August 11th 2020 marks the 40th anniversary of the Tyne and Wear Metro. In this Lug Post, Andy Clark confesses to his enthusiasm for all things railway-related and discusses a new oral history project that NOHUC are supporting on forty years of the Metro.Continue reading
Over ten years ago, Liz O’Donnell recorded the memories of more than 40 people in the North East who, as children during the 2nd World War, had experienced the huge dislocation caused by mass evacuation. Current discussions about the damaging impact of disrupted education caused by the pandemic led her to dig out her research notes, to look at the evacuees’ recollections of their own disturbed schooling, especially their feelings about its long-term effects. All the examples here are of evacuation to villages in Northumberland, mostly from the industrial areas of Tyneside. Summaries and recordings of all the interviews are available at Northumberland Archives, Woodhorn.Continue reading
Mary Stewart is Curator of Oral History and Deputy Director of National Life Stories at the British Library. In this podcast, she discusses the family history that contributed to her Masters Thesis, how she came to work with the British Library, the process of archiving, and the practicalities of managing the British Library Oral History collection.
Sustaining visitor (re)use of oral histories on heritage sites: The National Trust’s Seaton Delaval Hall AS A case study.
Oral history’s popularity as an active collecting method and archiving tool have outstripped the level of reuse of oral histories in historical interpretation. And while oral history’s limited reuse of archived oral histories has attracted some interest, this is based mainly on proposed digital technical fixes. Significantly, there is relatively less research on the dissemination of oral histories and their reception by audiences. Oral history as an emerging discipline has yet to adequately integrate users and audiences into the processes of analysis and reuse.
The PhD project draws on oral history reuse theory and practice in combination with design science to explore ways of addressing reusability. We are particularly keen to explore how heritage site visitors might become active curators and historians in reusing oral histories from an existing on-site archive and how in turn new data could be generated to shape future collecting. The PhD will generate, in partnership, new knowledge to understand and address visitors’ active engagement in interpreting the past through a case study utilising the National Trust’s oral history archive at Seaton Delaval Hall.
Terry Whalebone, 2006, CC BY 2.0 (no changes)
With the support of the local community, Seaton Delaval Hall was acquired by the National Trust ten years ago. Although a recent acquisition in Trust terms, the Hall shares with its locality a rich and significant history, including being the site of a Second World War POW camp. Much of The Hall is currently undergoing major repair and conservation, including a large engagement programme, embedding collaborative practice across the site and encouraging relevance and legacy for the Hall within the local community. Over the next few years, the site will offer opportunities to rethink and experiment with programming and interpretation. The Hall currently primarily focuses on one aspect of history, the Delaval Family, but there is an acute awareness that this is an incomplete picture. Staff and volunteers at the Hall are also interested in exploring a 360-degree interpretation of history. This is, therefore, a timely opportunity to approach this collection, archiving and engagement holistically from the outset. Above all else, the Trust staff want to ensure that Seaton Delaval Hall’s oral histories are not only collected and archived but that they are sustainable.
Design science in this project offers the possibility for a change in how oral history archives are created, curated, accessed, and most significantly in their use and reuse. This will be achieved by the student establishing a network of people from different, relevant, subject-areas and engaging them in a design-facilitated creative discourse around the specific issues identified above. By ensuring that archive creators, staff and volunteers, local community members, and visitors are involved in this network, needs and opportunities will be identified, and insights and ideas harvested and developed in design.
By researching and immersing themselves in the culture of oral history as a set of practices and theories from collection to reuse, the student will be able to create a deeper understanding of barriers and opportunities. Working together with oral historians at Newcastle, design thinkers at Northumbria and staff and volunteers at the Hall they will aim to create a new active archiving and curation system. This system will also aim to support accessibility for all and open to wider interpretations. Following the development of the system, prototyping and testing will be conducted at Hall with visitors with the findings disseminated through the Trust and beyond. The Hall, as a site for experimentation, has been identified to undertake development and shares learning at a regional and national level within the Trust. This PhD research would, therefore, include sharing lessons to regional and national colleagues across the Trust and within the wider heritage sector.
This Northern Bridge Collaborative Doctoral Award is offered through a three-way collaboration involving colleagues from the National Trust, Northumbria School of Design and History, Classics and Archaeology at Newcastle. The supervisory team will be led by Graham Smith, Oral History Unit and Collective (OHUC), with Mark Bailey, Northumbria, and Jo Moody and Emma Thomas, National Trust.
The successful applicant will be located in the Oral History Unit and Collective (OHUC) at Newcastle, and will also have a place within Northumbria’s Design-led Responsible Innovation Practice Research group. This will provide the student with access to CoCreate and the wider Northumbria PGR community which has an established programme of doctoral support promoting interdisciplinary dialogue and collaboration. Research in the School of Design has developed to embrace both practice-based, action research and fundamental theoretical studies. Especially relevant to this study, the school has particular expertise in externally engaged, applied participatory research supported by dedicated research studios within CoCreate, a research group which explores societal challenges and cultural experiences through participatory and design-led research, with an emphasis on interaction and social design and creative practice.
OHUC at Newcastle has a core team of four PDRAs and four Associate Researchers. OHUC was launched in January 2018 and operates within Newcastle University’s School of History, Classics and Archaeology. Working across diverse academic disciplines, from creative arts to medicine, and in partnership with local history groups and community historians, the Unit’s work explores the role of oral history in communicating the past in the present with particular reference to historical justice. OHUC produces globally significant research while attending to regional and civic responsibilities. Using oral history as both a method and a source in public history settings, OHUC shares the common agenda of co-researching memory and historical narratives through reflective practices and theories, with the Collective providing a forum for knowledge exchange that explores the dynamics of individual and social memories and historical narratives. The Unit is therefore ideally suited as a research environment for this PhD, providing opportunities for engagement with knowledge-exchange activities and interdisciplinary explorations within the university and with community oral historians in the region.
The student will also have access to an extensive range of National Trust training including working with volunteers, managing change, communication, and leadership and will be allocated working space at Seaton Delaval in addition to a place in the Oral History Unit’s team.
Applicants should have experience of oral history and design. Excellent first and second degrees. Enquiries should be made to email@example.com For further details of how to apply for this Northern Bridge Collaborative Doctoral Award
A sizeable audience gathered in the Armstrong Building on Wednesday 5 June for the joint launch of two exciting new publications by members of the Oral History Unit & Collective: Research Associate Alison Atkinson-Phillips’s Survivor Memorials: Remembering Trauma and Loss In Contemporary Australia (University of Western Australia Publishing) and Reader in Labour History Matt Perry’s Mutinous Memories: A Subjective History of French Military Protest in 1919 (Manchester University Press). Jack Hepworth reports.
The Newcastle Oral History Unit and Collective is celebrating its first full year of operation with our Annual Public Lecture in March. As with any new venture, it has been a year of learning, and an important part of that has been figuring out where we fit into the world of oral history. To help us with that, we made sure at least one member attended each of the four large oral history conferences held in Europe and North America in 2018*, to get a sense of the ‘state of the field’ that we are a part of. So, what have we learned?
This Disability History Month, Silvie Fisch, director of Northern Cultural Projects and associate researcher with the Oral History Unit & Collective, shares some of the stories she heard during our Foodbank Histories project and reflects on the interconnections between disability, ill health and poverty in the age of Universal Credit.
When the United Nations Special Rapporteur for Extreme Poverty visited the Newcastle West End Foodbank in Wednesday, the Oral History Collective was invited along to share some of the research findings from our six-month Foodbank Histories project, a partnership with Northern Cultural Projects. This work is also part of the Being Human festival, 15-24 Nov. So why is it important?