In this Lug piece, Siobhan Warrington introduces the Living Deltas Hub and provides an update on how the Newcastle Oral History Unit & Collective is contributing to this large, five-year (2019-2024) international and interdisciplinary project.Continue reading
Over ten years ago, Liz O’Donnell recorded the memories of more than 40 people in the North East who, as children during the 2nd World War, had experienced the huge dislocation caused by mass evacuation. Current discussions about the damaging impact of disrupted education caused by the pandemic led her to dig out her research notes, to look at the evacuees’ recollections of their own disturbed schooling, especially their feelings about its long-term effects. All the examples here are of evacuation to villages in Northumberland, mostly from the industrial areas of Tyneside. Summaries and recordings of all the interviews are available at Northumberland Archives, Woodhorn.Continue reading
The Common Room of the Great North was established in 2017 to manage the redevelopment and refurbishment of The North of England Institute of Mining and Mechanical Engineers in Newcastle. The group was awarded £4.1m from The National Lottery Heritage Fund, plus a further £3m in match funding, to conserve the Grade II* listed building, refurbish its ground floor reading rooms, securely house its archive and collections and enhance its conferencing facilities. In this Lug post, Programme and Engagement Manager Emily Tench discusses the history of the building, its collections, and the future ambitions of The Common Room.Continue reading
Sustaining visitor (re)use of oral histories on heritage sites: The National Trust’s Seaton Delaval Hall AS A case study.
Oral history’s popularity as an active collecting method and archiving tool have outstripped the level of reuse of oral histories in historical interpretation. And while oral history’s limited reuse of archived oral histories has attracted some interest, this is based mainly on proposed digital technical fixes. Significantly, there is relatively less research on the dissemination of oral histories and their reception by audiences. Oral history as an emerging discipline has yet to adequately integrate users and audiences into the processes of analysis and reuse.
The PhD project draws on oral history reuse theory and practice in combination with design science to explore ways of addressing reusability. We are particularly keen to explore how heritage site visitors might become active curators and historians in reusing oral histories from an existing on-site archive and how in turn new data could be generated to shape future collecting. The PhD will generate, in partnership, new knowledge to understand and address visitors’ active engagement in interpreting the past through a case study utilising the National Trust’s oral history archive at Seaton Delaval Hall.
Terry Whalebone, 2006, CC BY 2.0 (no changes)
With the support of the local community, Seaton Delaval Hall was acquired by the National Trust ten years ago. Although a recent acquisition in Trust terms, the Hall shares with its locality a rich and significant history, including being the site of a Second World War POW camp. Much of The Hall is currently undergoing major repair and conservation, including a large engagement programme, embedding collaborative practice across the site and encouraging relevance and legacy for the Hall within the local community. Over the next few years, the site will offer opportunities to rethink and experiment with programming and interpretation. The Hall currently primarily focuses on one aspect of history, the Delaval Family, but there is an acute awareness that this is an incomplete picture. Staff and volunteers at the Hall are also interested in exploring a 360-degree interpretation of history. This is, therefore, a timely opportunity to approach this collection, archiving and engagement holistically from the outset. Above all else, the Trust staff want to ensure that Seaton Delaval Hall’s oral histories are not only collected and archived but that they are sustainable.
Design science in this project offers the possibility for a change in how oral history archives are created, curated, accessed, and most significantly in their use and reuse. This will be achieved by the student establishing a network of people from different, relevant, subject-areas and engaging them in a design-facilitated creative discourse around the specific issues identified above. By ensuring that archive creators, staff and volunteers, local community members, and visitors are involved in this network, needs and opportunities will be identified, and insights and ideas harvested and developed in design.
