6th December – King Pantomime at the Playhouse: Four Holiday Pieces

#ChristmasCountdown

'King Pantomime at the Playhouses: Four Holiday Pieces'

‘King Pantomime at the Playhouses: Four Holiday Pieces’ from Illustrated London News, 1904

Page from Illustrated London News, Vol. 125, 1904 (030 ILL), dated 31st December 1904

The page contains sketches by Ralph Cleaver of costumes for 4 pantomimes. Left to right as follows:

“Red Riding-Hood” at the Coronet Theatre
“Red Riding-Hood” at the King’s Theatre, Hammersmith
“Aladdin” at The Kennington Theatre
“The Forty Thieves” at The Fulham Theatre

Illustrated London News is part of our 20th Century Collection. You can find this volume and other Illustrated London News here.

The IRON Press archive is here!

IRON Press is a North East-based independent press which publishes poetry, fiction and drama from the region and elsewhere, with a particular focus on publishing new authors.

The press began as IRON Magazine which was established in 1973, and was funded by Northern Arts. It featured art work, reviews, short stories and poetry. The magazine ran for 26 years, ending in 1997. Across 82 editions, it published more than 1200 writers world-wide.iron-820iro

IRON Press published its first book in 1976, Three North-East Plays by C.P. Taylor, Tom Hadaway and Leonard Barras. The press has been funded by Northern Arts, and Arts Council England North. It seeks to publish four or five new titles annually, as well as hosting festivals and literary events in the North-East.

Newcastle University Special Collections is now home to both the IRON Press archive – which includes published and submitted works, as well as administrative, marketing, sales and publicitiy material – and the IRON Press collection, which includes a copy of every magazine and book published by the press.

Researchers can browse the contents of the collection in more depth and order items to view in the Reading Room here.

4th December – WWI Honour Envelope from Thomas Baker Brown

#ChristmasCountdown

Honour Envelope

Honour envelope from letter sent by Thomas Baker Brown to his father on Christmas Day (TBB/1/1/1/1/114-8)

Honour envelope letter sent by Thomas Baker Brown to his father on Christmas Day, dated 25th December 1916.

Thomas Baker Brown, born 22nd December 1896, a soldier who fought in World War I. In December 1915, Thomas Baker Brown was serving in the ‘Clerks Platoon’ for the 6th Northumberland Fusiliers at a training camp at Scarcroft School, York. As a soldier, or “tommy”, training would begin with basic physical fitness, drill, march discipline and essential field craft. Tommies would later specialise in a role and Brown received training in bombing, signalling and musketry. He suffered from poor eyesight and was issued with glasses. After failing to be transferred to the Royal Flying Corps, Brown was placed into the signalling section and later drafted to France alongside his brother George, as part of the 2/6th Northumberland Fusiliers, 32nd Division.

By the 1st August 1916, Brown was moved to the 21st Northumberland Fusiliers (2nd Tyneside Scottish 37th Division) and was sent on his first journey to the front line trenches. Later, in March 1917, Brown was awarded the Military Medal for his ‘heroism’ and ‘bravery’.

In 1918, he was taken prisoner by German soldiers and placed in a prisoner of war camp in Dülmen and later transferred to Limburg.

Find the letter in our collections here. Explore the rest of the Thomas Baker Brown collection here.

2nd December – 1892 Kate Greenaway Almanack

#ChristmasCountdown

'Winter' illustration

‘Winter’ illustration from Kate Greenaway’s 1892 Almanack (030 GRE)

Beautiful Winter illustration taken from Kate Greenaway’s Almanack for 1892 – Engraved by Edmund Evans – Published by G. Routledge & Sons

Catherine Greenaway (1846 – 1901), known as Kate Greenaway, was an English children’s book illustrator and writer. Her most popular books are Under the Window (1879)Kate Greenaway’s Birthday Book for Children (1880), Mother Goose; or, The Old Nursery Rhymes (1881), and A Painting Book (1884).

Her almanacs ran from 1883 up until 1897, with no 1896 issue being published. Each almanacks included a Jan-Dec calendar, beautifully drawn illustrations and short poems. Her almanacs were sold throughout America, England, Germany and France and were produced with different variations and in different languages.

