Ideas For Your Dissertation! #3

CHORLEY 176-CHILDREN'S BOOKS-GINGERBREAD-PAGE 1

CHOR-CHORLEY 176-CHILDREN’S BOOKS-GINGERBREAD-PAGE 1

Idea #3 The Chroley (Sarah) Collection

Subjects: Children’s Literature

The Chorley Collection, presented by Sarah Chorley, comprises children’s literature chiefly from the Nineteenth Century and first decades of the Twentieth Century.

Date Range of Material
19th Century and early 20th Century

Size of Collection
10 linear metres

Collection Reference Code
Choreley

How To Order Items From This Collection
# First, use the library catalogue link below to see a list of the individual books we have within this collection.
# If you find some books you would like to consult, click on each item and you should find yourself in the Request section of the catalogue. Then simply hit the ‘Request to consult in Special Collections’ button, complete the order form, and the book will be brought out of the stores for you. You will receive an email from us as soon as the books are ready for you.

Library Catalogue Link
The Chorley (Sarah) Collection catalogue is available via the Library Catalogue

Handy Links

Guide to finding and using Archives and Rare Books

More Archives and Special Collections for English Literature, Language and Linguistics students

More Archives and Special Collections for Education, Communication and Language Science Students

Ideas For Your Dissertation! #2

Idea #2 The Baker Brown (Thomas) Archive

Subjects: History / Military History

TBB-1-3-1

GB186/TBB/1/3/1

This is fascinating collection of material relating to Thomas Baker Brown, born 22nd December 1896, a soldier who fought in World War I and was taken prisoner of war in Germany in 1918. The collection predominantly comprises of the private letters from Thomas Baker Brown to his family at home in North Shields while he underwent his training in York, and then while he served as a soldier in France. His correspondence describes his training, exercises and daily routines as well as conditions in the trenches. Also included is the correspondence between Thomas Baker Brown’s father and various official bodies after Thomas Baker Brown was reported missing, as well as field cards sent home by Thomas Baker Brown from a prisoner of war camp in Dülmen.

The collection includes of a significant amount of war memorabilia collected both during and after World War I. Items include comics such as ‘The Bystander’ which was published during the war, Thomas Baker Brown’s ration books, maps of France, Germany and Austria showing the position of trenches and Thomas Baker Brown’s handwritten notes for a book on his experiences as a soldier.

Date Range of Material
1915 – 1970s

Size of Collection
6 files of 827 items

Collection Reference Code
GB186/TBB

How To Order Items From This Collection
# First, use the finding aid below to search through a list of the individual items we have within this collection.
# If you find an item you would like to consult in the Special Collections reading room, simply make a note of the reference number and title of the item(s) you are interested in (for example GB186/TBB/1/5/1 War Office Procedures For Missing Officers And Men).
# You can then place your order by linking to our request form

Finding Aid
The catalogue for the Baker Brown Archive is available via the Archives Hub.

Handy Links
A Guide to finding and using Archives and Rare Books
More Archives and Special Collections for History, Classics and Archaeology students

Ideas For Your Dissertation! #1

Idea #1 The Donaldson (Sir Liam) Archive

GB 186 LD/3/8/1/40

GB 186 LD/3/8/1/40

Subjects: Public Health / Medicine / Politics / Communication/Marketing

This collection comprises material relating to the 15th Chief Medical Officer for England and Chancellor of Newcastle University Sir Liam Donaldson (1949 – ). It includes published and unpublished material covering Sir Liam’s early professional career and achievements in health care management in the Northern and Yorkshire regions and as Chief Medical Officer.

The majority of material relates to his time as Chief Medical Officer from 1998 – 2010, covering his major health and health care campaigns, including published reports and contextual material related to these reports.

Date Range of Material
1985 – 2010

Size of Collection
52 boxes (26 linear metres)

Collection Reference Code
GB186/LD

How To Order Items From This Collection
# First, use the finding aid below to search through a list of the individual items we have within this collection.
# If you find an item you would like to consult in the Special Collections reading room, simply make a note of the reference number and title of the item(s) you are interested in (for example GB186/LD/1/3/4 Proposal to Develop a Regional Quality of Care Commission within the Northern Region).
# You can then place your order by linking to our request form.

Finding Aid
The catalogue for the Donaldson (Liam) Archive is available via the Archives Hub.

