{"id":11,"date":"2020-04-28T15:57:53","date_gmt":"2020-04-28T14:57:53","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/?page_id=11"},"modified":"2021-10-10T23:23:30","modified_gmt":"2021-10-10T22:23:30","slug":"useful-links","status":"publish","type":"page","link":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/useful-links\/","title":{"rendered":"Useful Links"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\">Websites, magazines,  blogs, videos dealing with ideas around painting. The list will be updated regularly.<\/h3>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2021\/sep\/07\/mixing-it-up-painting-today-review-hayward-gallery\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"549\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-29-at-00.04.30-1024x549.png\" alt=\"\" class=\"wp-image-435\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-29-at-00.04.30-1024x549.png 1024w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-29-at-00.04.30-300x161.png 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-29-at-00.04.30-768x412.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-29-at-00.04.30-1536x824.png 1536w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-29-at-00.04.30-2048x1099.png 2048w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-29-at-00.04.30-624x335.png 624w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Mixing It Up<\/strong><\/p>\n\n\n\n<p>Hayward Gallery Exhibition <br><a href=\"https:\/\/www.theguardian.com\/artanddesign\/2021\/sep\/07\/mixing-it-up-painting-today-review-hayward-gallery\" target=\"_blank\" rel=\"noreferrer noopener\">Review Guardian<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/freelandsfoundation.co.uk\/education\/painters-talking-painting\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"361\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/10\/Screenshot-2021-10-10-at-23.04.01-1024x361.png\" alt=\"\" class=\"wp-image-440\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/10\/Screenshot-2021-10-10-at-23.04.01-1024x361.png 1024w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/10\/Screenshot-2021-10-10-at-23.04.01-300x106.png 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/10\/Screenshot-2021-10-10-at-23.04.01-768x271.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/10\/Screenshot-2021-10-10-at-23.04.01-1536x541.png 1536w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/10\/Screenshot-2021-10-10-at-23.04.01-624x220.png 624w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/10\/Screenshot-2021-10-10-at-23.04.01.png 1668w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Painters Talking Painting<\/strong><\/p>\n\n\n\n<p><a href=\"https:\/\/freelandsfoundation.co.uk\/education\/painters-talking-painting\" data-type=\"URL\" data-id=\"https:\/\/freelandsfoundation.co.uk\/education\/painters-talking-painting\" target=\"_blank\" rel=\"noreferrer noopener\">Freelands Foundation London<\/a><br><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Frieze Talk: Painting Today\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/lygbdingp08?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"First Prize Winner Announcement | John Moores Painting Prize 2020 | National Museums Liverpool\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/w28FvfmVTCQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/talkingwithpainters.com\/2021\/08\/03\/ep-113-georgia-spain\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"562\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-28-at-23.58.47-1024x562.png\" alt=\"\" class=\"wp-image-433\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-28-at-23.58.47-1024x562.png 1024w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-28-at-23.58.47-300x165.png 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-28-at-23.58.47-768x421.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-28-at-23.58.47-1536x843.png 1536w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-28-at-23.58.47-2048x1123.png 2048w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/09\/Screenshot-2021-09-28-at-23.58.47-624x342.png 624w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong><em>Talking with Painters<\/em><\/strong><br>Podcast<\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/iknowstrangepeople.buzzsprout.com\/1653877\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/74cb75bab2243992e98fab5156007185827084cf97936f24c0c66a651388df90.jpg\" alt=\"\" class=\"wp-image-420\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/74cb75bab2243992e98fab5156007185827084cf97936f24c0c66a651388df90.jpg 