{"id":28,"date":"2022-08-21T05:51:00","date_gmt":"2022-08-21T04:51:00","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/?page_id=28"},"modified":"2022-09-06T12:06:32","modified_gmt":"2022-09-06T11:06:32","slug":"vicarious-vocalities-simulated-songs-2nd-biennial-conference-2022","status":"publish","type":"page","link":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/vicarious-vocalities-simulated-songs-2nd-biennial-conference-2022\/","title":{"rendered":"Program Schedule"},"content":{"rendered":"\n

Voices in and out of Place:<\/em><\/strong>
Misplaced, Displaced, Replaced and Interlaced Voices<\/em><\/strong><\/p>\n\n\n\n

Click Here <\/a>to View Tuesday’s Schedule Including Contributor Notes<\/strong><\/p>\n\n\n\n

Cl<\/strong><\/a>ick Here<\/a> to View Wednesday’s Schedule Including Contributor Notes<\/strong><\/p>\n\n\n\n

CONFERENCE PROGRAM<\/strong><\/p>\n\n\n\n

DAY 1 <\/strong>
TUESDAY<\/strong>, 6th SEPTEMBER 2022<\/strong><\/h1>\n\n\n\n

09:00-09:30
Log on \/ Introduction<\/strong><\/p>\n\n\n\n

\n\n\n\n

09:30-11:00<\/strong>
Paper Session 1 \u2013 Cultures of Song and Singing<\/strong><\/p>\n\n\n\n

Paul Smith<\/em>
Overheard: Privacy and the Art\/Act of Singing<\/p>\n\n\n\n

Matthew Horrigan<\/em>
Popular Banter: Parasong on Record (in \u201c!!!!!!!\u201d)<\/p>\n\n\n\n

Francesco Venturi<\/em>
Voice Training between Somatics and Metaphors<\/p>\n\n\n\n

CHAIR: Ben Macpherson<\/em><\/p>\n\n\n\n

\n\n\n\n

11:00-11:15 <\/strong>
Short break with \u2018A chorus of geo-haptic tones\u2019 <\/em>by Felicia Konrad and Julieanna Preston <\/strong><\/p>\n\n\n\n

\n\n\n\n

11:15-12:45<\/strong>
Paper Session 2 \u2013 Soundscape and Place<\/strong><\/p>\n\n\n\n

Kate Galloway<\/em>
The ASMR-ing of the World: The Voice in Soundscape Radio and the Bodily Experience of Place<\/p>\n\n\n\n

Peter Falconer<\/em>
Positive Appropriation in Seaton Snook: Creating the Voices of an Abandoned Seaside Town<\/p>\n\n\n\n

Shikha Jhingan<\/em>
Locating the Voice: Listening to the Film Soundtracks of ICU Wards in the Post-Pandemic World<\/p>\n\n\n\n

CHAIR: Amy Skjerseth<\/em><\/p>\n\n\n\n

\n\n\n\n

12:45-13:30<\/strong>
LUNCH<\/strong><\/p>\n\n\n\n

\n\n\n\n

13:30-15:00<\/strong>
Paper Session 3 \u2013 Vocal Identities<\/strong><\/p>\n\n\n\n

Gustavo Souza Marques<\/em>
Sounding Wolf Haley: Hip-hop, Racial Masking and Altered Vocalities in the Musical Work of Tyler, The Creator<\/p>\n\n\n\n

Laura Jord\u00e1n Gonz\u00e1lez<\/em>
Collective Voice, Collective Work: Women\u2019s Experiences from Contemporary Chile<\/p>\n\n\n\n

Paul Alan Barker<\/em>
HaHaHae<\/p>\n\n\n\n

CHAIR: Jacob Bird<\/em><\/p>\n\n\n\n

\n\n\n\n

15:00-15:15
Short break with \u2018A chorus of geo-haptic tones\u2019 <\/em>by Felicia Konrad and Julieanna Preston<\/strong><\/p>\n\n\n\n