Handy Links
A Guide to finding and using Archives and Rare Books
More Archives and Special Collections for Politics students
More Archives and Special Collections for Biology students

Frances Burney Correspondence – September 2015

By Sophia Leggett

Sophia Leggett is an MLitt English Literature student at Newcastle University, specialising in Contemporary Children’s Literature.  Throughout the year, she has also been working in the Special Collections department at the Robinson Library, helping to catalogue newly acquired rare books.

As she reaches the end of her time with us, we have asked Sophia to take a look at one of the hidden gems within our archive collection and tell you (and us!) a little bit more …

Taking inspiration from the three letters in the Manuscript Album collection written either to or by the great author, playwright and diarist Fanny Burney, Sophia looks a little deeper into the life and correspondence of this fascinating writer.


The Letters of Fanny Burney, held by Newcastle University, and available to consult in the Special Collections Reading Room, Robinson Library.

Reference ID: GB186-MSA-1-13 Letter From Hester Lynch Thrale To Fanny Burney

Reference ID: GB186-MSA-1-15 Letter From Fanny Burney To Dr Burney


Frances Burney (1752-1840) was arguably the most successful female novelist of the eighteenth century; her first novel Evelina (1778) was a publishing sensation and follow-up novels Cecilia (1782) and Camilla (1796) were considered among the best fiction of the time and were much admired by her contemporary Jane Austen. Further than this, Burney was also a keen playwright, and also wrote many letters and journals to her family and friends. Burney composed many of these letters and journals with a keen awareness of their future historical significance, giving a fascinating insight into many aspects of eighteenth century life including family, politics, court, war and pathology. Living to the incredible age of 87, Burney lived a long and fascinating life.

Family Life

Frances (‘Fanny’) Burney was born the third of six children to Charles and Esther Sleepe Burney. Her father, a musicologist, came from humble beginnings but increased his social standing through hard work and study. Her mother died when she was ten years old, and her father was remarried 5 years later to Elizabeth Allen, bringing three step-siblings into the family, and later two half-siblings. Her large family were a talented group of musicians, writers, scholars, geographers and artists. The whole family shared a habit of vividly ‘journalising’ experiences for each other, and between them left behind more than 10,000 items of correspondence. Burney’s family clearly nurtured her artistic talent, even though she did not learn to read until she was 8 and never received formal schooling. Burney was also nurtured by her father’s circle of friends, particularly as she acted as her father’s secretary as he worked on a history of music. Charles’ circle included the lexicographer Samuel Johnson, the poet Christopher Smart, the painter Joshua Reynolds, the actor David Garrick and a brewer Henry Thrale and his wife, Hester, a diarist.

Thrale Relationship

One of the letters held by Newcastle University is a letter from Hester Thrale, a friend of the family. Thrale seems to have had a very interesting relationship with the Burney family. She was allegedly strangely judgemental of them, torn between her love and admiration of the Burneys and contempt for their humble origins, referring to them as ‘a very low race of mortals’. Burney’s first novel, Evelina altered this relationship. It was initially published anonymously, but knowledge of her authorship soon broke out and Thrale saw the advantage of an acquaintance to Burney and demanded an introduction, inviting Burney to social gatherings and gaining her access to literary circles. Upon Thrale’s scandalous remarriage to musician Piozzi in 1784, Burney, in outrage, ceased correspondence with her, though they later had a partial reconciliation in 1815 in Bath.

MSA-1-13 Letter From Hester Lynch Thrale To Fanny Burney - Part 1

MSA-1-13 Letter From Hester Lynch Thrale To Fanny Burney – Part 1

MSA-1-13 Letter From Hester Lynch Thrale To Fanny Burney - Part 1 Narrative - Copy

MSA-1-13 Letter From Hester Lynch Thrale To Fanny Burney - Part 2

MSA-1-13 Letter From Hester Lynch Thrale To Fanny Burney – Part 2

MSA-1-13 Letter From Hester Lynch Thrale To Fanny Burney - Part 2 - NarrativeCourt Life

At 35, Burney was reluctantly appointed Keeper of the Robes to Queen Charlotte at the Court of George III, after the Queen wished for a new dresser who could supply her with intelligent conversation. This was meant to be a position for life, but Burney hated it and managed to leave after five years due to ill health. Despite this, Burney left on good terms with the Royal Family, and proceeded to stay in touch. She left with a pension of £100 – half of her £200 salary. Whilst at court, Burney vividly documented Court lifestyle, providing an intriguing insight into court lifestyle as well as King George III’s ‘madness’.