Kate Greenaway’s Almanacks are from the 19th Century Collection. Find her 1892 almanack and others here.

1st December – The Partridge

#ChristmasCountdown

‘On the First day of Christmas my true love sent to me…
a Partridge in a pear tree’

Illustration of a partridge

‘The Partridge’ from Thomas Bewick’s History of British Birds, Vol I (761 BEW)

To start off our Special Collections #ChristmasCountdown is an image of The Partridge from Thomas Bewick’s History of British Land Birds, Vol I.

“The length of this bird is about thirteen inches: The bill is light brown; eyes hazel; the general colour of its plumage is brown and ash, elegantly mixed with black…Partridges are chiefly found in temperate climates; the extremes of heat and cold are equally unfavourable to them: They are no where in greater plenty than in this island, where, in their season, they contribute to our most elegant entertainments”. (pg. 305-306)

History of British Birds is published in two volumes. It was the first field guide for non-specialists and contains accurate illustrations of bird species. Aspects from the History of British Birds is used in poetry and literature.

If you are interested in more items by Thomas Bewick, view more in the Bradshaw-Bewick Collection.

People don’t know about them…

This is a poster version of the exhibition People don’t know about them…, which was on display in the Marjorie Robinson Library Rooms, Newcastle University, 28th October 2016 – 15th January 2017.  The exhibition was the result of a collaborative oral history project based in Newcastle University Libraries.

Many thanks to the creators of the original exhibition, Sam Wagner and Rosemary Nicholson.

Exhibition: “People don’t know about them…”

This exhibition took place in the Marjorie Robinson Library Rooms, Newcastle University, 28th October 2016 – 15th January 2017. Click this link to see an online version of the exhibition.


Exhibition Open! “People don’t know about them…”

Ground Floor – Marjorie Robinson Library Rooms

28th October 2016 – 15th January 2017


And then 1914, obviously the First World War is declared and she came back to England, and she’d been working as a surgeon. She offered her services to the War Office and the War Office accepted her and said yes and then she got her kit together and turned up at Victoria Station in London to join her group to go out to France to the military hospital out in France and the doctor in charge said I’m not having a woman. I’m not taking her.

Rosemary Nicholson


The Universities at War project is a volunteer project based in the Special Collections Department at the Philip Robinson Library.  Its aim is to tell the stories of the staff and students of Newcastle University who fought in the First World War.

In 2015 Sam Wagner, an archaeology student in her final year of study at Newcastle University, joined the Universities at War project as part of her Career Development Module.  For her final project, Sam chose to conduct an oral history interview, and that is where our story starts …

Ruth Nicholson, Rosemary Nicholson and Sam Wagner

Ruth Nicholson, Rosemary Nicholson and Sam Wagner

Rosemary Nicholson had previously contacted the Universities at War project to tell us about her husband’s aunt, Ruth Nicholson. Ruth was a Newcastle University medical graduate who worked under the direction of the French Red Cross throughout the First World War, as a surgeon in a military hospital in France.

A female medical graduate?

A military hospital staffed entirely by women?

And why the French Red Cross?

Sam’s exhibition is the result of her own historical research and interviews with Rosemary –  capturing her memories of family stories about Ruth, as told through Ruth’s sister, Alison, who was still alive when Rosemary married into the family.

Panel on the Royaumont women in the Scottish Diaspora Tapestry, stitched by Andrea Cooley.

Panel on the Royaumont women in the Scottish Diaspora Tapestry, stitched by Andrea Cooley.

 It is the fascinating story of an amazing woman, passed on by the women in her family who wanted her story to be told.


“ I felt she never got the credit she should have had, or the recognition she should have had, or Alison.  People don’t know about them, I mean I write to everybody. I heard the programme on Women’s Hour about the women’s hospital in London and I rang right in to them saying, you know, What about Royaumont?! It was a matter of pride! ”

Rosemary Nicholson


Royaumont Hospital, image kindly provided by the Imperial War Museum.

Royaumont Hospital, image kindly provided by the Imperial War Museum.

 

All images in the exhibition have been kindly provided by the Nicholson family or other priviate owners, for the purposes of exhibition only.

