Category Archives: List

OHD_LST_0244 Links to archives and online fun

Podcasts

BBC Radio 4 – A History of Ghosts Ep. Did You Hear That?

BBC Radio 4 – The Patch

BBC Radio 4 – Under the Cloud

BBC Sounds – Elon Musk: The Evening Rocket, Ep. 4 – Baby X

Puskin – The Last Archive

Reply All – #168 Happiness Calculator vs. Alex Goldman

Reply All – #171 Account Suspended

This American Life – The Room of Requirement

Documentaries

Dirty Streaming: The Internet’s Big Secret

The Great Hack

The Social Dilemma

Shirkers

Archives

1947 Partition Archive

Alternative Toronto

Ambleside Oral History Group

The Arab Image Foundation

British Library Sound Archive

City of Memory

The Citizens Archive of Pakistan

Creative Memory of the Syrian Revolution

Deep Store

Forgotten Heritage

The Internet Archive

John Peel Archive

Nakba Archive

The Parachive Project

Rinascente Archives

Sternberg Press

The Travelling Archive

The Warhol Archive

Online Things

Activist Archivists

The Affective Computing Research Group

Archive It built by the internet archive

Axiell Software developers

CC Search

Center for Humane Technology

Citizen DJ

CoHERE 4 – Futurescaping and the Deletion Bureau

Expire-Span

Dadbot

Europeana

Festival of Maintenance

The Green Web Foundation

Hereafter.ai

The John Nicholas Brown Center for Public Humanities and Cultural Heritage

Magic Tate Ball

The Maintainers

mnemoscape

National Digital Stewardship Alliance

Networks of Dispossession

Participatory Grant Making

Rhizomes

Save our Sounds by The British Library

Sheep Tales

Sites of Conscience

The Things We Did Next

Yarn

Talks

Impossible Archives, Infinite Collections by Carles Guerra

Shklovski, I. (2021) AI as relational Infrastructure during the Not Equal summer webinars

OHD_LST_0128 experiments

In an attempt to create order in the chaos of my mind I thought that it would be helpful to also write all the ideas I have thoughout this process alongside all the questions, insights I have.


The Shelter for Phantom Voices

This idea came to me while I was doing a podcasting workshop (26/04/21 – 27/04/21). Combining the Last Archive podcast and the book Imaginary Museum and then ripping them off, I decided to make the Shelter for Phantom Voices: home of oral history. I thought it would be a good idea to used different oral history projects to illustrate the various challenges and opportunities that can be found in the field of oral history.

I don’t know whether I’ll make it into a podcast or just keep it as a mind palace for myself but either way it is a fun way to think about it.


Pop-Up Archive

I was zooming with Emma because we need our bi-weekly PhD vent. She had been busy with ethics forms which was driving her crazy and I had been thinking about reusing archives (duh). This combination led us to brain storm how you can make an archive pandemic and power-cut proof, while also sticking to GDPR regulations. Our conclusion, a pop-up archive where you can simply hear the oral histories live from the people without any recording. You see if there isn’t a document you do not need to worry about GDPR, power cuts or pandemics because the archive lives within the people. Inspired by oral tradition of Anansi the histories live within the generations through pop up archives. No collection, no storage problems.


PhD student seeking…

Since my roots lie with fine art and I am a strong believer in art as a frontier of exploration, I find it fitting that I should start this project with some type of collaboration with art students. I imagine this would involve me commissioning artists to create pieces that explore the ideas of: sustainability, audience participation, legacy, evolution, story telling, manipulation etc. Should be fun.

Continuing this idea but expanding it to software developers and architects.


The diverse feminist experience

I am currently (21/07/20) watching the drama series Mrs. America, which is about the ERA (equal right amendment) in 1970s America and the women who are both for and against it. The drama demonstrates perfectly how difficult it is for feminist unity because everyone has different life experiences. Women of colour have a different story to white women, young and old differ, lesbians and straights, rich and poor. It is a mess and the exact reason that when my brother asks why can’t women do what #blacklivesmatter protesters do, I reply with it’s just too complicated.

However what this particular situation offers is an extreme situation and extreme situations are very helpful in the case of designing something (Tim Brown, Change by Design). With this in mind I believe that an experiment involving the various opinions of a diverse group on the topic of feminism could provide an exceptional interesting source of footage. Something that could possibly be edited to fit any point of view.

