{"id":472,"date":"2019-10-09T20:52:19","date_gmt":"2019-10-09T19:52:19","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/?p=472"},"modified":"2019-10-09T20:52:19","modified_gmt":"2019-10-09T19:52:19","slug":"ye-olde-trippe-advisor","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/2019\/10\/09\/ye-olde-trippe-advisor\/","title":{"rendered":"Ye Olde Trippe Advisor"},"content":{"rendered":"<p><em><span style=\"font-weight: 400\">\u201cA most enjoyable day trippe and performance\u201d\u00a0<\/span><\/em><\/p>\n<p><span style=\"font-weight: 400\">Traveller Rating &#x2b50;&#x2b50;&#x2b50;&#x2b50;&#x2b50;<\/span><\/p>\n<p><strong>Review by: @mr16thcentury<\/strong><\/p>\n<p><span style=\"font-weight: 400\">My goode, Swiss pen-friend Mr Platter recalled to me his wonderfule trippe to The Globe Theatre, citing the \u201cexcellent performance\u201d of \u201cdiverse nations\u201d he experienced there. Henceforth, I made it mine duty to visite such a place and see with mine own eyes and review the experience as a humble audience member.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Methinks I was not disappointed! The thrill of being in such an audience and interacting with the players was most amusing! Documents such as my goode fellow Platter&#8217;s account and a certain Mr Henslowe\u2019s Diary, in which the good sire notes down many &#8220;records of payments to dramatists, loans to authors and actors, disbursements for costumes and playhouse construction, payments to the Master of the Revels, and daily performance receipts for the Rose Playhouse\u201d (Cersano). Tis\u2019 most interesting to read upon the financial and logistical elements of such a place, and from these details one can form patterns and judgements upon theatre.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Upon my word, I have never watched such a wondrous play by Mr. Shakespeare (on this occasion <em>Romeo &amp; Juliet<\/em>). Twas\u2019 a rather tragic tale of two young people falling in love, and acted in such a convincing style. The stage, being forward and near the audience, beheld even the most subtle yet poignant of emotions ! The round shape of the Globe allowed me to be engaged in the action, and the open-air nature of the building made it seem most spiritual, as if at times the players were communing directly with God in Heaven upon their soliloquies. The practice of cues provides an extra dramatic effect and pace to the play. Not as fast-paced as Mr Shakespeare\u2019s competing entertainments &#8211; that of \u201cbearbaiting\u201d and \u201ccock-fights\u201d &#8211; but altogether more intellectual!\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">My continental friend was most enthralled by the somewhat mundane, intricate details of London, recalling even the finest of details in his writings. He recalls \u201cthe house with the thatched roof\u201d nearby, which is interesting as an Englishman I would not have thought to mention this (presuming it was common knowledge among mine readers). Tis\u2019 a wondrous thing, to have a pen-pal with a foreign perspective, in mine humble opinion. One can appreciate the small details and unusual theatrical practices with a fresh pair of eyes, and \u2018twill be forever noted down for future generations.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Overall, methinks this theatre &#8211; and the good city London &#8211; to be an unmissable travel destination. Future generations may believe the architecture and bloody, exaggerated performance style to be somewhat unusual. I shalt have to return the favour to mine Swiss friend, and recommend that he visits the delightful city of Newcastle-Upon-Tyne upon his next trippe to our fine land!\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Sarah Thompson, Olivia Varty, Polly Westhuizen, Alex Harris, Patrick Huish, Gabrielle Rouffert.<\/span><\/p>\n<p>Works Cited<\/p>\n<p><span style=\"font-weight: 400\">Cerasano, S.P.\u00a0 &#8220;Digital Essays&#8221; <em>Henslowe-Alleyn Digitisation Project,\u00a0<\/em>http:\/\/www.henslowe-alleyn.org.uk\/essays\/digitalessays.html. Accessed 9th October 2019<\/span><\/p>\n<p><span style=\"font-weight: 400\">Platter, Thomas.\u00a0<em>Thomas Platter\u2019s Travels in England, 1599<\/em>. Transl. Glare Williams (London; Toronto: Jonathan Cape, 1937) pp.166-71<\/span><\/p>\n<p><span style=\"font-weight: 400\">TripAdvisor.co.uk\u00a0 &#8220;Homepage&#8221;. Accessed 9th October 2019<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cA most enjoyable day trippe and performance\u201d\u00a0 Traveller Rating &#x2b50;&#x2b50;&#x2b50;&#x2b50;&#x2b50; Review by: @mr16thcentury My goode, Swiss pen-friend Mr Platter recalled to me his wonderfule trippe to The Globe Theatre, citing the \u201cexcellent performance\u201d of \u201cdiverse nations\u201d he experienced there. Henceforth, I made it mine duty to visite such a place and see with mine own &hellip; <a href=\"https:\/\/blogs.ncl.ac.uk\/shakespeare\/2019\/10\/09\/ye-olde-trippe-advisor\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Ye Olde Trippe Advisor<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":8309,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[14,16,13,11,15,12],"class_list":["post-472","post","type-post","status-publish","format-standard","hentry","category-uncategorised","tag-comedy","tag-london","tag-shakespeare","tag-theatre","tag-theatre-history","tag-travel"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/posts\/472","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/users\/8309"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/comments?post=472"}],"version-history":[{"count":3,"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/posts\/472\/revisions"}],"predecessor-version":[{"id":481,"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/posts\/472\/revisions\/481"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/media?parent=472"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/categories?post=472"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/shakespeare\/wp-json\/wp\/v2\/tags?post=472"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}