{"id":15,"date":"2018-10-05T15:33:58","date_gmt":"2018-10-05T14:33:58","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/?page_id=15"},"modified":"2025-08-30T12:23:18","modified_gmt":"2025-08-30T11:23:18","slug":"publications","status":"publish","type":"page","link":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/blogs.ncl.ac.uk\/gillianjein\/files\/2022\/07\/DD54A8D8-F54B-4EA5-9ACD-686E26B83028-1024x768.jpeg\" alt=\"\" class=\"wp-image-312\" srcset=\"https:\/\/blogs.ncl.ac.uk\/gillianjein\/files\/2022\/07\/DD54A8D8-F54B-4EA5-9ACD-686E26B83028-1024x768.jpeg 1024w, https:\/\/blogs.ncl.ac.uk\/gillianjein\/files\/2022\/07\/DD54A8D8-F54B-4EA5-9ACD-686E26B83028-300x225.jpeg 300w, https:\/\/blogs.ncl.ac.uk\/gillianjein\/files\/2022\/07\/DD54A8D8-F54B-4EA5-9ACD-686E26B83028-768x576.jpeg 768w, https:\/\/blogs.ncl.ac.uk\/gillianjein\/files\/2022\/07\/DD54A8D8-F54B-4EA5-9ACD-686E26B83028-1536x1152.jpeg 1536w, https:\/\/blogs.ncl.ac.uk\/gillianjein\/files\/2022\/07\/DD54A8D8-F54B-4EA5-9ACD-686E26B83028-1200x900.jpeg 1200w, https:\/\/blogs.ncl.ac.uk\/gillianjein\/files\/2022\/07\/DD54A8D8-F54B-4EA5-9ACD-686E26B83028-1980x1485.jpeg 1980w, https:\/\/blogs.ncl.ac.uk\/gillianjein\/files\/2022\/07\/DD54A8D8-F54B-4EA5-9ACD-686E26B83028.jpeg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Photo \u00a9 Gillian Jein<\/figcaption><\/figure><\/div>\n\n\n<p><strong>Books: <\/strong><\/p>\n\n\n\n<p>2025. Jein, G., <a href=\"https:\/\/blogs.ncl.ac.uk\/gillianjein\/the-comfrey-almanac\/\" data-type=\"page\" data-id=\"615\"><em>The Comfrey Almanac<\/em><\/a> (Gateshead: The Comfrey Project)<\/p>\n\n\n\n<p>2019 [2016] Jein, G., <em><a href=\"https:\/\/www.cambridge.org\/core\/books\/alternative-modernities-in-french-travel-writing\/043AB05F60F2B766032734D98DB5A0E2\" data-type=\"URL\" data-id=\"https:\/\/www.cambridge.org\/core\/books\/alternative-modernities-in-french-travel-writing\/043AB05F60F2B766032734D98DB5A0E2\" target=\"_blank\" rel=\"noreferrer noopener\">Alternative Modernities in French Travel Writing: Engaging Urban Space in London and New York, 1851\u20131986 <\/a><\/em>(London: Anthem Press)<\/p>\n\n\n\n<p>2009. Jein, Gillian, Daisy Connon and Greg Kerr (eds), <em><a href=\"https:\/\/mellenpress.com\/book\/Aesthetics-of-Dislocation-in-French-and-Francophone-Literature-and-Art-Strategies-of-Representation\/7692\/\">Dislocation in French and Francophone Literature and Art: Strategies of Representation<\/a><\/em> (Lampeter: The Edwin Mellen Press)<\/p>\n\n\n\n<p><strong>Special Issue: <\/strong><\/p>\n\n\n\n<p>2017. Jein, Gillian, Laura Rorato and Anna Saunders (eds), <a href=\"https:\/\/www.tandfonline.com\/toc\/cjea20\/25\/4\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018City Margins, City Memories\u2019, <em>Journal of Contemporary European Studies<\/em><\/a>, 25.4<\/p>\n\n\n\n<p><strong>Peer-Reviewed Articles &amp; Book Chapters: <\/strong><\/p>\n\n\n\n<p>Forthcoming. Jein, G. &#8216;Making-Do: Towards a Theory of Practice&#8217;, in <em>Making-Do in Urbanism and the Arts<\/em>, edited by Liska Chan (Amsterdam: Amsterdam University Press)<\/p>\n\n\n\n<p>2024. Jein, G. <a href=\"https:\/\/www.liverpooluniversitypress.co.uk\/doi\/abs\/10.1093\/fs\/knae146\" data-type=\"link\" data-id=\"https:\/\/www.liverpooluniversitypress.co.uk\/doi\/abs\/10.1093\/fs\/knae146\">&#8216;A Honeycomb Conjecture: Hexagonal Imaginaries and Interspecies Storytelling for Le Grand Paris&#8217;<\/a>, <em>French Studies<\/em>, 78.4, 623\u2013643<\/p>\n\n\n\n<p>2021. Jein, G., <a href=\"https:\/\/www.aup.nl\/en\/book\/9789048551170\/aesthetics-of-gentrification\" data-type=\"URL\" data-id=\"https:\/\/www.aup.nl\/en\/book\/9789048551170\/aesthetics-of-gentrification\" target=\"_blank\" rel=\"noreferrer noopener\">&#8216;Speculative Spaces in Grand Paris: Reading JR in Clichy-sous-Bois and Montfermeil&#8217;, in <em>Aesthetics of Gentrification: Seductive Spaces and Exclusive Communities in the Neoliberal