France

Following the French Revolution, in 1793 at the age of 41, Burney met Alexandre d’Arblay, an exiled French General, and soon after married him following a secret courtship. Due to poor relations with France following the Revolution, this was frowned upon particularly by Burney’s father, who tried to dissuade her from an imprudent match, though Burney clearly ignored him. D’Arblay was not allowed to work in England due to his nationality, and so Burney became the breadwinner of the family with her royal pension and her writing.

In 1802 Burney and her son joined D’Arblay in France, where he had returned to claim what was left of his estate and joined the French Royalist Guard. The family were then trapped in France by the breakdown of the Peace Amiens and the outbreak of war between France and England. In 1815, Burney fled from France to Belgium, and upon discovering that her husband was ill and wounded at Tréves (more than a hundred miles away from her), Burney set out to find him and take him back to England, documenting her travels through a war-torn country.

During her time in France, Burney’s journals and letters provide a fascinating insight into French society, politics and war. She also provides an intriguing pathological account of then-modern medicine. In 1811 at her home in Paris, she underwent a mastectomy for breast cancer without anaesthetic, writing a very detailed and graphic account of this operation.

MSA-1-15 Letter From Fanny Burney To Dr Charles Burney

MSA-1-15 Letter From Fanny Burney To Dr Charles Burney

MSA-1-15 Letter From Fanny Burney To Dr Charles Burney - Narrative

The Manuscript Album is a collection of letters, purchased or given to Newcastle University Library over the last century. Although collected with no particular subject focus, each letter was chosen for its historical significance, and the album includes letters by Horatio Nelson, A.E. Houseman, Isambard Kingdom Brunel, Garibaldi, and Mary Shelly to name but a few, as well as by people of local significance like Thomas Bewick, Richard Grainger, and George Stephenson. The Manuscript Album contains three letters which were written either to or by the great author, playwright and diarist Fanny Burney.

Further details about this Collection

Draw More Comics!

Over 200 copies of the Thomas Baker Brown World War I Comics Anthology, produced by the young people who took part in our World War I Comics workshops just before the summer holidays have arrived from the printers, ready to be given out to the students who created them when they return to school shortly.

Photos of comics

Thomas Baker Brown was a man from North Shields, Tyne and Wear, who served as a signaller in World War I.  His archive, held here at Newcastle University Library, includes original comics from the time of the First World War and so it seemed fitting for us to use this medium to open up Thomas Baker Brown’s archive to a wider audience and to tell his wartime story.

Working with Applied Comics Etc and our archives and education outreach teams, comics artist Terry Wiley created a comic telling Tommy’s wartime story. Next we ran workshops in which local secondary school students explored the Thomas Baker Brown archive and worked with Terry to create their own comics. All of the comics have been published together in an anthology and can also be seen separately on our website, http://www.ncl.ac.uk/library/services/education-outreach/thomas-baker-brown.

Students working

On our website you will also find some of the resources we used in our workshops. We hope that by making these resources available online for teachers to use in the classroom, more young people will be given the opportunity to understand how archives help us write and draw history through creating their own World War I Comics.

Chicken-rearing and the Revolution – August 2015

17 August 2015 marks the 70th anniversary of the publication of George Orwell’s classic ‘fairy tale’ about animals in revolt and allegory of the Russian dictatorship, Animal Farm. Orwell – real name Eric Arthur Blair – wrote the book in 1943/44 at his small cottage in Wallington, Hertfordshire. His friend and fellow author, Jack Common, ran the village shop in nearby Datchworth.

George Orwell BBC

George Orwell

Common was born in Heaton, Newcastle upon Tyne, in 1903. He moved to London in 1925 and later worked at The Adelphi magazine, where he met Orwell in the mid-1930s.The pair struck up an uneasy friendship – Common was North East working-class, whilst Orwell, was (in his own words) “lower-upper-middle class” and Eton-educated. Despite their differences, the two remained friends until Orwell’s death in 1950. Orwell became Common’s literary mentor, regarding Common’s collection of essays, The Freedom of the Streets (1938), as:

‘the authentic voice of the ordinary working man, the man who might infuse a new decency into the control of affairs if only he could get there . . .’

Jack Common died in 1968, and his papers were deposited at the University Library in 1974. They comprise photographs, diaries, notebooks, manuscript, and letters.

JC/4/1/8

(JC/4/1/8) Jack Common

This 1962 letter (shown below) to Common (COM 3/3/38), from London bookseller Anthony Rota, is about the purchase of a selection of Orwell’s letters. Rota, obviously looking for insights into Orwell’s writing, isn’t impressed with some of the content:

‘Like you, I find Orwell’s absorption in the minutiae of chicken-rearing well worth reading about but, in terms of hard cash, it does not mean as much as any comment he makes on how and why he wrote his books.’