\n\n\n\n

15:15-16:15
Artists\u2019 Round Table 1<\/strong>\u2014Vocal Environments<\/strong><\/strong><\/p>\n\n\n\n

Panelists<\/strong>
Rob Mackay [Chair and panelist]
Felicia Konrad
Julieanna Preston
Emily Welther
David de la Haye<\/p>\n\n\n\n

\n\n\n\n

16:15-16:30
Short break with \u2018A chorus of geo-haptic tones\u2019 <\/em>by Felicia Konrad and Julieanna Preston <\/strong><\/p>\n\n\n\n

\n\n\n\n

16:30-18:00<\/strong>
Keynote: Naomi Andr\u00e9<\/strong><\/p>\n\n\n\n

followed by plenary discussion<\/p>\n\n\n\n

CHAIR: Richard Elliott<\/em><\/p>\n\n\n\n

\n\n\n\n

19:00<\/strong>
TUESDAY<\/strong> EVENING SCREENING: Sound and Video Works<\/strong><\/p>\n\n\n\n

Christopher Newell<\/em> 
\u2018The Red Telephone Box That Talks A Bit Like Me\u2019

Lidia Zieli\u0144ska<\/em>
\u201eTrzysta\u201c \/ \u201eThree Hundred\u201c

David de la Haye<\/em> 
Underwater Voices

Emily Welther<\/em>
re\/placing human

Rob Mackay + John Wedgewood Clarke<\/em>
Inside the Red River

Nick Cope<\/em>
False Memory of Normandy (2018)<\/p>\n\n\n\n

\n\n\n\n

DAY 2 <\/strong>
WEDNESDAY, 7th SEPTEMBER 2022<\/strong><\/h1>\n\n\n\n

09:00-09:30
Log on \/ Updates<\/strong><\/p>\n\n\n\n

\n\n\n\n

09:30-11:00
Paper Session 4 — Folklore, Diaspora, Belonging<\/strong><\/p>\n\n\n\n

Juliana M. Pistorius<\/em>
Voice, Migration, and the Politics of Place<\/p>\n\n\n\n

Una Lee<\/em>
Over-, Mis- and Under-Heard: Voice(s) of Oriental Jane Doe in FERV\u0112RE<\/p>\n\n\n\n

Egl\u0117 Gela\u017ei\u016bt\u0117-Pranevi\u010dien\u0117<\/em>
Young music, Old Voice: Authentic Folklore Records in Contemporary Lithuanian Electronic Music<\/p>\n\n\n\n

CHAIR: Bennett Hogg<\/em><\/p>\n\n\n\n

\n\n\n\n

11:00-11:15 <\/strong>
Short break with \u2018A chorus of geo-haptic tones\u2019 <\/em>by Felicia Konrad and Julieanna Preston <\/strong><\/p>\n\n\n\n

\n\n\n\n

11:15-12:45
Paper Session 5 \u2013 Body<\/strong><\/p>\n\n\n\n

Ben Macpherson<\/em>
\u201cWhere things lost become\u2026\u201d: Ventriloquism and Paradoxical Nostalgia in the Bio-Musical<\/p>\n\n\n\n

Jessica Edgar<\/em>
Dis\/embodiment: the Female Soprano Voice in Oxbridge Chapel Choirs<\/p>\n\n\n\n

Malte Kobel<\/em>
Listening as Disidentifying: The Voice-Body Problem in Joan La Barbara\u2019s Vocal Practice<\/p>\n\n\n\n

CHAIR: Yvon Bonenfont<\/em><\/p>\n\n\n\n

\n\n\n\n

12:45-13:30<\/strong>
LUNCH<\/strong> <\/p>\n\n\n\n

\n\n\n\n

13:30-15:00
Paper Session 6\u2013 Computer \/ AI \/ Posthuman<\/strong><\/p>\n\n\n\n

