{"id":345,"date":"2022-09-05T19:02:29","date_gmt":"2022-09-05T18:02:29","guid":{"rendered":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/?page_id=345"},"modified":"2022-09-05T22:15:37","modified_gmt":"2022-09-05T21:15:37","slug":"artistic-interventions","status":"publish","type":"page","link":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/artistic-interventions\/","title":{"rendered":"Artistic Interventions"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><strong>We are proud to present the work of artists participating in the conference whose work explores the innate ability of the voice to travel from place to place, body to body, inside and outside the organism producing it, through time and space.<\/strong><br><br><strong>These works explore a variety of vocalities: human, environmental, computer-generated, imagined or projected, set free and in each case socially binding.<\/strong><\/h3>\n\n\n\n<p class=\"has-medium-font-size\">[Watch this space: we will be adding more in the coming days!]<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-blue-background-color has-blue-color is-style-wide\" \/>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-blue-background-color has-blue-color is-style-wide\" \/>\n\n\n\n<p class=\"has-medium-font-size\"><strong><em>A chorus of geo-haptic tones <\/em>by Felicia Konrad and Julieanna Preston<\/strong> <br><a href=\"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/?page_id=341\" data-type=\"URL\" data-id=\"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/?page_id=341\" target=\"_blank\" rel=\"noreferrer noopener\">click here to view<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-blue-background-color has-blue-color is-style-wide\" \/>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-blue-background-color has-blue-color is-style-wide\" \/>\n\n\n\n<p class=\"has-medium-font-size\"><strong><em>SHIVER\/SUGAR <\/em>by Jess Richards<\/strong><br><a href=\"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/?page_id=122\" data-type=\"URL\" data-id=\"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/?page_id=122\" target=\"_blank\" rel=\"noreferrer noopener\">click here to view<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-blue-background-color has-blue-color is-style-wide\" \/>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-blue-background-color has-blue-color is-style-wide\" \/>\n\n\n\n<p class=\"has-medium-font-size\"><strong><em>HaHaHae<\/em> by Paul Alan Barker<\/strong><br><a href=\"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/hahahae-by-paul-barker\/\" data-type=\"URL\" data-id=\"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/hahahae-by-paul-barker\/\">click here to view<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We are proud to present the work of artists participating in the conference whose work explores the innate ability of the voice to travel from place to place, body to body, inside and outside the organism producing it, through time &hellip; <a href=\"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/artistic-interventions\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":10989,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-345","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/pages\/345","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/users\/10989"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/comments?post=345"}],"version-history":[{"count":9,"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/pages\/345\/revisions"}],"predecessor-version":[{"id":396,"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/pages\/345\/revisions\/396"}],"wp:attachment":[{"href":"https:\/\/blogs.ncl.ac.uk\/vicariousvocalities2022\/wp-json\/wp\/v2\/media?parent=345"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}