600w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/74cb75bab2243992e98fab5156007185827084cf97936f24c0c66a651388df90-300x300.jpg 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/74cb75bab2243992e98fab5156007185827084cf97936f24c0c66a651388df90-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p><\/p>\n\n\n\n<p><strong><em>I know Strange People<\/em><\/strong><br><a rel=\"noreferrer noopener\" href=\"https:\/\/iknowstrangepeople.buzzsprout.com\/1653877\" target=\"_blank\">Podcast<\/a><\/p>\n\n\n\n<p><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.monklikehabits.com\/past\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1021\" height=\"1024\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/Screenshot-2021-07-05-at-14.26.48-1-1021x1024.png\" alt=\"\" class=\"wp-image-422\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/Screenshot-2021-07-05-at-14.26.48-1-1021x1024.png 1021w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/Screenshot-2021-07-05-at-14.26.48-1-300x300.png 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/Screenshot-2021-07-05-at-14.26.48-1-150x150.png 150w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/Screenshot-2021-07-05-at-14.26.48-1-768x771.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/Screenshot-2021-07-05-at-14.26.48-1-624x626.png 624w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/07\/Screenshot-2021-07-05-at-14.26.48-1.png 1184w\" sizes=\"auto, (max-width: 1021px) 100vw, 1021px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p>Website <br><strong><em>Monklike Habits<\/em><\/strong><br><a rel=\"noreferrer noopener\" href=\"https:\/\/www.monklikehabits.com\/past\" target=\"_blank\">https:\/\/www.monklikehabits.com\/past<\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/podcasts.apple.com\/gb\/podcast\/talk-art\/id1439567112\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"548\" height=\"554\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.59.44.png\" alt=\"\" class=\"wp-image-361\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.59.44.png 548w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.59.44-297x300.png 297w\" sizes=\"auto, (max-width: 548px) 100vw, 548px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">Podcast talk Art <\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.royalacademy.org.uk\/exhibition\/tracey-emin-edvard-munch\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"553\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.54.43-1024x553.png\" alt=\"\" class=\"wp-image-360\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.54.43-1024x553.png 1024w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.54.43-300x162.png 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.54.43-768x415.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.54.43-1536x829.png 1536w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.54.43-624x337.png 624w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/Screenshot-2021-01-04-at-16.54.43.png 1982w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">Exhibition <br>Tracey Emin \/Edvard Munch<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/www.jacksonsart.com\/paintingprize\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"869\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/JPP_webite_hero-1024x869.jpg\" alt=\"\" class=\"wp-image-349\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/JPP_webite_hero-1024x869.jpg 1024w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/JPP_webite_hero-300x255.jpg 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/JPP_webite_hero-768x652.jpg 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/JPP_webite_hero-1536x1304.jpg 1536w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/JPP_webite_hero-2048x1738.jpg 2048w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/JPP_webite_hero-624x530.jpg 624w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">Painting Prize 2021<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/londonpaintclub.com\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"225\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/images.png\" alt=\"\" class=\"wp-image-346\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/images.png 225w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2021\/01\/images-150x150.png 150w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">London Paint <a href=\"https:\/\/londonpaintclub.com\" target=\"_blank\" rel=\"noreferrer noopener\">Club<\/a><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mark Bradford: In Conversation | Artist&#039;s Talk | Tate\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/G4isoSmHKiU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.beeppainting.com\/news.html\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.beeppainting.com\/uploads\/9\/1\/4\/8\/9148007\/published\/beepvenues.jpg?1596639943\" alt=\"\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Hoyland Six Days in September\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/npTmogw8m30?