Rota offers Common a poultry £75 for the letters.

But perhaps the letter should maybe not be dismissed so lightly. Orwell – a keen angler and gardener – strove for self-sufficiency and reared his own livestock in his Wallington garden. His chickens and goats are the animals that provided inspiration for characters in Animal Farm.

Common replied, expressing his disappointment at the offer. Rota’s response of 8th August 1962 (COM 3/3/39) presses home his disinterest in Orwell’s Good Life interests:

‘From our point of view the trouble is that he writes too much about chickens and not enough about his work.’

The two eventually agree on £85 for the letter.

(COM 3/3/38), letter from Anthony Rota to Jack Common, 3rd August 1962

(COM 3/3/38), letter from Anthony Rota to Jack Common, 3rd August 1962

‘An Exhibit’

 

G-012281-6

We recently scanned a set of deteriorating transparencies and came across this. It shows one of the Fathers of Pop Art, Richard Hamilton, and his fellow King’s College Fine Art lecturer, Victor Pasmore, hanging their ground-breaking exhibition ‘An Exhibit’ in the Hatton Gallery in 1957. The exhibition consisted of hanging perspex sheets which formed a visual ‘maze’.  Hamilton and Pasmore  pioneered a new method of art training at Newcastle and mounted a series of ground- breaking exhibitions between 1953 and 1966.

Pybus during the First World War

IMG_1743

Operating Theatre, Fine Art Dept., 1st floor., 1st Northern General Hospital, Armstrong College, 1915 – 16 (Pybus in the centre with a mask on)

Pybus was informed of his mobilisation in 1909, he became a Captain in the Royal Army Medical Corps, Territorial Force. Initially he had very little to do in his role as Captain, he spent time in York Military Hospital and camped at the Royal Station Hotel, during this stay he described visiting the hospital to understand the organisation and also lots of form filling.

In 1913 Pybus was persuaded by a colleague to become a Registrar at the RVI which meant he had to be coached in military law, organisation and equipment, he passed this and became a field officer; meaning his authority changed to training the unit based at the RVI. For Pybus, this mainly meant leading marches. This all changed in 1914 and on the 4th of August he received the mobilisation papers to take authority of Armstrong College and establish the First Northern General Hospital. Pybus surveyed the college deciding which rooms would be turned in to wards, bathrooms and sanitary accommodation. He renamed the main building block A and two newer buildings B and C. Block C first floor was designated ordinary rank and lower floor for officers.

IMG_1742

The notebook details patients name, ward, regiment, number, date of surgery, type of surgery, surgeon (Pybus), anaesthetic used, anaesthetist, result and remarks. 1364 operations are listed.

This was organised within 48 hours and set up with Infirmary staff so if any wounded soldiers arrived they could be provided for immediately. It was sometime after the initial set-up that the first wounded were brought to Newcastle, these consisted of Belgian soldiers and officers.

IMG_1744

Section of the Operating Theatre C notebook

The Hospital gradually expanded from 520 beds to 2166 in 1917. Huts were built in the grounds of Armstrong College and extra wards built on the North side of main infirmary corridor. Further places were offered as convalescent or auxiliary hospitals these were mainly Country houses on estates such as Howick Hall owned by Earl and Countess Grey. The most northern of these homes was Haggerston Castle just south of Berwick-upon-Tweed and the most southern was Crathorne Hall in Yarm. These were all visited weekly by surgeons and physicians including Pybus, his work also meant that he was on boards which decided what to do with soldiers after injury.

Pybus eventually transferred from registrar to surgeon due to shortages, he was briefly posted in Alexandria, but on his returned continued as surgeon at Armstrong College where he performed at least 1346 operations.

Pybus’ Cancer Research

A brief introduction to Pybus’ research interests

Pybus had a wide ranging interest in cancer and published many cases and research papers in the medical journals concerning all aspects of his research. What comes through in his papers is that his main research focus was on lung cancer and carcinogens found in the air pollution, particularly benzopyrene in soot from burning materials and diesel fumes. Pybus did discuss lung cancer and tobacco smoking but felt that air pollution should be considered a bigger threat. He primarily used statistical evidence and cases he had seen to understand lung cancer and its association with air pollution.  He worked in his own research institute for 30 years and retired from active research in 1955; going on to campaign for cleaner air in the UK due to his findings.