City<\/em><\/a>, edited by Christoph Lindner and Gerard Sandoval (Amsterdam: Amsterdam University Press), pp. 221\u2013246. [OA, e-book]<\/p>\n\n\n\n<p>2021. Jein, G., <a href=\"https:\/\/www.cambridge.org\/core\/books\/abs\/contemporary-fiction-in-french\/urban-dystopias\/8964085D2F9CC5A5ED48255806248A73\" data-type=\"URL\" data-id=\"https:\/\/www.cambridge.org\/core\/books\/abs\/contemporary-fiction-in-french\/urban-dystopias\/8964085D2F9CC5A5ED48255806248A73\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018Urban Dystopias\u2019, in <em>Contemporary Fiction in French<\/em><\/a>, edited by Anna-Louise Milne and Russell Williams (Cambridge: Cambridge University Press), pp. 199\u2013218<\/p>\n\n\n\n<p>2017. Jein, Gillian, Laura Rorato and Anna Saunders, <a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/14782804.2017.1381588\" data-type=\"URL\" data-id=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/14782804.2017.1381588\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018Introduction: City Margins, City Memories\u2019, <em>Journal of Contemporary European Studies<\/em><\/a>, 25.4, pp. 405\u201311<\/p>\n\n\n\n<p>2016. Jein, G. <a href=\"https:\/\/www.bloomsburycollections.com\/book\/cities-interrupted-visual-culture-and-urban-space\/ch6-suburbia-interrupted-street-art-and-the-politics-of-place-in-the-paris-banlieues-the-primary-research-for-this-chapter-was-kindly-funded-by-the-br\" data-type=\"URL\" data-id=\"https:\/\/www.bloomsburycollections.com\/book\/cities-interrupted-visual-culture-and-urban-space\/ch6-suburbia-interrupted-street-art-and-the-politics-of-place-in-the-paris-banlieues-the-primary-research-for-this-chapter-was-kindly-funded-by-the-br\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018Suburbia Interrupted: Street Art and the Politics of Urban Renewal in the Paris <em>Banlieues<\/em>\u2019, in <em>Cities Interrupted: Visual Culture and Urban Space<\/em>,<\/a> edited by Christoph Lindner and Shirley Jordan (London: Bloomsbury) pp. 87\u2013104<\/p>\n\n\n\n<p>2015. Jein, G. &#8216;(De)Facing the Suburbs: Street Art and the Politics of Spatial Affect in the Paris <em>Banlieues<\/em>&#8216;, <em>The DS Project: Image, Text, Space\/Place, 1830\u20132015<\/em>. Curated and Edited by Sin\u00e9ad Furlong-Clancy, <a href=\"http:\/\/thedsproject.com\/portfolio\/defacing-the-suburbs-street-art-and-the-politics-of-spatial-affect-in-the-paris-banlieues\/\" data-type=\"URL\" data-id=\"http:\/\/thedsproject.com\/portfolio\/defacing-the-suburbs-street-art-and-the-politics-of-spatial-affect-in-the-paris-banlieues\/\" target=\"_blank\" rel=\"noreferrer noopener\">&lt;http:\/\/thedsproject.com\/portfolio\/defacing-the-suburbs-street-art-and-the-politics-of-spatial-affect-in-the-paris-banlieues\/&gt;<\/a><\/p>\n\n\n\n<p>2014. Jein, G. <a href=\"https:\/\/www.taylorfrancis.com\/chapters\/edit\/10.4324\/9780203764091-6\/legislative-interpretive-modes-travel-space-ethics-literary-form-jean-baudrillard-america-gillian-jein\" data-type=\"URL\" data-id=\"https:\/\/www.taylorfrancis.com\/chapters\/edit\/10.4324\/9780203764091-6\/legislative-interpretive-modes-travel-space-ethics-literary-form-jean-baudrillard-america-gillian-jein\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018From Legislative to Interpretive Modes of Travel: Space, Ethics and Literary Form in Baudrillard\u2019s <em>America<\/em>\u2019<\/a>, in Charles Forsdick, Ludmilla Kostova and Corinne Fowler (eds.), <em>Travel and Ethics: Theory and Practice<\/em>. London: Routledge, pp. 31\u201351<\/p>\n\n\n\n<p>2012. Jein, G. <a href=\"https:\/\/www.ingentaconnect.com\/content\/irjofs\/ijfs\/2012\/00000012\/00000001;jsessionid=7uq6j1kj6fdbl.x-ic-live-02\" data-type=\"URL\" data-id=\"https:\/\/www.ingentaconnect.com\/content\/irjofs\/ijfs\/2012\/00000012\/00000001;jsessionid=7uq6j1kj6fdbl.x-ic-live-02\" target=\"_blank\" rel=\"noreferrer noopener\">\u2018(De)Facing the Wall: Traditions, Transactions