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Emile de Antonio on Painters Painting\" width=\"625\" height=\"469\" src=\"\/\/www.youtube.com\/embed\/F8rn4IbP9YE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/www.conversationsinpainting.co.uk\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-15.39.12-723x1024.png\" alt=\"\" class=\"wp-image-152\" width=\"362\" height=\"512\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-15.39.12-723x1024.png 723w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-15.39.12-212x300.png 212w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-15.39.12-768x1088.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-15.39.12-624x884.png 624w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-15.39.12.png 1142w\" sizes=\"auto, (max-width: 362px) 100vw, 362px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/www.a-n.co.uk\/news\/a-n-degree-shows-guide-2020-celebrating-new-art-in-extraordinary-times\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/static.a-n.co.uk\/wp-content\/uploads\/2020\/04\/a-n-Degree-Shows-Guide-2020_.jpg\" alt=\"\" width=\"401\" height=\"564\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Somewhere Over The Rainbow: Robert Natkin &amp; Peter Fuller art documentary Abstract Expressionism\" width=\"625\" height=\"469\" src=\"\/\/www.youtube.com\/embed\/gEbdcY0fqwA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.paintingresearch.net\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"613\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-16.02.17-1024x613.png\" alt=\"\" class=\"wp-image-150\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-16.02.17-1024x613.png 1024w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-16.02.17-300x180.png 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-16.02.17-768x460.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-16.02.17-624x374.png 624w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.jacksonsart.com\/paintingprize\/jacksons-painting-prize\/jpp-2020\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/paintingprize\/app\/uploads\/2020\/05\/JOPP_homepage3.jpg\" alt=\"\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.instagram.com\/paintparty_paintparty\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"288\" height=\"300\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-25-at-02.10.45-288x300.png\" alt=\"\" class=\"wp-image-175\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-25-at-02.10.45-288x300.png 288w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-25-at-02.10.45-768x801.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-25-at-02.10.45-982x1024.png 982w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-25-at-02.10.45-624x651.png 624w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-25-at-02.10.45.png 1128w\" sizes=\"auto, (max-width: 288px) 100vw, 288px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.twocoatsofpaint.com\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"656\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-01-at-19.12.54-1024x656.png\" alt=\"\" class=\"wp-image-136\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-01-at-19.12.54-1024x656.png 1024w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-01-at-19.12.54-300x192.png 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-01-at-19.12.54-768x492.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-01-at-19.12.54-624x400.png 624w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption><br><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/butterbiggens.co.uk\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"565\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-11.28.18-1024x565.png\" alt=\"\" class=\"wp-image-147\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-11.28.18-1024x565.png 1024w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-11.28.18-300x166.png 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-11.28.18-768x424.