{"id":1664,"date":"2006-01-12T00:00:00","date_gmt":"2006-01-12T00:00:00","guid":{"rendered":"http:\/\/localhost\/wptest\/2006\/01\/12\/view-from-the-bridge\/"},"modified":"2006-01-12T00:00:00","modified_gmt":"2006-01-12T00:00:00","slug":"view-from-the-bridge","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/philosophy\/2006\/01\/12\/view-from-the-bridge\/","title":{"rendered":"View from the Bridge"},"content":{"rendered":"<p>In this project I hope to explore our contemporary urban experience and the postmodern condition, with regards to its arguably revolutionary potential. Is ours truly a time when \u2018other worlds\u2019 and \u2018other voices\u2019 are able to find expression within society? Has postmodernity witnessed the end of meta-narratives as Lyotard would have us believe, making way for a multiplicity of truths, or is postmodernity the grandest narrative of all? I will be tackling such questions by reflecting upon the Tate Modern Art Gallery, which I believe in many respects is representative of postmodernity and by striking up some kind of dialogue between itself and those world views which have lead to its arrival. I have named it \u2018A View from the Bridge\u2019 after the Arthur Miller play, for I appreciate that what I will be attempting to argue is merely expressive of one perspective. There are various ways in which one could understand postmodernity and its consequences and mine is merely one, although I will at intervals offer other options for perception, other \u2018views\u2019 so to speak. My thesis will thus unfold as though it were literally my journey to the Tate Modern. For I begin at St. Paul\u2019s Cathedral, which is arguably representative of the Christian world view of the Middle Ages, I then proceed to the Millennium Bridge which functions as the Enlightenment did, \u2018bridging the divide\u2019 so to speak between antiquity and Modernity, or Postmodernity even, and then I reach the gallery, which is the embodiment of our contemporary social experience.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rachael Walsh, 2006, Stage 3<\/p>\n","protected":false},"author":8792,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[461,22,123],"tags":[223,85,157],"class_list":["post-1664","post","type-post","status-publish","format-standard","hentry","category-461","category-abstracts","category-stage-3-abstracts","tag-art","tag-lyotard","tag-postmodernism"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/posts\/1664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/users\/8792"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/comments?post=1664"}],"version-history":[{"count":0,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/posts\/1664\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/media?parent=1664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/categories?post=1664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/tags?post=1664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}