{"id":3453,"date":"2021-10-25T08:40:07","date_gmt":"2021-10-25T08:40:07","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/speccoll\/?p=3453"},"modified":"2025-12-17T15:27:35","modified_gmt":"2025-12-17T15:27:35","slug":"di-great-insohreckshan-by-linton-kwesi-johnson","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/speccoll\/2021\/10\/25\/di-great-insohreckshan-by-linton-kwesi-johnson\/","title":{"rendered":"Di Great Insohreckshan by Linton Kwesi Johnson"},"content":{"rendered":"\n<p>&#8220;Writing was a political act and poetry was a cultural weapon&#8230;&#8221;&nbsp;<\/p>\n\n\n\n<p>So stated&nbsp;the&nbsp;renowned&nbsp;Jamaican dub poet, recording-artist&nbsp;and activist&nbsp;Linton Kwesi Johnson&nbsp;(b.&nbsp;24 August 1952).&nbsp;Based in the United Kingdom since 1963, in&nbsp;2002&nbsp;he&nbsp;became the second living poet, and the only black poet, to be published in the Penguin Modern Classics series.&nbsp;<\/p>\n\n\n\n<p>In the&nbsp;Bloodaxe&nbsp;Books&nbsp;Archive, Special Collections holds&nbsp;a set of&nbsp;proofs for&nbsp;Linton Kwesi&nbsp;Johnson\u2019s&nbsp;1991&nbsp;poetry anthology&nbsp;<em>Tings&nbsp;an&nbsp;Times<\/em>&nbsp;which accompanied&nbsp;an&nbsp;album of the same name.&nbsp;Amongst&nbsp;the proofs resides&nbsp;this&nbsp;draft typescript of&nbsp;Johnson\u2019s&nbsp;great&nbsp;dub poem&nbsp;<em>Di Great&nbsp;Insohreckshan&nbsp;<\/em>which&nbsp;he&nbsp;famously wrote&nbsp;as a&nbsp;response to the Brixton Uprising which took place 40 years ago this year, in April 1981. The poem&nbsp;first featured on his&nbsp;album&nbsp;<em>Making History&nbsp;<\/em>in&nbsp;1983.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blogs.ncl.ac.uk\/speccoll\/files\/2021\/10\/BXB-1-1-JOL-1-3-1-4-742x1024.jpg\" alt=\"\" class=\"wp-image-3464\" width=\"451\" height=\"631\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blogs.ncl.ac.uk\/speccoll\/files\/2021\/10\/BXB-1-1-JOL-1-3-2-4-762x1024.jpg\" alt=\"\" class=\"wp-image-3463\" width=\"445\" height=\"603\" \/><figcaption>Typescript draft of&nbsp;<em>Di Great&nbsp;Insohreckshan<\/em>&nbsp;by Linton Kwesi Johnson prepared for his anthology&nbsp;<em>Tings&nbsp;an&nbsp;Times<\/em>&nbsp;published by&nbsp;Bloodaxe&nbsp;Books (Bloodaxe&nbsp;Books Archive, BXB-1-1-JOL-1-3-1&amp;2)&nbsp;<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"has-text-align-left\">Dub poetry, a term coined by Johnson himself, was&nbsp;a form of performance poetry of West Indian origin, written to be&nbsp;spoken&nbsp;out loud against a&nbsp;backdrop of reggae music.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-left\">Watch Linton Kwesi Johnson performing <a href=\"https:\/\/www.youtube.com\/watch?v=hpypYcMe16I\">Di Great\u00a0Insohreckshan<\/a>.<\/p>\n\n\n\n<p class=\"has-text-align-left\">The Brixton&nbsp;Uprising,&nbsp;also&nbsp;referred to&nbsp;as the Brixton Riots, took place&nbsp;10-12&nbsp;April 1981.&nbsp;It&nbsp;was&nbsp;the first large-scale racial confrontation between black British youth and white British police.&nbsp; The rioting was sparked by&nbsp;decades of&nbsp;injustices experienced by black&nbsp;people&nbsp;in the UK.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-left\">Next month will see the&nbsp;fortieth&nbsp;anniversary of the publication of the Scarman&nbsp;Report,&nbsp;commissioned by the UK government in response to the Brixton Uprising. Amongst other conclusions, the Report found there to be&nbsp;unquestionable evidence of the disproportionate and indiscriminate use of &#8216;stop and search&#8217; powers by the police against&nbsp;young&nbsp;black&nbsp;people&nbsp;and&nbsp;placed the Brixton&nbsp;Uprising&nbsp;into the context of&nbsp;the&nbsp;racial disadvantage faced by&nbsp;them.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-left\">Linton Kwesi Johnson&#8217;s poetry is&nbsp;deeply&nbsp;political&nbsp;in its nature,&nbsp;dealing mainly with the experiences of being an African-Caribbean in Britain.&nbsp;Written and spoken in Jamaican Creole English,&nbsp;<em>Di Great&nbsp;Insohreckshan&nbsp;<\/em>railed&nbsp;against the&nbsp;injustice and oppression&nbsp;which brought about the tensions leading to the Brixton Uprising, giving full vent to black people\u2019s anger and&nbsp;highlighting&nbsp;the government\u2019s political failure.&nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-left\">When first performed,&nbsp;<em>Di Great&nbsp;Insohreckshan<\/em>&nbsp;grabbed and demanded the attention of those who heard it, with its intense, urgent, streetwise and intellectual&nbsp;delivery. Forty years on the poem is held to&nbsp;stand alongside TV and radio archive as a primary&nbsp;source&nbsp;in its own right,&nbsp;helping&nbsp;future generations understand the cultural and political upheaval that&nbsp;led to the Brixton Uprising of 1981.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Writing was a political act and poetry was a cultural weapon&#8230;&#8221;&nbsp; So stated&nbsp;the&nbsp;renowned&nbsp;Jamaican dub poet, recording-artist&nbsp;and activist&nbsp;Linton Kwesi Johnson&nbsp;(b.&nbsp;24 August 1952).&nbsp;Based in the United Kingdom since 1963, in&nbsp;2002&nbsp;he&nbsp;became the second living poet, and the only black poet, to be published &hellip; <a href=\"https:\/\/blogs.ncl.ac.uk\/speccoll\/2021\/10\/25\/di-great-insohreckshan-by-linton-kwesi-johnson\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5894,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[463,852],"tags":[254,727,704,726,248],"class_list":["post-3453","post","type-post","status-publish","format-standard","hentry","category-blog-posts","category-special-for-everyone","tag-20th-century","tag-21st-century","tag-blackhistorymonth","tag-linton-kwesi-johnson","tag-poetry"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts\/3453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/users\/5894"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/comments?post=3453"}],"version-history":[{"count":6,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts\/3453\/revisions"}],"predecessor-version":[{"id":3469,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts\/3453\/revisions\/3469"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/media?parent=3453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/categories?post=3453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/tags?post=3453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}