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/05\/Screenshot-2020-05-12-at-11.28.18-624x344.png 624w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/art21.org\/watch\/new-york-close-up\/bryan-zanisniks-big-pivot\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"597\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/Screenshot-2020-04-30-at-17.51.41-1024x597.png\" alt=\"\" class=\"wp-image-119\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/Screenshot-2020-04-30-at-17.51.41-1024x597.png 1024w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/Screenshot-2020-04-30-at-17.51.41-300x175.png 300w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/Screenshot-2020-04-30-at-17.51.41-768x448.png 768w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/Screenshot-2020-04-30-at-17.51.41-624x364.png 624w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Opening-Day Talk: Painting in the Present Tense\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/scYj-bDEaKI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed-soundcloud wp-block-embed is-type-rich is-provider-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Trailer for Recording Artists: Radical Women by Getty\" width=\"625\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F707875225&#038;show_artwork=true&#038;maxheight=938&#038;maxwidth=625\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\"><br>Royal Society of Portrait Painters Annual Exhibition 2020<\/h2>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"https:\/\/www.mallgalleries.org.uk\/whats-on\/exhibitions\/royal-society-portrait-painters-annual-exhibition-2020?utm_source=e-newsletter&amp;utm_medium=email&amp;utm_campaign=Exhibition-RP-2020&amp;utm_content=MainImage\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.mallgalleries.org.uk\/sites\/default\/files\/styles\/content_carousel\/public\/exhibition-artwork\/Brown-Peter-07-09-2019-10083.jpg?itok=u0yNBjvW\" alt=\"\" \/><\/a><\/figure>\n\n\n\n<p>PAINTING IN TIME SYMPOSIUM,&nbsp;SAT 4 JULY, 11AM \u2013 4PM,&nbsp;THE TETLEY<br><a href=\"http:\/\/thetetley.org\/painting-time-symposium\/\" target=\"_blank\" rel=\"noreferrer noopener\">http:\/\/thetetley.org\/painting-time-symposium\/<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"http:\/\/www.artymagazine.com\/images\/arty43\/Arty43_cover_Cathy_Lomax.jpg\" alt=\"\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Frustrated by opportunities for emerging artists to voice their opinions and concerns and inspired by seminal punk zine Sniffin\u2019 Glue, artist Cathy Lomax started Arty in April 2001. It was described by fellow artist Alex Michon as \u2018an antidote to the kind of dry, critic led writing about art which was becoming increasingly out of touch with the kind of work which was appearing in minuscule galleries throughout the land\u2019<br><em><a href=\"http:\/\/www.artymagazine.com\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"http:\/\/www.artymagazine.com (opens in a new tab)\">http:\/\/www.artymagazine.com<\/a><\/em><\/p>\n<\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/www.intellectbooks.com\/assets\/40a5c5a6\/jcp-51-94755-290x400.png\" alt=\"\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>The&nbsp;<\/strong><em><strong>Journal of Contemporary Painting<\/strong><\/em><strong>&nbsp;(JCP<\/strong>) is a discursive peer-reviewed publication concerned with the practice of contemporary painting in its broadest sense..<br><br>Link (via library)<br><a rel=\"noreferrer noopener\" aria-label=\" https:\/\/www-ingentaconnect-com.libproxy.ncl.ac.uk\/content\/intellect\/jcp  (opens in a new tab)\" href=\"http:\/\/ https:\/\/www-ingentaconnect-com.libproxy.ncl.ac.uk\/content\/intellect\/jcp\" target=\"_blank\"> https:\/\/www-ingentaconnect-com.libproxy.ncl.ac.uk\/content\/intellect\/jcp <\/a><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"990\" height=\"377\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/paintclub_weblogo4.gif\" alt=\"\" class=\"wp-image-58\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>Paint Club was founded by artists&nbsp;Rebecca Fortnum&nbsp;(now at RCA),&nbsp;Jeffrey Dennis(Chelsea College of Arts),&nbsp;Mick Finch&nbsp;(Central St Martins) and others. Paint Club has inspired the formation of similar groupings and events in the East of England (<em>Paint Club East<\/em>), in Leeds and in Ireland. <br><br><a href=\"http:\/\/paintclub.org.uk\">http:\/\/paintclub.org.uk<\/a> <\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"636\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/1PAINTINGMAGAZINEWHITEpage.jpg\" alt=\"\" class=\"wp-image-60\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/1PAINTINGMAGAZINEWHITEpage.jpg 500w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/1PAINTINGMAGAZINEWHITEpage-236x300.jpg 236w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>The idea to establish a magazine about painting, made predominately by painters, became concrete in 2003 during one of our many discussions &#8211; arguments about our own work and other painters that interested us.