podcast – Anne Whitehead

Dune with sea and cliffs in background — Photo Credit: Anne Whitehead

The podcast series Conversations about Arts, Humanities and Health, hosted by Dieter DeClercq and Ian Sabroe, is well loved by many who work in the medical and health humanities. The series, supported by the Winston Churchill Memorial Trust, develops meaningful dialogue and connection between the humanities and medicine. The conversations take place online, and scholars, health professionals and the public discuss how the arts and humanities can inform healthcare. The recording of the conversation is then published as a podcast, together with a reflective summary by Dieter and Ian.

Having enjoyed listening to many episodes, I was honoured to be invited as a guest on the third season of the podcast. I had already had the pleasure of working with Ian, who was a contributor to the Edinburgh Companion to the Critical Medical Humanities, and the care and thoughtfulness with which the conversation was conducted therefore came as no surprise. I met Ian, Dieter, and Jennifer Pien for a preliminary online chat about what areas Jenn and I would like to cover in the conversation, and about topics of common interest, and we agreed a loose series of questions, which would still allow space for the conversation to take its own direction on the day.

It was a pleasure to talk with Jenn about her work with medical professionals as well as her own creative practice. Our conversation focused on the role of writing and personal stories in the medical and health humanities. We explored the relation between the personal and the critical, and we thought about how bringing the personal perspective into academic work does not mean losing a critical voice. More broadly, we thought about the value of lived experience, the meaning of creativity, and the varied craft of writing.

Thank you to Dieter, Ian and Jenn for such a generous, and generative, conversation.

You can listen to the podcast, which is episode 23 of Ian and Dieter’s series, here.

Beach and groynes with cliff in background — Photo credit: Anne Whitehead

I was delighted to be in conversation recently with Rebecca Helman about the Relating Suicide book. Rebecca is part of the Suicide Cultures team at Edinburgh University, a five-year project funded by a Wellcome Trust Investigator Award. The project focuses on the social and cultural contexts of suicide in Scotland, and it has a deep commitment to working with lived experiences of suicide and suicidality.

My conversation with Rebecca began by reflecting on the trajectory of my work and how I came to write a book on suicide. We reflected on the writing of the book during the Covid-19 pandemic, and what impression this left on the work. We then moved on to think about what creativity means in relation to the book and the ways in which its form bridges the critical and the creative. We considered the importance of capturing feeling as well as facts in relation to suicide, which formed an important link between the book and the Suicide Cultures project.

We then focused on the book more specifically. We talked about the structuring of the chapters around a series of questions, and the limits of what we can know in relation to suicide. We thought about the emphasis that I put on the importance of place in connection to suicide-related grief, and about the language of living beside suicide.

Our conversation closed by thinking about the archive, reflecting on the ways in which my book disrupts institutional archives relating to suicide and is suggestive of more creative archiving practices. Rebecca shared the project’s making of a photographic archive, based on images contributed by those affected by suicide. We ended by registering the importance of listening as well as speaking in the context of suicide narratives.

You can listen to the podcast here.