{"id":2687,"date":"2020-06-24T10:00:03","date_gmt":"2020-06-24T10:00:03","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/speccoll\/?p=2687"},"modified":"2025-12-17T15:25:18","modified_gmt":"2025-12-17T15:25:18","slug":"in-blackberry-time-june-2020","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/speccoll\/2020\/06\/24\/in-blackberry-time-june-2020\/","title":{"rendered":"In Blackberry Time – June 2020"},"content":{"rendered":"\n
\"Page
Page from annotated typescript for theatre production ‘<\/a>In Blackberry Time<\/a><\/em>‘<\/a>, 1985 (Chaplin (Michael) Archive, MC\/4\/1\/1\/3\/1)
<\/figcaption><\/figure><\/div>\n\n\n\n

In Blackberry Time<\/em> was produced collaboratively by Alan Plater and Michael Chaplin.\u00a0 The play is based on Sid Chaplin\u2019s book of short stories that go by the same name.\u00a0 Sid started to write the autobiographical book before his death in January 1986.\u00a0 His son, Michael Chaplin, and wife, Rene Chaplin, edited and published the book on his behalf posthumously with Bloodaxe Books in 1987.<\/p>\n\n\n\n

As we can see from this first page draft of the play, the narrator establishes himself as a son of a coal miner who \u2018writes what I please, always writing out of daily contact with people\u2019. Sid was highly regarded for his depictions of North East mining and working-class communities drawing upon his experiences growing up in the coal mining community of County Durham and of work in the pit. Sid began working in the mines from the age of sixteen before moving away to be a writer for the National Coal Board\u2019s publication Coal<\/em>. <\/p>\n\n\n\n

With his\nvivid portrayals of life in region Sid was an inspiration to many North East\nwriters.  In the 1960s he became a mentor\nfigure to the playwright Alan Plater.  When\nPlater was approached by Max Roberts, the Creative Director of Live Theatre, to\nwrite a North-East play, Plater was drawn to Sid\u2019s work. In\na meeting with Michael it was decided that they would together adapt the latest\nof Sid\u2019s work into a play. This extract from a typescript of In Blackberry\nTime<\/em> was written in 1987, the same year that Sid\u2019s final and posthumous book was published.  <\/p>\n\n\n\n

The play was staged at Live Theatre in 1987 and starred actors Val\nMacLane and David Whitaker. <\/p>\n\n\n\n

In these audio interviews<\/a> you can hear Michael Chaplin\u2019s account of his collaboration with Alan Plater.\u00a0 In the interview Michael claims that In Blackberry Time<\/em> began his career as a writer. He has written some 30 plays for Radio 4 including the series ‘Two Pipe Problems’ and ‘The Ferryhill Philosophers’ and various single plays like ‘The Song Thief’. His work for television includes the series ‘Grafters’, ‘Dalziel and Pascoe’ and ‘Monarch of the Glen’ and films like ‘Just Henry’. <\/p>\n\n\n\n

The production of In Blackberry Time<\/em> was also the beginning\nof a long relationship with Live Theatre. \nMichael wrote another two plays for the theatre, ‘You Couldn\u2019t Make It\nUp’ (with Tom Chaplin) about the travails of being a Newcastle United fan, and\n‘A Walk-On Part’, based on the diaries of ex-Labour MP Chris Mullin.<\/p>\n\n\n\n

You can find the Archives of Michael\nChaplin<\/a> and Sid\nChaplin<\/a> here at Newcastle University Special Collections and\nArchives. You can also find material in our Live Theatre Archive including Max\nRobert\u2019s copies of draft script for In Blackberry Time <\/em>and production\nphotographs. <\/p>\n","protected":false},"excerpt":{"rendered":"

In Blackberry Time was produced collaboratively by Alan Plater and Michael Chaplin.\u00a0 The play is based on Sid Chaplin\u2019s book of short stories that go by the same name.\u00a0 Sid started to write the autobiographical book before his death in … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":5894,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[852,24],"tags":[680,284,146,682,238,72,681,627,679],"class_list":["post-2687","post","type-post","status-publish","format-standard","hentry","category-special-for-everyone","category-treasure-of-the-month","tag-alan-plater","tag-archives","tag-coal","tag-live-theatre","tag-michael-chaplin","tag-mining","tag-north-east","tag-sid-chaplin","tag-theatre"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts\/2687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/users\/5894"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/comments?post=2687"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts\/2687\/revisions"}],"predecessor-version":[{"id":2689,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts\/2687\/revisions\/2689"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/media?parent=2687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/categories?post=2687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/tags?post=2687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}