Catherine Greenaway (1846 – 1901), known as Kate Greenaway, was an English children’s book illustrator and writer. Her almanacs ran from 1883 up until 1897, with no 1896 issue being published. Each almanacks included a Jan-Dec calendar, beautifully drawn illustrations and short verses and poems. Her almanacs were sold throughout America, England, Germany and France and were produced with different variations and in different languages.
The Turtle Dove from ‘History of British Birds Vol I (Bradshaw-Bewick Collection, Bradshaw-Bewick 761BEW)
On the second day of Christmas
my true love sent to me:
Two Turtle Doves
and a Partridge in a Pear Tree
THE TURTLE DOVE
“…The female lays two eggs, and has only one brood in this country, but in warmer climates it is supposed to breed several times in the year.”
Extract from History of British Birds Vol I., page 273, by Thomas Bewick.
History of British Birds is published in two volumes. It was the first field guide for non-specialists and contains accurate illustrations of bird species. Aspects from the History of British Birds is used in poetry and literature.
‘The Fig Tree’ illustration from Elizabeth Blackwell’s Herbal Vol. 1
Plate 125. The Fig Tree. Ficus.
It seldome grows to be a Tree of any great Bigness in England; the Leaves are a grass Green and the Fruit when ripe of a brownish Green; it beareth no visible Flowers, which makes it believed they are hid in the Fruit.
Its Native soils are Turky, Spain and Portugal; and its time of Bearing is in Spring and Autumn; the Figs are cured by dipping them in scalding hot Lye, made of ye Ashes of the Guttings of the Tree, and afterwards they dry them carefully in the Sun.
Figs are esteem’d cooling and moistning, good for coughs, shortness of Breath, and all Diseases of the Breast; as also the Stone and Gravel, – and the small Pox and Measels, which they drive out. – Outwardly they are dissolving and ripening, good for Imposthumations and Swellings; and pestilential buboes.
Her almanacs ran from 1883 up until 1897, with no 1896 issue being published. Each almanacks included a Jan-Dec calendar, beautifully drawn illustrations and short poems. Her almanacs were sold throughout America, England, Germany and France and were produced with different variations and in different languages.
Yes, it was most decidedly Black Duncan the smith who was at the bottom of the whole affair. He was the author of the remark that set everybody gaping, and made such a tremendous fuss in the town. He it was who let fall the fatal joke, when his wife brought in the dish of broiled haddock that morning at breakfast; and though it is not the best taste to laugh at one’s own pleasantries, he, I must confess, did so. It was beyond measure funny, and not a bite or sup would he taste till he had had his laugh out. Thus begins Walter Douglas Campbell’s Beyond the border (1898). It appears to be a children’s story, with a king and queen, a talking cat and a hag who lives in a tower with her daughter who has a “flat, yellow face, speckled like a trout”.
Helen Stratton (fl. 1892-1925) provided 167 black and white illustrations to accompany the text. A British illustrator who was particularly associated with children’s books and fairy tales, she was sometimes influenced by the Glasgow School of Art and art nouveau movement; at other times was influenced by the Pre-Raphaelite style of painting.
The book itself has a green Victorian cloth binding, with a front cover design depicting a witch dropping frogs into a cauldron, and highly-stylised cats on the spine. It was presented to J. Patten MacDougall from Innis Chonain in 1899. Innis Chonain is the Scottish Island on which Douglas Walter Campbell, an amateur architect, had built a large home.