<br><br><a href=\"https:\/\/www.turpsbanana.com\/about-contact\">https:\/\/www.turpsbanana.com\/about-contact<\/a><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"George Condo: The Way I Think | Louisiana Channel\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/BhRdlVcQnjk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption><br><\/figcaption><\/figure>\n\n\n\n<div class=\"wp-block-media-text alignwide\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/CBP-logo_green-600x600.jpg\" alt=\"\" class=\"wp-image-62\" srcset=\"https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/CBP-logo_green-600x600.jpg 600w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/CBP-logo_green-600x600-150x150.jpg 150w, https:\/\/blogs.ncl.ac.uk\/paintingplus\/files\/2020\/04\/CBP-logo_green-600x600-300x300.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p>\u2018Contemporary British Painting\u2019 is an artist led organisation which explores and promotes current trends in British painting through the activity of our members, exhibitions, talks and publications, and placing work in art museums and collections.<br><a href=\"https:\/\/www.contemporarybritishpainting.com\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"https:\/\/www.contemporarybritishpainting.com (opens in a new tab)\">https:\/\/www.contemporarybritishpainting.com<\/a><\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed-wordpress wp-block-embed is-type-wp-embed is-provider-contemporary-british-painting\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"wp-embedded-content\" data-secret=\"gYgTe71NBm\"><a href=\"https:\/\/www.contemporarybritishpainting.com\/painting-prize-2019\/\">2019<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;2019&#8221; &#8212; Contemporary British Painting\" src=\"\/\/www.contemporarybritishpainting.com\/painting-prize-2019\/embed\/#?secret=DEATqnwmNe#?secret=gYgTe71NBm\" data-secret=\"gYgTe71NBm\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mel Bochner in Conversation with Alexis Lowry and James Meyer\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/YDvQpFTExWQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Painting After Technology\" src=\"\/\/player.vimeo.com\/video\/128379297?dnt=1&amp;app_id=122963\" width=\"625\" height=\"352\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n<p><a href=\"https:\/\/soundcloud.com\/the-getty\/trailer-recording-artists-radical-women\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Recording Artists, Radical Women<\/strong><\/a><br>Getty podcast<\/p>\n<p><\/p>\n<p><strong>Paint Club<\/strong><br><a href=\"http:\/\/paintclub.org.uk\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/paintclub.org.uk<\/a><\/p>\n<p><\/p>\n<p><strong>Turps Banana<br><\/strong><a href=\"https:\/\/www.youtube.com\/watch?v=G5VFODQycTQ\" target=\"_blank\" rel=\"noopener noreferrer\">Women Can&#8217;t Paint<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"&quot;WOMEN CAN&#039;T PAINT...&quot; Talk\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/G5VFODQycTQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>http:\/\/turpsbanana.com\/current-issue<\/p>\n<p><strong>Journal of Contemporary Painting<br><\/strong><a href=\"https:\/\/www-ingentaconnect-com.libproxy.ncl.ac.uk\/content\/intellect\/jcp\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www-ingentaconnect-com.libproxy.ncl.ac.uk\/content\/intellect\/jcp<\/a><\/p>\n<p><strong>Painters&#8217; Table<br><\/strong><a href=\"https:\/\/www.painters-table.com\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.painters-table.com<\/a><\/p>\n<p><strong>Abstract Critical<\/strong><br><a href=\"http:\/\/abstractcritical.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/abstractcritical.com<\/a><\/p>\n<p><strong>Current debates on painting:<\/strong><\/p>\n<p><strong><u>Painting in the Present Tense<\/u><\/strong><\/p>\n<p>opening-day panel discussion, artist\/curator Michelle Grabner, writer Bruce Hainley, and critic Jan Verwoert join <a href=\"https:\/\/youtu.be\/scYj-bDEaKI\" target=\"_blank\" rel=\"noopener noreferrer\">Painter Painter&#8217;s co-curators Eric Crosby and Bartholomew.