{"id":37,"date":"2020-04-28T16:28:33","date_gmt":"2020-04-28T15:28:33","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/?page_id=37"},"modified":"2026-10-08T18:47:58","modified_gmt":"2026-10-08T17:47:58","slug":"articles-and-books","status":"publish","type":"page","link":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/online-material\/articles-and-books\/","title":{"rendered":"Articles and Books"},"content":{"rendered":"\n

A quite random list of books or articles on painting. Please send suggestions of what you are reading at the moment !<\/strong><\/p>\n\n\n\n

Mali Morris <\/strong>
Sam Cornish Space through Colour, Colour through Space<\/a><\/p>\n\n\n\n

Neo-Expressionism:<\/strong> The 80s Figurative Painting in West Germany in 1980s<\/strong>
Exhibition <\/a>Catalogue<\/a>, Staedel Museum Frankfurt, 2015.<\/p>\n\n\n\n

Bracey, A. (2018), \u2018Parasitical paintings<\/a>\u2019, Journal of Contemporary Painting, 4:2, pp. 325\u201344.<\/p>\n\n\n\n

DOUGLAS Crimp: End of Painting<\/a><\/p>\n\n\n\n

Foucault:<\/strong> Manet and the Object of Painting <\/a><\/p>\n\n\n\n

Linda Nochlin ‘Why Have There Been No Great Women Artists<\/a>?’ , Art News.1971(2015).<\/p>\n\n\n\n

Mark Godfrey ‘Statements of Inten<\/a>t’, Artforum, April 2014<\/p>\n\n\n\n

Isabelle Graw: The Love of Painting<\/em>.\u2018Painting in a Different Light: 
A Conversation with Jutta Koether about Joan Mitchell<\/a><\/p>\n\n\n\n

DAVID JOSELIT ‘Painting Beside Itself’, October<\/em>, 130, Fall 2009, pp. 125\u2013134.<\/a>
<\/p>\n\n\n\n

Simon O\u2019Sullivan 
From Stuttering and Stammering to the Diagram: Deleuze, Bacon and Contemporary Art Practice Link<\/a><\/p>\n\n\n\n

Deleuze, Gilles (2003) Francis Bacon: The Logic of Sensation<\/em>, trans. Daniel W. Smith, London: Continuum.
Gilles Deleuze <\/a>Francis Bacon: The Logic of Sensation<\/a><\/em><\/p>\n\n\n\n

Frances Guerin ‘The Grey Space Between: Gerhard Richter\u2019s 18.Oktober 1977’<\/a>, in Guerin, Frances., and Roger. Hallas. The Image and the Witness : Trauma, Memory and Visual Culture<\/em>. Nonfictions. London: Wallflower, 2007.<\/p>\n\n\n\n

Dieter Roelstraete
The Way of the Shovel: On the Archeological Imaginary in Art<\/a><\/p>\n\n\n\n

Bal, Mieke. Reading Rembrandt. Amsterdam Academic Archive. 2006.
Online through the library <\/a><\/p>\n\n\n\n

Clark, T. J. The Sight of Death : An Experiment in Art Writing<\/em>. New Haven: Yale University Press, 2006.<\/p>\n\n\n\n

Baudelaire, Charles,The Painter of Modern Life and Other Essays<\/em>. 2nd ed. Art & Letters. London: Phaidon, 1995.
Link<\/a><\/p>\n\n\n\n

Shiff, Richard. Doubt. Theories of Modernism and Postmodernism in the Visual Arts. New York: Routledge, 2008, 61.<\/p>\n\n\n\n

Sennett, Richard. The Craftsman<\/em>. London: Penguin Books, 2008.
Chapter 8: Resistance and Ambiguity  <\/a><\/p>\n\n\n\n

Maurice Merleau-Ponty’s chapter Cezanne’s Doubt<\/a><\/em>. .Merleau-Ponty, Maurice. Sense and Non-Sense<\/em>. Evanston, IL: Northwestern University Press, 1964.<\/p>\n\n\n\n

Ives Alain Bois:
Painting: The Task of Mourning <\/a><\/p>\n\n\n\n

JOHN KULVICKI and BENCE NANAY
ART MADE FOR PICTURES<\/strong><\/a><\/p>\n\n\n\n

Barry Schwabsky
Object or Project, Reflections on the Ontology of Painting<\/a><\/strong><\/p>\n\n\n\n

Barry Schwabsky
Picturehood is Powerful<\/a><\/strong><\/p>\n\n\n\n

Laura Hoptman
Fin de Si\u00e8cle (Elizabeth Peyton)<\/a><\/strong><\/p>\n\n\n\n

ANNIE BOURNEUF
“Radically Uncolorful Painting”: Walter Benjamin and the Problem of Cubism<\/a><\/strong><\/p>\n\n\n\n

Albert Camus
Create Dangerously<\/a><\/strong><\/p>\n\n\n\n

 Lyotard\u2019s discussion of the sublime in Barnett Newman\u2019s work. Newman speaks of the absence of subject matter and  \u2018presence\u2019 of man. See the chapter \u2018 Newman: The Instant\u2019 in Jean-Francois Lyotard The Inhuman: Reflections on Time<\/em><\/p>\n\n\n\n

Barrett, E. & Bolt, B., 2007. Practice as Research <\/a>Approaches<\/a> to Creative Arts Enquiry. <\/a><\/em>London, New York: I.B. Tauris.<\/p>\n\n\n\n

Branden W. Joseph ‘White on White’, Critical Inquiry, Vol. 27, No. 1 (Autumn, 2000), pp. 90-121<\/a><\/p>\n\n\n\n

Painting Modern Life. Ralph Rugoff<\/a><\/p>\n\n\n\n

Michel Serres Parasite<\/a><\/p>\n\n\n\n

Christian Mieves Distant toys, dissected bodies and reality TV:<\/strong> Luc Tuymans and painting in the age of ritual and<\/strong> new media<\/strong> LINK<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

A quite random list of books or articles on painting. Please send suggestions of what you are reading at the moment ! Mali Morris Sam Cornish Space through Colour, Colour through Space Neo-Expressionism: The 80s Figurative Painting in West Germany in 1980s Exhibition Catalogue, Staedel Museum Frankfurt, 2015. Bracey, A. (2018), \u2018Parasitical paintings\u2019, Journal of […]<\/p>\n","protected":false},"author":8273,"featured_media":0,"parent":15,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-37","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/pages\/37","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/users\/8273"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/comments?post=37"}],"version-history":[{"count":27,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/pages\/37\/revisions"}],"predecessor-version":[{"id":567,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/pages\/37\/revisions\/567"}],"up":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/pages\/15"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/media?parent=37"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}