{"id":80,"date":"2020-04-28T20:25:37","date_gmt":"2020-04-28T19:25:37","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/?p=80"},"modified":"2020-04-28T20:25:39","modified_gmt":"2020-04-28T19:25:39","slug":"session-2","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/2020\/04\/28\/session-2\/","title":{"rendered":"Session 2"},"content":{"rendered":"\n

Thank you for the great session today and the very interesting discussion. Please post some of the artist references, suggestions and comments below or send them to me.
Here are some of the artist references mentioned in the discussion.

<\/p>\n\n\n\n

\"\"<\/a>
David Saunders<\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Aldo Van Eyck : Playgrounds
See also the discussion on Aesthetics, playgrounds and creativity:
https:\/\/www.frontiersin.org\/articles\/10.3389\/fpsyg.2017.01130\/full<\/a>
<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Mary Martin<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Anthony Hill<\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Jeffrey Steele<\/a>
Curvilinear Structure (Abakum)
1972<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Henri Matisse<\/a>The Red Studio<\/em>Issy-les-Moulineaux, fall 1911<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
 Felice Varini

<\/figcaption><\/figure>\n\n\n\n
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Pieter Bruegel the Elder – Hunters in the Snow (Winter)<\/figcaption><\/figure>\n\n\n\n
  • For a discussion on snow and painting see CharlesHarrison, \u201cOn the Surface of Painting,\u201d Critical Inquiry<\/em>15.2 (1989).
    <\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"

    Thank you for the great session today and the very interesting discussion. Please post some of the artist references, suggestions and comments below or send them to me.Here are some of the artist references mentioned in the discussion. For a discussion on snow and painting see CharlesHarrison, \u201cOn the Surface of Painting,\u201d Critical Inquiry15.2 (1989).<\/p>\n","protected":false},"author":8273,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-80","post","type-post","status-publish","format-standard","hentry","category-uncategorised"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/posts\/80","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/users\/8273"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/comments?post=80"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/posts\/80\/revisions"}],"predecessor-version":[{"id":81,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/posts\/80\/revisions\/81"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/media?parent=80"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/categories?post=80"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/paintingplus\/wp-json\/wp\/v2\/tags?post=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}