By researching and immersing themselves in the culture of oral history as a set of practices and theories from collection to reuse, the student will be able to create a deeper understanding of barriers and opportunities. Working together with oral historians at Newcastle, design thinkers at Northumbria and staff and volunteers at the Hall they will aim to create a new active archiving and curation system. This system will also aim to support accessibility for all and open to wider interpretations. Following the development of the system, prototyping and testing will be conducted at Hall with visitors with the findings disseminated through the Trust and beyond. The Hall, as a site for experimentation, has been identified to undertake development and shares learning at a regional and national level within the Trust. This PhD research would, therefore, include sharing lessons to regional and national colleagues across the Trust and within the wider heritage sector.
This Northern Bridge Collaborative Doctoral Award is offered through a three-way collaboration involving colleagues from the National Trust, Northumbria School of Design and History, Classics and Archaeology at Newcastle. The supervisory team will be led by Graham Smith, Oral History Unit and Collective (OHUC), with Mark Bailey, Northumbria, and Jo Moody and Emma Thomas, National Trust.
The successful applicant will be located in the Oral History Unit and Collective (OHUC) at Newcastle, and will also have a place within Northumbria’s Design-led Responsible Innovation Practice Research group. This will provide the student with access to CoCreate and the wider Northumbria PGR community which has an established programme of doctoral support promoting interdisciplinary dialogue and collaboration. Research in the School of Design has developed to embrace both practice-based, action research and fundamental theoretical studies. Especially relevant to this study, the school has particular expertise in externally engaged, applied participatory research supported by dedicated research studios within CoCreate, a research group which explores societal challenges and cultural experiences through participatory and design-led research, with an emphasis on interaction and social design and creative practice.
OHUC at Newcastle has a core team of four PDRAs and four Associate Researchers. OHUC was launched in January 2018 and operates within Newcastle University’s School of History, Classics and Archaeology. Working across diverse academic disciplines, from creative arts to medicine, and in partnership with local history groups and community historians, the Unit’s work explores the role of oral history in communicating the past in the present with particular reference to historical justice. OHUC produces globally significant research while attending to regional and civic responsibilities. Using oral history as both a method and a source in public history settings, OHUC shares the common agenda of co-researching memory and historical narratives through reflective practices and theories, with the Collective providing a forum for knowledge exchange that explores the dynamics of individual and social memories and historical narratives. The Unit is therefore ideally suited as a research environment for this PhD, providing opportunities for engagement with knowledge-exchange activities and interdisciplinary explorations within the university and with community oral historians in the region.
The student will also have access to an extensive range of National Trust training including working with volunteers, managing change, communication, and leadership and will be allocated working space at Seaton Delaval in addition to a place in the Oral History Unit’s team.
Applicants should have experience of oral history and design. Excellent first and second degrees. Enquiries should be made to email@example.com For further details of how to apply for this Northern Bridge Collaborative Doctoral Award
The Oral History Collective is delighted to be associated with the UK Research and Innovation (UKRI) Global Challenges Research Fund (GCRF) Living Deltas Hub. As part of a large, multi-disciplinary team, Professor Graham Smith and head of Newcastle University’s School of History, Professor Helen Berry, will lead a team of Research Associates and collaborative partners in history and oral history that will explore popular memories of environmental change across three of the world’s major delta regions. Here Graham reflects on just why the project is so exciting.
When the United Nations Special Rapporteur for Extreme Poverty visited the Newcastle West End Foodbank in Wednesday, the Oral History Collective was invited along to share some of the research findings from our six-month Foodbank Histories project, a partnership with Northern Cultural Projects. This work is also part of the Being Human festival, 15-24 Nov. So why is it important?
We are excited to be hosting oral historians from around the UK for the annual Oral History Society (OHS) regional networkers’ gathering next weekend. The event will begin on Friday 26 October with a special seminar from Dr Rob Perks, director of National Life Stories at the British Library. Saturday’s program focusses on the challenges and opportunities of partnership working and the afternoon will be opened to non-members.
One of the organisational members of our Collective is the Newcastle University Special Collections & Archives team. As part of their commitment to opening up the archive, the Collected Voices project gathers the oral histories of those behind the materials. In this post, literary archivist Rachel Hawkes gives us an insight into their work.