<\/a><\/p>\n<p><strong><u>Painting Expanded Symposium (part I) (2013)<\/u><\/strong><\/p>\n<p><a href=\"https:\/\/youtu.be\/sjslo6dcd8g\">https:\/\/youtu.be\/sjslo6dcd8g<\/a><\/p>\n<p><strong>Painting Expanded Symposium (part II) (2013)<\/strong><\/p>\n<p><a href=\"https:\/\/youtu.be\/JN9PFUMOhSg\">https:\/\/youtu.be\/JN9PFUMOhSg<\/a><\/p>\n<p>Contributing artists:<\/p>\n<p>Mary Heilmann, Keith Mayerson, Keltie Ferris, Meleko Mogkosi, Dushko Petrovich, Lecia, Dole Recio, Amy Bessone, Tom LaDuke, Mary Weatherford, Vincent Fecteau<\/p>\n<p><\/p>\n<p><strong><u><a href=\"https:\/\/youtu.be\/YvMyiWnhDcg\" target=\"_blank\" rel=\"noopener noreferrer\">Painting 2.0: Painting In The Information Age<\/a><br><\/u><\/strong>David Joselit, Art theorist,<\/p>\n<p><iframe loading=\"lazy\" title=\"MUSEUM BRANDHORST | ER\u00d6FFNUNGSPANEL PAINTING 2.0: MALEREI IM INFORMATIONSZEITALTER\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/YvMyiWnhDcg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><\/p>\n<p><strong><u>The Economy of Painting &#8211; Notes on the Vitality of a Success-Medium<\/u><\/strong><strong>&nbsp;<\/strong><strong><br><\/strong>Isabelle Graw, Texte zur Kunst<\/p>\n<p><a href=\"https:\/\/youtu.be\/1JDthDEcmAs\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/youtu.be\/1JDthDEcmAs<\/a><\/p>\n<p><strong>Isabelle Graw: Der Wert des Lebendigen &#8211; Malerei als indexikalisches Medium i.d. neuen \u00d6konomie (in German only)<\/strong><\/p>\n<p><a href=\"https:\/\/youtu.be\/AcJoOvWd8RI\">https:\/\/youtu.be\/AcJoOvWd8RI<\/a><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><a href=\"https:\/\/youtu.be\/R5BRZNDdhgg\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><u>Painting Forever<\/u><\/strong><\/a><\/p>\n<p>Joseph Montgomery, Artist, New York<\/p>\n<p>Moderator | Chris Wiley, Kaleidoscope Associate Editor and Artist, New York<\/p>\n<p><iframe loading=\"lazy\" title=\"Conversations | Salon | Artist Talk | Painting Forever\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/R5BRZNDdhgg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><\/p>\n<p><strong><u>The Forever Now: Contemporary Painting in an Atemporal World at MoMA<\/u><\/strong><\/p>\n<p><a href=\"https:\/\/youtu.be\/oFWakSVdK0U\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/youtu.be\/oFWakSVdK0U<\/a><\/p>\n<p><\/p>\n<p><strong><u>Painting: A traditional view<\/u><\/strong><\/p>\n<p><strong><u>Painters Painting (1973)<\/u><\/strong><\/p>\n<p>Painters Painting is a 1973 documentary by Emile de Antonio. Artists appearing Willem de Kooning, Jasper Johns, Andy Warhol, Robert Rauschenberg, Helen Frankenthaler, Frank Stella, Barnett Newman, Hans Hofmann, Jules Olitski, Philip Pavia, Larry Poons, Robert Motherwell, and Kenneth Noland.<\/p>\n<p><a href=\"https:\/\/youtu.be\/COZmmQIqvCM\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/youtu.be\/COZmmQIqvCM<\/a><\/p>\n<p><\/p>\n<p><a href=\"https:\/\/youtu.be\/yqjDbv-WZ8c\" target=\"_blank\" rel=\"noopener noreferrer\"><strong><u>Painting and digital imaging techniques, digital technologies, and new\/post media theory.<\/u><\/strong><\/a><\/p>\n<p>\u201cAlbert Oehlen: Home and Garden,\u201d Contemporary Painting Symposium\u2014Panel I: Contemporary Abstraction<\/p>\n<p><iframe loading=\"lazy\" title=\"\u201cAlbert Oehlen: Home and Garden,\u201d Contemporary Painting Symposium\u2014Panel I: Contemporary Abstraction\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/yqjDbv-WZ8c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>\u201cAlbert Oehlen: Home and Garden,\u201d Contemporary Painting Symposium\u2014Panel 2: Digital Abstraction<\/p>\n<p>Panelists: Kerstin Br\u00e4tsch, Florian Meisenberg, and Ken Okiishi<\/p>\n<p>Moderator: Alexander Galloway<\/p>\n<p><a href=\"https:\/\/youtu.be\/VeXjKe-itjM\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/youtu.be\/VeXjKe-itjM<\/a><\/p>\n<p><\/p>\n<p><strong><u>Painting After Technology<\/u><\/strong><\/p>\n<p>Painting after technology: Hal Foster and Mark Godfrey in conversation<\/p>\n<p><a href=\"http:\/\/www.tate.org.uk\/context-comment\/audio\/painting-after-technology-hal-foster-and-mark-godfrey-conversation\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.tate.org.uk\/context-comment\/audio\/painting-after-technology-hal-foster-and-mark-godfrey-conversation<\/a><\/p>\n<p><\/p>\n<p><strong><u>The indiscipline of painting<\/u><\/strong><\/p>\n<p><a href=\"http:\/\/www.hibrow.tv\/player.html?em=Mzc3dlMzreGk4_nHAPpgtFLS-iDBjdqI\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.hibrow.tv\/player.html?em=Mzc3dlMzreGk4_nHAPpgtFLS-iDBjdqI<\/a><\/p>\n<p><\/p>\n<p><strong><u>John Baldessari \u2013 Pure Beauty<\/u><\/strong><\/p>\n<p><a href=\"https:\/\/youtu.be\/ly3e1WVU8Cc\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/youtu.be\/ly3e1WVU8Cc<\/a><\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p><strong><u>Painting \/ Performance<\/u><\/strong><\/p>\n<p><strong><u>A Bigger Splash: Painting After Performance Tate 2012<\/u><\/strong><\/p>\n<p><a href=\"http:\/\/www.tate.org.uk\/whats-on\/tate-modern\/exhibition\/bigger-splash-painting-after-performance\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.tate.org.uk\/whats-on\/tate-modern\/exhibition\/bigger-splash-painting-after-performance<\/a><\/p>\n<p><strong><u>&nbsp;<\/u><\/strong><\/p>\n<p><strong><u>Painting \/ Research<\/u><\/strong><\/p>\n<p><a href=\"https:\/\/youtu.be\/sI_jopluFH0\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Ian Kiaer part I &#8211; Paint Club: A Visual Symposium<\/strong><\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"Ian Kiaer part I - Paint Club: A Visual Symposium\" width=\"625\" height=\"352\" src=\"\/\/www.youtube.com\/embed\/sI_jopluFH0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><\/p>\n<p><strong><u>Painting and Education:<\/u><\/strong><\/p>\n<p><strong>Royal College of Art: &nbsp;Painting MA<\/strong><\/p>\n<p><a href=\"https:\/\/youtu.be\/AYCNMb8leCI\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/youtu.be\/AYCNMb8leCI<\/a><\/p>\n<p><\/p>\n<p><strong>Contemporary British Painting<\/strong><\/p>\n<p><a href=\"http:\/\/www.contemporarybritishpainting.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>http:\/\/www.contemporarybritishpainting.com<\/strong><\/a><\/p>\n<p><strong>Articles:<\/strong><\/p>\n<p><strong>Christopher McHugh (2014) \u2018I\u2019ve not finished\u2019: why studios are still a&nbsp;fundamental requirement in the study of fine art,<\/strong>&nbsp;Journal of Visual Art Practice, 13:1, 30-40,<a href=\"http:\/\/dx.doi.org\/10.1080\/14702029.2014.941569\">&nbsp;http:\/\/dx.doi.org\/10.1080\/14702029.2014.941569 &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<\/a><\/p>\n<p><strong>Cabinet: Issue 5 Evil Winter 2001\/02<br><\/strong><a href=\"http:\/\/www.cabinetmagazine.org\/issues\/5\/practiceoffailure.php\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.cabinetmagazine.org\/issues\/5\/practiceoffailure.php<\/a><\/p>\n<p><strong>David Ryan, Transitions\/Abstractions<br><\/strong><a href=\"http:\/\/www.david-ryan.co.uk\/transitions-abstractions.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.david-ryan.co.uk\/transitions-abstractions.html<\/a><strong><br><\/strong><\/p>\n\n\n<figure class=\"wp-block-embed-instagram wp-block-embed is-type-rich is-provider-instagram\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.instagram.com\/p\/B-boJtblzE7\/?utm_source=ig_web_copy_link\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<div class=\"wp-block-media-text alignwide has-light-gray-background-color has-background\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/blogs.ncl.ac.uk\/christianmieves\/files\/2020\/04\/Screenshot-2020-04-27-at-15.01.40-272x300.png\" alt=\"\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h1 class=\"wp-block-heading\"><a href=\"https:\/\/www.artagencypartners.com\/in-other-words-issue\/\/\">in other&nbsp;words<\/a><\/h1>\n\n\n\n<p>Everything you ever wanted to know about the art market but didn&#8217;t know who to ask<\/p>\n<\/div><\/div>\n\n\n\n<p><a href=\"https:\/\/soundcloud.com\/user-668484153\/popular-tracks\" target=\"_blank\" rel=\"noreferrer noopener\" aria-label=\"#53 The &quot;Daft Punk of Contemporary Painting\u201d: Artist Mickalene Thomas (opens in a new tab)\">#53 The &#8220;Daft Punk of Contemporary Painting\u201d: Artist Mickalene Thomas<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/Uncovering the Great Art of the 2000s with David Salle and Alison Gingeras\">Uncovering the Great Art of the 2000s with David Salle and Alison Gingeras<\/a><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Websites, magazines, blogs, videos dealing with ideas around painting. The list will be updated regularly. Mixing It Up Hayward Gallery Exhibition Review Guardian Painters Talking Painting Freelands Foundation London Talking with PaintersPodcast I know Strange PeoplePodcast Website Monklike Habitshttps:\/\/www.monklikehabits.com\/past Podcast talk Art Exhibition Tracey Emin \/Edvard Munch Painting Prize 2021 London Paint Club Royal Society [&hellip;]<\/p>\n","protected":false},"author":8273,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/users\/8273"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":50,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":445,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/pages\/11\/revisions\/445"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}