Voices in and out of Place:
Misplaced, Displaced, Replaced and Interlaced Voices
Click Here to View Tuesday’s Schedule Including Contributor Notes
Click Here to View Wednesday’s Schedule Including Contributor Notes
CONFERENCE PROGRAM
DAY 1
TUESDAY, 6th SEPTEMBER 2022
09:00-09:30
Log on / Introduction
09:30-11:00
Paper Session 1 – Cultures of Song and Singing
Paul Smith
Overheard: Privacy and the Art/Act of Singing
Matthew Horrigan
Popular Banter: Parasong on Record (in “!!!!!!!”)
Francesco Venturi
Voice Training between Somatics and Metaphors
CHAIR: Ben Macpherson
11:00-11:15
Short break with ‘A chorus of geo-haptic tones’ by Felicia Konrad and Julieanna Preston
11:15-12:45
Paper Session 2 – Soundscape and Place
Kate Galloway
The ASMR-ing of the World: The Voice in Soundscape Radio and the Bodily Experience of Place
Peter Falconer
Positive Appropriation in Seaton Snook: Creating the Voices of an Abandoned Seaside Town
Shikha Jhingan
Locating the Voice: Listening to the Film Soundtracks of ICU Wards in the Post-Pandemic World
CHAIR: Amy Skjerseth
12:45-13:30
LUNCH
13:30-15:00
Paper Session 3 – Vocal Identities
Gustavo Souza Marques
Sounding Wolf Haley: Hip-hop, Racial Masking and Altered Vocalities in the Musical Work of Tyler, The Creator
Laura Jordán González
Collective Voice, Collective Work: Women’s Experiences from Contemporary Chile
Paul Alan Barker
HaHaHae
CHAIR: Jacob Bird
15:00-15:15
Short break with ‘A chorus of geo-haptic tones’ by Felicia Konrad and Julieanna Preston
15:15-16:15
Artists’ Round Table 1—Vocal Environments
Panelists
Rob Mackay [Chair and panelist]
Felicia Konrad
Julieanna Preston
Emily Welther
David de la Haye
16:15-16:30
Short break with ‘A chorus of geo-haptic tones’ by Felicia Konrad and Julieanna Preston
16:30-18:00
Keynote: Naomi André
followed by plenary discussion
CHAIR: Richard Elliott
19:00
TUESDAY EVENING SCREENING: Sound and Video Works
Christopher Newell
‘The Red Telephone Box That Talks A Bit Like Me’
Lidia Zielińska
„Trzysta“ / „Three Hundred“
David de la Haye
Underwater Voices
Emily Welther
re/placing human
Rob Mackay + John Wedgewood Clarke
Inside the Red River
Nick Cope
False Memory of Normandy (2018)
DAY 2
WEDNESDAY, 7th SEPTEMBER 2022
09:00-09:30
Log on / Updates
09:30-11:00
Paper Session 4 — Folklore, Diaspora, Belonging
Juliana M. Pistorius
Voice, Migration, and the Politics of Place
Una Lee
Over-, Mis- and Under-Heard: Voice(s) of Oriental Jane Doe in FERVĒRE
Eglė Gelažiūtė-Pranevičienė
Young music, Old Voice: Authentic Folklore Records in Contemporary Lithuanian Electronic Music
CHAIR: Bennett Hogg
11:00-11:15
Short break with ‘A chorus of geo-haptic tones’ by Felicia Konrad and Julieanna Preston
11:15-12:45
Paper Session 5 – Body
Ben Macpherson
“Where things lost become…”: Ventriloquism and Paradoxical Nostalgia in the Bio-Musical
Jessica Edgar
Dis/embodiment: the Female Soprano Voice in Oxbridge Chapel Choirs
Malte Kobel
Listening as Disidentifying: The Voice-Body Problem in Joan La Barbara’s Vocal Practice
CHAIR: Yvon Bonenfont
12:45-13:30
LUNCH
13:30-15:00
Paper Session 6– Computer / AI / Posthuman
Amy Skjerseth
Remediating Auto-Tune: Caroline Polachek’s Machine-Imitative Vocality
Bojana Radovanović
Inhuman or Posthuman Voices?: The Effects of Extended Vocal Technique and Technology in Contemporary Music
Kiranmayi (Kiran) Indraganti
The Cutting-Edge Vocals: Song-Making as a New, Edited Artifice
CHAIR: Francesco Venturi
15:00-15:15
Short break with ‘A chorus of geo-haptic tones’ by Felicia Konrad and Julieanna Preston
15:15-16:15
Artists’ Round Table 2—Voices/Bodies/Selves
Panelists
Christopher Newell
Jess Richards
Pak Hei (Alvin) Leung
Pedro Oliveira
CHAIR: Merrie Snell
16:15-16:30
Short break with ‘A chorus of geo-haptic tones’ by Felicia Konrad and Julieanna Preston
16:30-18:00
Respondent – Katherine Meizel
Katherine Meizel is Professor of Ethnomusicology at Bowling Green State University in Ohio. Her book Idolized: Music, Media, and Identity in American Idol was published in 2011; The Oxford Handbook of Voice Studies which she co-editedwith Nina Sun Eidsheim, was published in 2019, and her monograph Multivocality: Singing on the Borders of Identity was published in 2020. Her public scholarship has appeared on sites such as Slate, the New Republic, NPR.com, NBC.com, and The Conversation. She also served as associate producer on the albumRaise Your Voice: The Sound of Student Protest with Little Village Foundation.
followed by plenary discussion and Vicarious Vocalities Network announcement(s)
CHAIR: Merrie Snell
19:00
WEDNESDAY EVENING SCREENING: Sound and Video Works
Paul Alan Barker
HaHaHae
Una Lee
FERVĒRE
Pak Hei (Alvin) Leung & Christine Drake-Thomas
Trans-Crypted Memory: A Transhumanist Techno-Pop Opera (2022)
Pedro J S Vieira de Oliveira
DESMONTE (A Zone of Nonbeing)
Shan Yun Wu
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