I therefore imagine collecting this in a Photo Booth set up on, lets say, the university grounds and then later inviting people to create their own interpretation of the footage.

I think the aim of the experiment would be to see if you can edit any footage to fit your opinion even if you have collected a wide range of opinions.

Alternatively…

I could make a set up where you can answer a question and leave a question. Like a chain of opinions. Completely random. Could be a website or an installation of some kind.

OHD_LST_0123 questions

Here is a collection of questions I have asked myself concerning the topic of my PhD both big and small.


How do we handle the racism that exists in the archives? Date: 16/06/2020

What do we do with unused interviews? Date: 19/06/2020

Do we need to reevaluate how we create oral historians in order to ensure more equality within the sector? Date: 16/06/2020

What is the difference between a documentary and an oral history project or article? Are they not both curated equally? Is the only true form of oral history stuck unedited in the archives? Date: 20/07/2020

How can we utilise Gen z and the digital natives in oral history archives? What might the pitfalls be? Date: 21/07/2020

Do I have a problem with the word history in the context of oral history interviews? Date: 21/07/2020

Are there any aural oral history papers? If so where are they and why aren’t there more of them Date: 01/10/2020

How does the archive function in a ‘knowledge/data’ economy? Date: 23/10/2020

Do filters for the public limit or increase accessibility? Date: 23/10/2020

Are we looking for an ‘archive’ or a completely new system? Date: 23/10/2020

What should an archive be like during an pandemic? Date: 08/02/2021

How does “Material History” work in the context of oral history? Date: 08/02/2020

Do we get bogged down in the ethics? Date: 16/02/2021

What is our relationship to the ‘public’? Date: 16/02/2021

What does digitization replace? Date: 10/03/2021

Are result lists the problem when it comes to searching? Date: 12/02/2020

What does it mean if people can’t remember? When people are scared of not being able to remember? Date: 16/03/2021

Where does intertextuality and oral history theory end and academic snobbism begin? Date: 16/03/2021

Is having an oral history recorded like donating your body to science? Date: 16/03/2021

What do the interviewees think about reuse? Date: 16/03/2021

How do we take stuff back to the interviewee? Date: 16/03/2021

How do you build a community? Can you build a community? Or do they only grow naturally? What is the balance between setting up/designing a community and having one naturally occur? Date: 30/04/2021

Can the digital ever be transparent if those who make it are from one exclusive group? Date: 11/05/2021

Do we trust archives? Date: 11/05/2021

Does our idea of original need to change? Date: 11/05/2021

Can you democratise history outside of a democracy? Date: 07/05/2021

OHD_LST_0119 words

Acousmatic Sound

Acousmatic sound is sound that is heard without an originating cause being seen. The word acousmatic, from the French acousmatique, is derived from the Greek word akousmatikoi (ἀκουσματικοί), which referred to probationary pupils of the philosopher Pythagoras who were required to sit in absolute silence while they listened to him deliver his lecture from behind a veil or screen to make them better concentrate on his teachings.

Archivism

The act of moving something from the everyday to the space of archive.

Affective Computing

Affective computing is the study and development of systems and devices that can recognise, interpret, process, and simulate human affects. It is an interdisciplinary field spanning computer science, psychology, and cognitive science. One of the motivations for the research is the ability to give machines emotional intelligence, including to simulate empathy. The machine should interpret the emotional state of humans and adapt its behaviour to them, giving an appropriate response to those emotions.

Aufhebung

In Hegel, the term Aufhebung has the apparently contradictory implications of both preserving and changing, and eventually advancement (the German verb aufheben means “to cancel”, “to keep” and “to pick up”). 

Authorised Heritage Discourse

The creation of lists that represent the canon of heritage. It is a set of ideas that works to normalise a range of assumptions about the nature and meaning of heritage and to privilege particular practices, especially those of heritage professionals and the state. Conversely, the AHD can also be seen to exclude a whole range of popular ideas and practices relating to heritage.

Brick and Mortar Archives

A rather more elegant term for archives that are stored in buildings. Because it is important to note that digital archives are also very physical.

Content Drift

When the content of a page has been moved around on the internet causing certain links to no longer be attached to that specific page.