and Transgressions of Street Art\u2019,<\/a> <em>Irish Journal of French Studies<\/em>, 12, 83\u2013111<\/p>\n\n\n\n<p>2009. Jein, G. \u2018Dislocating Travel: New York as anti-<em>domus<\/em> in Simone de Beauvoir\u2019s <em>Am\u00e9rique au jour le jour<\/em>\u2019 in Gillian Jein, Greg Kerr and Daisy Connon (eds.), <em>Dislocation in French and Francophone Literature and Art: Strategies of Representation<\/em>. Lampeter: The Edwin Mellen Press, pp. 33\u201352<\/p>\n\n\n\n<p>2005. Jein, G. \u2018Tracing H\/histories: Memory, Space and Identity in Georges Perec\u2019s <em>R\u00e9cits d\u2019Ellis Island: Histoires d\u2019errance et d\u2019espoir<\/em>, <em><a href=\"https:\/\/www.pigeonhousebooks.com\/products\/the-history-review-xv-15-2005-university-college-dublin-ucd\">UCD History Review<\/a><\/em>, 15, 87\u201398<\/p>\n\n\n\n<p><strong>Commissioned Contributions &amp; Book Reviews:<\/strong><\/p>\n\n\n\n<p>2018. \u2018Modern Period\u2019, \u2018Rungis-Les Halles\u2019 and \u2018La D\u00e9fense\u2019 entries in\u00a0<em><a href=\"https:\/\/www.amazon.co.uk\/30-Second-Paris-elements-shaped-explained\/dp\/1782405445\">30-Second Paris<\/a><\/em>\u00a0(London: The Ivy Press)<\/p>\n\n\n\n<p>2017. Academic advisor on Layman Poupard Publishing\u2019s issue on Paul Morand as part of their short stories series<\/p>\n\n\n\n<p><strong>\u00a0<\/strong>2015. Jein, G. Review of\u00a0<em>Albert Camus\u2019s \u2018The New Mediterranean Culture\u2019: A Text and its Contexts\u00a0<\/em>by Neil Foxleet,\u00a0<em>French Studies<\/em>, 69. 2, 260\u201361<\/p>\n\n\n\n<p>2013. Jein, G. Review of\u00a0<em>Postcolonial Poetics: Genre and Form<\/em>,\u00a0<em>French Studies<\/em>, 67.1, 144\u201345<\/p>\n\n\n\n<p>2012. Jein, G. Review of\u00a0<em>Skyscraper Cinema: Architecture and Gender in America Film<\/em>\u00a0by Merrill Schleier and\u00a0<em>The Apartment Plot: Urban Living in American Film and Popular Culture, 1945-1975<\/em>\u00a0by Pamela Robertson Wojcik,\u00a0<em>Scope: An Online Journal of Film and Television Studies<\/em>, 22, 43\u201350<\/p>\n\n\n\n<p>2010. Jein, G. Review of\u00a0<em>Henri Michaux: Experimentation with Signs<\/em>\u00a0by Nina Parish,\u00a0<em>The Modern Language Review<\/em>, 105.4, 1165\u201366<\/p>\n\n\n\n<p>2006. Jein, G. Review of\u00a0<em>Unravelling Civlisation: European Travel and Travel Writing<\/em>\u00a0by Hagen Schulz-Forberg,\u00a0<em>Studies in Travel Writing<\/em>, 10.2 \u00a0<\/p>\n\n\n\n<p>2008. Jein, G. \u2018<a href=\"https:\/\/www.jstor.org\/stable\/i20493449\">The Lives of Spaces<\/a>\u2019,\u00a0<em>The Irish Arts Review<\/em>, 25 (2008), 3\u20135<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Books: 2025. Jein, G., The Comfrey Almanac (Gateshead: The Comfrey Project) 2019 [2016] Jein, G., Alternative Modernities in French Travel Writing: Engaging Urban Space in London and New York, 1851\u20131986 (London: Anthem Press) 2009. Jein, Gillian, Daisy Connon and Greg Kerr (eds), Dislocation in French and Francophone Literature and Art: Strategies of Representation (Lampeter: The &hellip; <a href=\"https:\/\/blogs.ncl.ac.uk\/gillianjein\/publications\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Publications<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":7758,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/wp-json\/wp\/v2\/pages\/15","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/wp-json\/wp\/v2\/users\/7758"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/wp-json\/wp\/v2\/comments?post=15"}],"version-history":[{"count":11,"href":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/wp-json\/wp\/v2\/pages\/15\/revisions"}],"predecessor-version":[{"id":646,"href":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/wp-json\/wp\/v2\/pages\/15\/revisions\/646"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/gillianjein\/wp-json\/wp\/v2\/media?parent=15"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}