{"id":298,"date":"2023-02-07T12:50:31","date_gmt":"2023-02-07T12:50:31","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/?p=298"},"modified":"2023-02-07T12:50:31","modified_gmt":"2023-02-07T12:50:31","slug":"akg-perception-150","status":"publish","type":"post","link":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/2023\/02\/07\/akg-perception-150\/","title":{"rendered":"AKG Perception 150"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/files\/2023\/02\/image-4.png\" alt=\"\" class=\"wp-image-299\" width=\"296\" height=\"396\" \/><\/figure><\/div>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>Microphone Type<\/td><td>Condenser<\/td><\/tr><tr><td>Polar Pattern<\/td><td>Cardioid<\/td><\/tr><tr><td>Frequency Response<\/td><td>20Hz \u2013 20KHz (dips at 50Hz)<\/td><\/tr><tr><td>+48v Phantom Power Required:<\/td><td>Yes<\/td><\/tr><tr><td>Manual<\/td><td><a href=\"https:\/\/www.manualslib.com\/manual\/362310\/Akg-Perception-150.html\" data-type=\"URL\" data-id=\"https:\/\/www.manualslib.com\/manual\/362310\/Akg-Perception-150.html\">ManualsLib.com<\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p>When it comes to recording music, choosing the right microphone can be the difference between a mediocre and an exceptional performance. The Perception 150 by AKG is a versatile microphone that can accommodate various recording scenarios and deliver high-quality results.<\/p>\n\n\n\n<p>This all-purpose microphone is designed to handle high volume sounds of up to 145dB, making it ideal for recording drums, brass instruments, and other loud sources. Its switchable pre-attenuation control of 10dB allows you to position the microphone closer to the sound source, providing you with greater freedom and flexibility in your recordings.<\/p>\n\n\n\n<p>While the Perception 150 does not have built-in high pass or bass cut filters, this can be easily compensated for by adjusting the mixer and preamp settings. This adaptability makes the Perception 150 an excellent option for a wide range of recording situations.<\/p>\n\n\n\n<p>To get started with the AKG Perception 150, it&#8217;s important to properly set it up. First, attach the microphone clip to a stable stand and secure the microphone in the clip. Connect the XLR cable to the bottom of the microphone and the other end to a patch bay. Then, switch on the 48V Phantom power on the preamp or mixer and select the correct input in your recording software or mixer.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Microphone Type Condenser Polar Pattern Cardioid Frequency Response 20Hz \u2013 20KHz (dips at 50Hz) +48v Phantom Power Required: Yes Manual ManualsLib.com When it comes to recording music, choosing the right microphone can be the difference between a mediocre and an exceptional performance. The Perception 150 by AKG is a versatile microphone that can accommodate various &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/2023\/02\/07\/akg-perception-150\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;AKG Perception 150&#8221;<\/span><\/a><\/p>\n","protected":false},"author":5422,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[36,33,39],"class_list":["post-298","post","type-post","status-publish","format-standard","hentry","category-microphones","tag-akg","tag-cardioid","tag-condenser"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/posts\/298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/users\/5422"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/comments?post=298"}],"version-history":[{"count":1,"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/posts\/298\/revisions"}],"predecessor-version":[{"id":300,"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/posts\/298\/revisions\/300"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/media?parent=298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/categories?post=298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/themusicstudios\/wp-json\/wp\/v2\/tags?post=298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}