1-3-49 cut

1-3-49 [boxlist number]

Pybus’ interest in cancer first began as a schoolboy, but became fully realised when he saw his first tumour as a veterinary pupil in about 1899. He saw a human cancer for the first time in 1903 after deciding to switch from veterinary school to medical school. He made this decision due to his distaste of the treatment of animals; such as lack of anaesthetic while surgery was performed. Pybus worked primarily as a surgeon, but in 1925 was able to set up his own Cancer Research Institute.

During this time Pybus was supported by the Imperial Cancer Research Fund, this fund was set up in 1902 and was aimed at finding new approaches to cancer and its treatment. In the 1920’s a new funding party was set up, namely the British Empire Cancer Campaign who also went on to fund Pybus’ Newcastle based Research Institute.

During his active research period Pybus used similar techniques to other researchers, including a “Tar-Painting” method which was first used in 1915 by Katsusaburo Yamagiwa and Koichi Ichikawa at Tokyo University to induce cancer in animals – the tar acted as a carcinogen. Using this method in 1924 Pybus produced neoplasms in mice.

3-1-29 [boxlist number]

3-1-29 [boxlist number]

Not only did Pybus explore various carcinogens he also researched and published an article in the British Medical Journal on hereditary bone tumours in mice. This follows a strong research theme within oncology which, since the discovery of DNA, has led to the ability to actively pinpoint inherited defective genes which can lead to cancer, such as a mutated BRCA1 and BRCA2 gene which link to breast cancer.

3-1-22 [boxlist number]

3-1-22 [boxlist number]

 

150 years of Alice in Wonderland – July 2015

Front cover of Alice’s Adventures in Wonderland (London: Hodder and Stoughton, 1922) [20th Century Collection, 823.8 CAR]

This year celebrates the 150th anniversary of jam tarts, rabbit holes, mad hatters, secret doors, tea parties and even more ‘curiouser and curiouser’ delights in Lewis Carroll’s fantasy children’s book, Alice’s Adventures in Wonderland. Published in 1865, the tale follows Alice, a seven year old girl, who falls asleep and enters a world full of nonsense. Upon following the White Rabbit, she encounters many iconic characters whose symbolism aim to teach children lessons surrounding growing up, identity and curiosity.

Lewis Carroll is a pseudonym of Charles Lutwidge Dodgson. Born in the village of Daresbury, Chesire, he was the eldest boy in a family of eleven children. Carroll was educated at home, until the age of twelve when he was sent to Richmond Grammar School in North Yorkshire. In 1851 he registered at Christ Church, Oxford, where he excelled at maths. He received the Christ Church Mathematical Lectureship in 1855, which he continued to hold for the next twenty six years. However, he is best known as an adept storyteller; spinning new tales to entertain his friends.

Alice’s Adventures in Wonderland was inspired by real events and a real child. The story occurred in 1862 during a river outing with Henry Liddell, the Dean of Christ Church, Oxford, and his family. Along the journey Carroll spoke of a bored little girl called Alice who goes looking for adventure. Alice Liddell (one of three daughters on the trip) loved the story so much that she asked for it to be written down. Carroll agreed and he eventually completed the story two and a half years later.

Reproduction of a tipped-in colour plate by Gwynedd M. udson depicting the Made Hatter's tea party
Reproduction of a tipped-in colour plate by Gwynedd M. udson depicting the Made Hatter’s tea party [20th Century Collection, 823.8 CAR]

The enchanting tale has charmed both children and adults through numerous re-prints, theatre productions, film adaptations and more. Special Collections hold a version of Alice’s Adventures in Wonderland that was published in 1922 by Hodder and Stoughton and contains twelve reproduced illustrations of highly detailed tipped-in colour plates by Gwynedd M. Hudson. Each illustration contains specific scenes from the story, including Alice receiving advice from the Caterpillar, Alice and the Queen of Hearts playing croquet, and Alice meeting the Gryphon and the Mock Turtle. Hudson passed away at the age of twenty six but, despite her short life, she is noted for her remarkable illustrations in J.M. Barrie’s Peter Pan and Wendy as well as Alice’s Adventures in Wonderland.

Reproduction of a tipped-in colour plate by Gwynedd M. Hudson depicting the Alice with the Caterpillar
Reproduction of a tipped-in colour plate by Gwynedd M. Hudson depicting the Alice with the Caterpillar [20th Century Collection, 823.8 CAR]