Aims and Objectives ▪ To begin by establishing the Modern and Postmodern styles and characteristics of Architecture and more importantly, how and why they came about. ▪ To Show how Ouseburn Valley has been affected by the changing styles of Architecture. ▪ To illustrate how and why society’s view of the world has changed with the regeneration of Ouseburn Valley. Intentions. I will progress to evaluate the effects of this change by considering the following questions: ▪ Material change results in special change. Thus, how do our interpretations of space and time alter with the shift from modernism to postmodernism? ▪ Furthermore, how does this affect the way we act with respect to the world? ▪ How does our view of knowledge and reality change as a consequence of Postmodernism? Sources. The key source for my investigation will be David Harvey’s Condition of Postmodernity. In addition to this, I will refer to: Fredric Jameson – Postmodernism, or, the cultural logic of late capitalism. Perry Anderson – The Origins of Postmodernity. Jean-Francois Lyotard – The postmodern condition.
Tag: Jameson
Part 1 Using literature by Terry Eagleton, David Harvey and Hal Foster I explore the idea of postmodernism, including its evolution from modernism and its contradictions and definitions. Concluding with an in depth look at works by Jean Baudrillard and Fredric Jameson in preparation for the main body of my argument. Part 2 Looks at house music culture, its origins from Chicago and influences from the rest of Europe. Using knowledge from part one, I explain how through sampling and recycling, house music is a perfect example of a postmodern aesthetic. I also present neo-conservative postmodern arguments written by Steven Redhead, Hillegonda Rietveld and Simon Reynolds that house music is culture of abandonment, disengagement and disappearance. Part 3 Focuses on the growth of raves in the eighties Britain, and legislation introduced by the government to prevent free parties taking place. Researching into the idea of Techno-shamanism and the tribal nature of house culture, I argue against the arguments presented in part two, and with my own argument, contend that house music can be used to escape postmodern society.