{"id":2140,"date":"2015-01-12T00:00:00","date_gmt":"2015-01-12T00:00:00","guid":{"rendered":"http:\/\/localhost\/wptest\/2023\/09\/06\/as-time-goes-by-an-investigation-into-the-relationship-between-musics-commodification-in-the-age-of-mass-reproducibility-and-its-declining-objective-worth\/"},"modified":"2015-01-12T00:00:00","modified_gmt":"2015-01-12T00:00:00","slug":"as-time-goes-by-an-investigation-into-the-relationship-between-musics-commodification-in-the-age-of-mass-reproducibility-and-its-declining-objective-worth-2","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/philosophy\/2015\/01\/12\/as-time-goes-by-an-investigation-into-the-relationship-between-musics-commodification-in-the-age-of-mass-reproducibility-and-its-declining-objective-worth-2\/","title":{"rendered":"As Time Goes By: An investigation into the relationship between music&#8217;s commodification, in the age of mass reproducibility, and its declining objective worth"},"content":{"rendered":"<p>Adorno \u2013 MUSIC is OBJECTIVE. Music was at its best in the Classical Period, due to its complexity and its projection as an art form. If you are to disagree with his opinion, it is because you cannot understand the music properly\u2026   <\/p>\n<p>Capitalism commodified music, creating an environment of \u2018pseudo-subjectivity\u2019. As music began to be attached to pop stars as a commodity, the relevance of artistic talent was eradicated.   <\/p>\n<p>Benjamin + Vattimo \u2013 MUSIC is NOT SUBJECTIVE or OBJECTIVE. <\/p>\n<p>The age of mass reproduction removed the objectivity of music by eliminating its \u2018aura\u2019. With no object, it is impossible for something to be subjective, as there is nothing to be subjective in relation to. <\/p>\n<p>INSTEAD, our age\u2019s MUSIC is INTERPRETIVE, meaning that there is no objective or subjective point of view, only our own interpretation, which is formed due to our historical origins and upbringing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nick Kinsey, 2015, Stage 3<\/p>\n","protected":false},"author":8792,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[233,22,123],"tags":[64,238,97],"class_list":["post-2140","post","type-post","status-publish","format-standard","hentry","category-233","category-abstracts","category-stage-3-abstracts","tag-capitalism","tag-commodification","tag-music"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/posts\/2140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/users\/8792"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/comments?post=2140"}],"version-history":[{"count":0,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/posts\/2140\/revisions"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/media?parent=2140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/categories?post=2140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/philosophy\/wp-json\/wp\/v2\/tags?post=2140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}