Amy Skjerseth<\/em>
Remediating Auto-Tune: Caroline Polachek\u2019s Machine-Imitative Vocality<\/p>\n\n\n\n

Bojana Radovanovi\u0107<\/em>
Inhuman or Posthuman Voices?: The Effects of Extended Vocal Technique and Technology in Contemporary Music<\/p>\n\n\n\n

Kiranmayi (Kiran) Indraganti<\/em>
The Cutting-Edge Vocals: Song-Making as a New, Edited Artifice<\/p>\n\n\n\n

CHAIR: Francesco Venturi<\/em><\/p>\n\n\n\n

\n\n\n\n

15:00-15:15
Short break with \u2018A chorus of geo-haptic tones\u2019 <\/em>by Felicia Konrad and Julieanna Preston <\/strong><\/p>\n\n\n\n

\n\n\n\n

15:15-16:15
Artists’ Round Table 2\u2014Voices\/Bodies\/Selves<\/strong><\/strong><\/p>\n\n\n\n

Panelists<\/strong>
Christopher Newell
Jess Richards
Pak Hei (Alvin) Leung<\/em>
Pedro Oliveira<\/p>\n\n\n\n

CHAIR: Merrie Snell<\/em><\/p>\n\n\n\n

\n\n\n\n

16:15-16:30
Short break with \u2018A chorus of geo-haptic tones\u2019 <\/em>by Felicia Konrad and Julieanna Preston<\/strong> <\/p>\n\n\n\n

\n\n\n\n

16:30-18:00
Respondent – Katherine Meizel<\/strong><\/p>\n\n\n\n

Katherine Meizel <\/strong>is Professor of Ethnomusicology at Bowling Green State University in Ohio. Her book Idolized: Music, Media, and Identity in American Idol<\/u><\/em> was published in 2011; The Oxford Handbook of Voice Studies<\/em> which she co-editedwith Nina Sun Eidsheim, was published in 2019, and her monograph Multivocality: Singing on the Borders of Identity <\/em>was published in 2020. Her public scholarship has appeared on sites such as Slate, the New Republic, NPR.com, NBC.com, and The Conversation. She also served as associate producer on the albumRaise Your Voice: The Sound of Student Protest <\/em>with Little Village Foundation.<\/em><\/p>\n\n\n\n

followed by plenary discussion and Vicarious Vocalities Network announcement(s)<\/p>\n\n\n\n

CHAIR: Merrie Snell<\/em><\/p>\n\n\n\n

\n\n\n\n

19:00
WEDNESDAY EVENING SCREENING: Sound and Video Works<\/strong><\/p>\n\n\n\n

Paul Alan Barker<\/em>
HaHaHae<\/p>\n\n\n\n

Una Lee<\/em>
FERV\u0112RE<\/p>\n\n\n\n

Pak Hei (Alvin) Leung & Christine Drake-Thomas<\/em>
Trans-Crypted Memory: A Transhumanist Techno-Pop Opera (2022)<\/p>\n\n\n\n

Pedro J S Vieira de Oliveira<\/em>
DESMONTE (A Zone of Nonbeing)<\/p>\n\n\n\n

Shan Yun Wu<\/em>
< I, AI Create Together  – SHANGAVATAR ><\/p>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n



<\/p>\n","protected":false},"excerpt":{"rendered":"

Voices in and out of Place:Misplaced, Displaced, Replaced and Interlaced Voices Click Here to View Tuesday’s Schedule Including Contributor Notes Click Here to View Wednesday’s Schedule Including Contributor Notes CONFERENCE PROGRAM DAY 1 TUESDAY, 6th SEPTEMBER 2022 09:00-09:30Log on \/ … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":10989,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/pages\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/users\/10989"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":75,"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/pages\/28\/revisions"}],"predecessor-version":[{"id":403,"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/pages\/28\/revisions\/403"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/media?parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}