{"id":11,"date":"2020-08-21T16:43:41","date_gmt":"2020-08-21T15:43:41","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/?page_id=11"},"modified":"2020-09-23T13:22:28","modified_gmt":"2020-09-23T12:22:28","slug":"reading-material","status":"publish","type":"page","link":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/reading-material\/","title":{"rendered":"Reading"},"content":{"rendered":"\n<p><strong>Books about installations and sculpture, and relating subjects:<\/strong><br><br>Bischop, C. 2005.\u00a0<em>Installation art: a critical history<\/em>. London: Tate.<\/p>\n\n\n\n<p>Bishop, C. 2011.<em>Artificial hells: participatory art and the politics of spectatorship<\/em>. London: Verso.<\/p>\n\n\n\n<p>Bishop, C.2013.&nbsp;<em>Radical Museology: or what\u2019s contemporary in museums of contemporary art?.&nbsp;<\/em>London: Koening Books.<\/p>\n\n\n\n<p>B\u00f6hme, G. 2006.&nbsp;<em>Architektur und Atmosph\u00e4re<\/em>. M\u00fcnchen, Wilhelm Fink Verlag.<\/p>\n\n\n\n<p>De Oliveira, N; Oxley, N.; Petry, M. 2003<em>. Installation art in the new millennium: the empire of the senses<\/em>. New York: Thames &amp; Hudson.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Flood, R. 2007.&nbsp;<em>Unmonumental: the object in the 21<sup>st<\/sup>Century.<\/em>London; NewYork: Phaidon and New Museum of Contemporary Art.<\/p>\n\n\n\n<p>Kwon, M. 2004.&nbsp;<em>One place after another: site-specific art and locational identity.&nbsp;<\/em>Cambridge, Mass.; London: MIT.<\/p>\n\n\n\n<p>Renfrew, C., Gosden, C., DeMarrais, E.,&nbsp;<em>Substance, Memory, Display. Archaeology and Art.&nbsp;<\/em>Cambridge, McDonald Institute for Archaeological Research, 2004&nbsp;&nbsp; ISBN: 1-902937-24-4.<\/p>\n\n\n\n<p>Ring Peterson, A. 2015.&nbsp;<em>Installation art: between image and stage<\/em>. Copenhagen: University of Copemhagen.<\/p>\n\n\n\n<p>Roelstraete, D. 2013.&nbsp;<em>The Way of the Shovel.&nbsp;<\/em>Chicago Illinois: The University of Chicago Press.<\/p>\n\n\n\n<p>Rugg, J.,&nbsp;<em>Exploring Site-Specific Art. Issues of Space and Internationalism,&nbsp;<\/em>London, I.B.Taurus.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Books about installations and sculpture, and relating subjects: Bischop, C. 2005.\u00a0Installation art: a critical history. London: Tate. Bishop, C. 2011.Artificial hells: participatory art and the politics of spectatorship. London: Verso. Bishop, C.2013.&nbsp;Radical Museology: or what\u2019s contemporary in museums of contemporary art?.&nbsp;London: Koening Books. B\u00f6hme, G. 2006.&nbsp;Architektur und Atmosph\u00e4re. M\u00fcnchen, Wilhelm Fink Verlag. De Oliveira, N; [&hellip;]<\/p>\n","protected":false},"author":8273,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"page-templates\/full-width.php","meta":{"footnotes":""},"class_list":["post-11","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/wp-json\/wp\/v2\/pages\/11","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/wp-json\/wp\/v2\/users\/8273"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/wp-json\/wp\/v2\/comments?post=11"}],"version-history":[{"count":3,"href":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/wp-json\/wp\/v2\/pages\/11\/revisions"}],"predecessor-version":[{"id":69,"href":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/wp-json\/wp\/v2\/pages\/11\/revisions\/69"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/sculptureandinstallation\/wp-json\/wp\/v2\/media?parent=11"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}