Category Archives: Commentary

‘Line of Sight’: Art Sessions at Forward Assist

Last month we started ‘Line of Sight’, an art project at Forward Assist veteran’s charity in Newcastle. The project is funded by National Lottery Awards for All and is inspired by a conversation with Forward Assist about veteran’s experience and the range card. The range card is used by all branches of the military to direct live fire, either from artillery, portable firearms such as machine gun or mortars, or weapons delivered by aircraft. Yet beyond the battlefield it seemed the range card was helping some veterans to transition into the seemingly uncertain environment of civvy street, by being a emblem of certainty.

This brought to mind art historical work about spatiality in Dutch Landscape painting from the 17th Century being a direct result of innovations in targeting advanced artillery, with the task of targeting the canons falling to the royal artists and geographers. Other academic work has demonstrated that artist throughout history have also been active participants in battlefields by collecting data and intelligence on bridging points, fortifications and landscape features. Innovations such as oil paint in metal tubes that helped the emergence of outdoor painting, were also seen as a threat to combat forces on the battlefield of the Franco Prussian War by being manoeuvrable and easily concealed . Many of these battlefields were captured by the Impressionist painters such as Monet, Degas and Renoir with several of these works being seen, by military of the time, as being operational objects.

So there seemed to be a great opportunity for an art class based on artistic and military seeing with an aim to aid veteran to move from the regimented but predictable structure of military life, to the less certain and arbitrariness of everyday. The first class was held in the mid August and after a pause for the bank holiday resumed last night. Straight away the veterans got to work decoding landscape paintings by Renoir or van Ruisdael identifying areas of risk areas, or tactical advantage. For example  a Renoir cornfield presented a risk to infantry that could be mitigated by an air bursting artillery barrage over a distant village and large amounts of smoke across the fields depending on the wind direction. The dips and contours of what had been a flat landscape became very apparent while problems of spatial depth became a matter of using the same skills as ranging firearms.

Perspective drawing and spatiality can be tricky skills to teach. However, it seemed even in the first art class that these are tacit abilities taught through military training, which the veterans have brought to the art session and re-applied into landscape painting. What had seemed like a novel notion of combining art history with veteran’s experience of landscape has suddenly became embodied and actual.

Michael Mulvihill

Recruiting the new intake – the OTC, UAS and URNU on campus

The new academic year is about to start, Newcastle University’s campus will soon fill with people advertising student events, organisations and activities, and my thoughts turn again to that old chestnut, recruitment to the university armed service units (USUs) on university campuses.  It’s an interesting one to ponder, not least because of the diversity of views this generates.

The university armed service units – the Officer Training Corps (OTC), the University Air Squadrons (UAS) and the University Royal Naval Units (URNU) – are open only to university students.  University campuses are an obvious place for these organisations to recruit.  The fact of this happening elicits some fairly divergent opinions.  For some, this is no big deal.  For some, the unit activities on campus are a fabulous opportunity for people to consider joining an organisation they otherwise wouldn’t know about.  For some, recruitment to the units is a practice which should have no place on a university campus.

We did some research on the USUs a few years back, and one of the things we found (we did a survey of current participants across all the units) was the high a proportion of students for whom Freshers’ Week activities were a key source of primary information about the units.  In fact, it was the single most important source of information identified by people, looking back on their experience of joining.  There were of course participants who arrived at university with prior knowledge of the existence of these units, usually from family, friends and cadets, for example.  But for a significant proportion (about 30% overall) Freshers’ events were the primary source of information.

The gender split on this was also revealing.  For example:

  • For the OTC, 31% of women said Freshers’ events were significant, compared with 26% of men.
  • For the URNU, 48% of women said Freshers’ events were significant, compared with 26% of the men surveyed.
  • For the UAS, 30% of women said Freshers’ events were significant, compared with 18% of the men.

We thought then, and I am reminded of this again this year, that there is a fairly basic argument about equality of access to opportunities at play here, which the discussion about ‘recruitment on campus’ often overlooks.

This is not to say that USU recruitment practices and their effects are, across the board, exemplary strategies for encouraging diversity in the armed forces.  The picture is a whole lot more complex than that, not least because of the differential presence and reach of the units across the university sector.  To put this simply (if crudely), the logics of the history and geography of higher education in the UK mean that the dominance of Russell Group universities echoes across the USUs, their recruitment and existence, and the USUs may be absent entirely or only vaguely visible in many of the post-1992 institutions.  Our research did not explicitly look at differential access, whether in terms of class, ethnicity or other markers of social identity or difference.  But, I wonder whether there might be some use in a piece of research which looks in more detail than we were able to, at differential access to the units, and the way that this socially structured?

This would make a very good dissertation project for a USU-participating social science, sociology or geography student, at any rate.

Rachel Woodward

 

The research referred to above was conducted by Alison Williams, Neil Jenkings and Rachel Woodward, Newcastle University.

You can read The Value of the University Armed Service Units (the full book of the research findings) for free here.

We also published a paper in Political Geography on the connections between the universities and the military in the UK, available for free download here.

‘Army at the Fringe’ returns for another year

The lived experiences of Army life, past and present, will be brought to the Edinburgh Fringe stage for another year following the success of the ‘Army at the Fringe’ 2017 debut. Of ‘The Troth’, one of the shows taking place at the Hepburn House Drill Hall Army Reserve Centre during the city’s festival season, Mira Kaushik said;

“It’s a story about soldiers, so it’s relevant any time. It’s a human story, it’s a very accessible story. So, it’s all about emotions of the boys who leave home, who go to all sorts of conditions which they are not familiar to” (Forces News 2018).

The presence of military theatre at the Fringe appears as part of a much wider trend. The narratives of military personnel and their families are stories of great public interest, and are increasingly emerging in civil society as dramatic productions for public consumption (see Cree 2018). More broadly, this is further evidence that “the literature of war is increasingly escaping from between the covers of books and engaging directly with a wider popular culture of war as entertainment” (Woodward & Jenkings 2012; see also Cree 2018).

References:

Cree A. (2018) The Hero, The Monster, The Wife: Geographies of Remaking and Reclaiming the Contemporary Military Hero. Avaiable at http://etheses.dur.ac.uk/12561/1/Thesis_Alice_Cree_with_corrections_(1).pdf?DDD14+. Accessed 16/08/18.

Woodward R and Jenkings NK. (2012) Military memoirs, their covers and the reproduction of public narratives of war. Journal of War & Culture Studies. 5(3): 349-369.

Forces News. (2018) Army Fringe Returns for Another Year. Available at https://www.forces.net/news/army-fringe-returns-another-year. Accessed 16/08/18.