{"id":610,"date":"2016-04-26T14:43:48","date_gmt":"2016-04-26T14:43:48","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/speccoll\/?p=610"},"modified":"2025-12-17T15:13:29","modified_gmt":"2025-12-17T15:13:29","slug":"400-years-of-shakespeare","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/speccoll\/2016\/04\/26\/400-years-of-shakespeare\/","title":{"rendered":"Shakespeare at the old Theatre Royal &#8211; May 2016"},"content":{"rendered":"<h1><strong>Shakespeare performed by Children<\/strong><\/h1>\n<p>May 2016 marks the 400<sup>th<\/sup> anniversary of Shakespeare\u2019s death. Newcastle has played host to the bard\u2019s plays ever since \u2013 in more recent times, the Royal Shakespeare Company performed almost annually at the Theatre Royal by the Royal Shakespeare Company from 1977. Unfortunately, they will not be returning in 2016.<\/p>\n<p>Our Theatre Royal Playbills (<a href=\"http:\/\/www.ncl.ac.uk\/library\/linkit?sv=o&amp;s=sn&amp;q=2179960210002411\">RB 792 (4282) \u2013 NEW<\/a>) feature many notices for performances of Shakespeare at the old Theatre Royal on Mosley Street between 1770 and 1820, including this one by a Georgian\/Victorian theatre sensation and her two sisters.<\/p>\n<div id=\"attachment_612\" style=\"width: 1172px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/blogs.ncl.ac.uk\/speccoll\/files\/2016\/04\/SHAKESPEARE-lo.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-612\" class=\"size-full wp-image-612\" src=\"https:\/\/blogs.ncl.ac.uk\/speccoll\/files\/2016\/04\/SHAKESPEARE-lo.jpg\" alt=\"King Richard The Third playbilll (RB 792 (4282)\u2013NEW).\" width=\"1162\" height=\"2000\" srcset=\"https:\/\/blogs.ncl.ac.uk\/speccoll\/files\/2016\/04\/SHAKESPEARE-lo.jpg 1162w, https:\/\/blogs.ncl.ac.uk\/speccoll\/files\/2016\/04\/SHAKESPEARE-lo-174x300.jpg 174w, https:\/\/blogs.ncl.ac.uk\/speccoll\/files\/2016\/04\/SHAKESPEARE-lo-768x1322.jpg 768w, https:\/\/blogs.ncl.ac.uk\/speccoll\/files\/2016\/04\/SHAKESPEARE-lo-595x1024.jpg 595w\" sizes=\"auto, (max-width: 1162px) 100vw, 1162px\" \/><\/a><p id=\"caption-attachment-612\" class=\"wp-caption-text\">King Richard The Third playbilll (RB 792 (4282)\u2013NEW).<\/p><\/div>\n<p><strong>Clara Fisher<\/strong><strong> (<\/strong>b.14 July 1811, London, died&nbsp;12 November 1898, Jersey, U.S.) was an&nbsp;Anglo-American actress who inspired an enormous following in the United States. She made her stage debut in 1817, at the age of six, in a children\u2019s adaptation of&nbsp;David Garrick\u2019s&nbsp;<em>Lilliput<\/em>&nbsp;at the&nbsp;Drury Lane Theatre in London. Her performance in that and in excerpts from&nbsp;<em>Richard III<\/em>&nbsp;captivated the audience. She then began a 10-year period of touring up and down Great Britain, winning popular acclaim in a variety of child\u2019s and adult\u2019s roles.<\/p>\n<p>By the time she and her sisters Amelia and Caroline started their three-night engagement at the Newcastle Theatre Royal on 17 May 1819, Clara would have been only seven years old. On the opening night, she played the leading role in &nbsp;\u2018Shakespeare\u2019s Historical Tragedy, called KING RICHARD THE THIRD; Or, The Battle of Bosworth Field. Clara was known for her \u2018breeches parts\u2019 (men&#8217;s roles), including Hamlet on at least one occasion. At the Theatre Royal, her sister Amelia was Henry VI, and Henry, Earl of Richmond, was played by Caroline Fisher.<\/p>\n<p>On the second night, she played Shylock in The Merchant of Venice, and then, on a lighter note, performed \u2018A COMIC SONG. (IN CHARACTER)\u2019.<\/p>\n<p>The third, and supposedly final, night was Shakespeare-free.<\/p>\n<p>Such was the success of the Fisher girls&#8217; engagement that they were held over for an extra performance on Friday 21 May, 1819, performing \u2018some of the best scenes from the most popular Plays . . .\u2019. This included acts four and five of King Richard the Third, with the sisters reprising their \u2018breeches parts\u2019 of the previous Monday.<\/p>\n<p>Fisher went to the United States in 1827 and made her debut in New York City that same year. She was a sensation &#8211; her name was given to babies, racehorses, stagecoaches, and steamboats &#8211; and she was regarded as America\u2019s leading stage actress. Her last performance was in Baltimore, Maryland, in 1889.<\/p>\n<p>This performance, and about 240 others, is promoted by notices in one volume of our Theatre Royal Playbills collection, a bound collection of \u2018posters\u2019 for the \u2018old\u2019 Newcastle Theatre Royal in Mosley Street. The bills were printed in 1819 and 1820, and are typical of the early nineteenth century &#8211; &nbsp;i.e. very small compared to the modern-day concept of \u2018posters\u2019 &#8211; &nbsp;and utilising revolutionary display typefaces which had begun to be manufactured in about 1810 for advertising.<\/p>\n<p>Fittingly, the bill was printed by Edward Humble, at the Shakespeare Press. Humble was a respected local printer, and a proprietor of the County Durham Advertiser.<\/p>\n<p><strong>If you are interested in coming into the reading room to see playbill and others from the collection&#8230;<\/strong><\/p>\n<p># This item is held within a volume of our Theatre Royal Playbills (Ref Code <a href=\"http:\/\/www.ncl.ac.uk\/library\/linkit?sv=o&amp;s=sn&amp;q=2179960210002411\">RB792(4282) NEW.<\/a><\/p>\n<p># You can place your order by linking to our&nbsp;<a href=\"http:\/\/www.ncl.ac.uk\/library\/special-collections\/using\/requesting.php\">request form<\/a>. The reference code and title will be RB 792 (4282) \u2013 NEW \u2013 Theatre Royal Playbills.&#8217;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shakespeare performed by Children May 2016 marks the 400th anniversary of Shakespeare\u2019s death. Newcastle has played host to the bard\u2019s plays ever since \u2013 in more recent times, the Royal Shakespeare Company performed almost annually at the Theatre Royal by &hellip; <a href=\"https:\/\/blogs.ncl.ac.uk\/speccoll\/2016\/04\/26\/400-years-of-shakespeare\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5894,"featured_media":615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[852,24],"tags":[163,165,114,164,162],"class_list":["post-610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-special-for-everyone","category-treasure-of-the-month","tag-king-richard-the-third","tag-newcastle","tag-shakespeare","tag-theatre-royal","tag-william-shakespeare"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts\/610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/users\/5894"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/comments?post=610"}],"version-history":[{"count":6,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts\/610\/revisions"}],"predecessor-version":[{"id":2606,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/posts\/610\/revisions\/2606"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/media\/615"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/media?parent=610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/categories?post=610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/speccoll\/wp-json\/wp\/v2\/tags?post=610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}