Counter-reading

Counter reading is when you identify the gaps in an archive, analyse why they are exist and combined this with further contextual history in order to fulfil your research.

Data Degradation

Data degradation is the gradual corruption of computer data due to an accumulation of non-critical failures in a data storage device. The phenomenon is also known as data decaydata rot or bit rot.

Disciplinary Upbringing

The separate lenses through which individuals from different fields of work view and approach things like: problem solving, language, and general practice.

Drive By Collaboration

Collaborating but only a trivial amount of time and often to fulfil a funding requirement.

Ego Documents

The word ‘egodocument’ refers to autobiographical writing, such as memoirs, diaries, letters and travel accounts. The term was coined around 1955 by the historian Jacques Presser, who defined egodocuments as writings in which the ‘I’, the writer, is continuously present in the text as the writing and describing subject.

GAFA

Acronym for Google, Apple, Facebook and Amazon. The tech giants.

Historical Imagination

A tool use by historians to put themselves into the shoes of the historical figure they are investigating or imagining themselves in the streets of a certain historical setting. It can be helpful to bring together separate ideas and bring the history back to life as such.

GLAM

GLAM stands for Galleries, Libraries, Archives and Museum.

Link Rot

When the webpage attached to a link can no longer be found when you click on it and instead offers you the message “Page not found”

Liquid Architecture

Liquid architecture is an architecture that breathes, pulses, leaps as one form and lands as another. Liquid architecture is an architecture whose form is contingent on the interest, of the beholder; it is an architecture that opens to welcome me and closes to defend me; it is an architecture without doors and hallways, where the next room is always where I need it to be and what I need it to be.

Marcos Novak in “Liquid architecture in Cyberpace”

Media

Originally coming from the word mediator.

Media Archaeology

Media archaeology or media archeology is a field that attempts to understand new and emerging media through close examination of the past, and especially through critical scrutiny of dominant progressivist narratives of popular commercial media such as film and television. Media archaeologists often evince strong interest in so-called dead media, noting that new media often revive and recirculate material and techniques of communication that had been lost, neglected, or obscured. Some media archaeologists are also concerned with the relationship between media fantasies and technological development, especially the ways in which ideas about imaginary or speculative media affect the media that actually emerge.

Media Literacy

Media literacy encompasses the practices that allow people to access, critically evaluate, and create or manipulate media. Media literacy is not restricted to one medium. Media literacy education is intended to promote awareness of media influence and create an active stance towards both consuming and creating media. Media literacy education is part of the curriculum in the United States and some European Union countries, and an interdisciplinary global community of media scholars and educators engages in knowledge sharing through scholarly and professional journals and national membership associations.

Multivalence

Multi-valents, many values, the holding of different values at the same time without implying confusion, contradiction, or even paradox. (Term coined by Michael Frisch.

Open Access

Open access (OA) is a set of principles and a range of practices through which research outputs are distributed online, free of cost or other access barriers.

Participatory Action Research (PAR)

Participatory Action Research (PAR) has been defined as a collaborative process of research, education and action explicitly oriented towards social transformation. Participatory Action Researchers recognise the existence of a plurality of knowledges in a variety of institutions and locations. In particular, they assume that ‘those who have been most systematically excluded, oppressed or denied carry specifically revealing wisdom about the history, structure, consequences and the fracture points in unjust social arrangements’. PAR therefore represents a counter hegemonic approach to knowledge production.

Post Private

The age of high surveillance which we live in now.

Reference Rot

When links in footnotes on longer are attached to the reference. This is often due to link rot or content drift.

Software Rot

Software rot, also known as bit rotcode rotsoftware erosionsoftware decay, or software entropy is either a slow deterioration of software quality over time or its diminishing responsiveness that will eventually lead to software becoming faulty, unusable, or in need of upgrade. This is not a physical phenomenon: the software does not actually decay, but rather suffers from a lack of being responsive and updated with respect to the changing environment in which it resides.

Taxonomy

The science, laws, or principles of classification.

Vox Pox

Coming from the latin vox populi, it refers to a short interview with a member of the public.

Wikidata

Wikidata is a collaboratively edited multilingual knowledge graph hosted by the Wikimedia Foundation. It is a common source of open data that Wikimedia projects such as Wikipedia, and anyone else, can use under the CC0 public domain license. Wikidata is powered by the software Wikibase.