago and Detroit origins to its political presence in post-Miners\u2019 strike Britain. <\/p>\n\n\n\n

INTERVIEW<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Link to short extract\/Frieze Link to Guardian review Jeremy Deller has generously given us authorisation to screen his excellent film  Everybody in the Place: An Incomplete History of Britain 1984-1992s currently on show at 180 the Strand as part of the The Vinyl Factory: Reverb exhibition.  Everybody in the Place: An Incomplete History of Britain 1984-1992 is … Continue reading “\u2018Everybody in the Place, An Incomplete History of Britain 1984-1992\u2019”<\/span><\/a><\/p>\n","protected":false},"author":8273,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3435","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/posts\/3435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/users\/8273"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/comments?post=3435"}],"version-history":[{"count":2,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/posts\/3435\/revisions"}],"predecessor-version":[{"id":3441,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/posts\/3435\/revisions\/3441"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/media?parent=3435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/categories?post=3435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/fineartcommunityboard\/wp-json\/wp\/v2\/tags?post=3435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}