The exhibition took place in the Marjorie Robinson Library Rooms, Newcastle University, 28th October 2016 – 15th January 2017.

An online version of this exhibition can be seen here.

A poster version of the exhibition can be seen here.

The Haunted House at Willington – October 2016

Title page from the ‘Authentic account of a visit to the haunted house at Willington near Newcastle-upon-Tyne’ (W159.9612252 RIC), published 1842

Title page from the ‘Authentic account of a visit to the haunted house at Willington near Newcastle-upon-Tyne’ (W159.9612252 RIC), published 1842

“I have about 30 witnesses to various things which cannot be satisfactorily accounted for, on any other principle than spiritual agency” pg. 6.

When mysterious circumstances occur out of the corner of your eye, where unknown noises are heard and items disappear from shelves and reappear on another. Lurking in the Special Collections and Archives stores is a wealth of material that tells of haunted castles, superstitions, witchcraft, mythical tales and ghost stories. Some of the material is often frightening, others delightful, intriguing and often sinister. Whether stories of the supernatural are viewed with scepticism or disbelief, there is often a curiosity and interest in occurrences of this nature.

The story that is about to be told is therefore left to the reader to draw their own conclusion on the subject. Retrieved from a cold, dark corner of the Robert White Collection is the pamphlet; an ‘Authentic account of a visit to the haunted house at Willington‘ (W159.9612252 RIC) published in 1842.

Image of The Haunted Mill in Willington in 1887, taken from ‘The Monthly Chronicle of North-Country Lore and Legend, 1887’ (Edwin Clarke Local Collection 2066)

Image of The Haunted Mill in Willington in 1887, taken from ‘The Monthly Chronicle of North-Country Lore and Legend, 1887’ (Edwin Clarke Local Collection 2066)

Willington Mill near Wallsend in North Tyneside was owned by two Quaker cousins, George Unthank and Joseph Procter, and was the first steam-powered mill in the North East. During the 19th century it gained reputation as being haunted; said to be swamped by spectres, which included the ghost of a woman called Kitty who died during a terrible accident that occurred there. However, from about 1840, it is the haunting of the adjoining house that was occupied by Joseph Procter and his family that attracted the greatest amount of public notice. Bizarre noises, haunting apparitions and poltergeist activity shrouded the house and there were different attempts to solve the mystery. Perhaps the most famous endeavour was that of a young surgeon called Mr. E. Drury.

On the 3rd July, Drury arrived at the house to spend a night with his companion, Mr. Thomas Hudson (a chemist of South Shields). The house was locked up and every corner was searched and examined. Drury and Hudson were satisfied that there was no one else in the house apart from themselves, Mr Procter and the servant.

What followed has been recorded in the account; a noise was heard at approx. 11:50pm, a few minutes afterwards both Drury and Hudson heard a noise as if footsetaps were walking across the floor. A few minutes after, a knocking noise was heard followed immediately by a hollow cough from which the apparition proceeded from. The following events are further described in a letter from Mr. Drury dated Sunderland, July 13 1840, addressed to Mr. Procter;

“I took up a note which I had accidentally dropped, and began to read it; after which I took out my watch to ascertain the time, and found that it wanted ten minutes to one. In taking my eyes from the watch they became riveted upon a closet door, which I distinctly saw open, and also saw the figure of a female, attired in greyish garments, with the head inclined downwards, and one hand pressed upon the chest as if in pain, and the other, viz., the right hand, extended towards the floor, with the index finger pointing downwards. It advanced with an apparently cautious step across the floor towards me; immediately as it approached my friend, who was slumbering, its right hand extended towards him. I then rushed at it, giving at the time, as Mr. Procter states, a most awful yell; but, instead of grasping it, I fell upon my friend – and I recollected nothing distinctly for nearly three hours afterwards. I have since learnt that I was carried downstairs in an agony of fear and terror” pg. 7.

Further activity following this account was recorded This included a case of an apparition seen in the window of the house from the outside by four witnesses (a lady with connections to the Procter family, a man employed by the mill, his wife and daughter). This account is detailed below:

Extract taken from pg. 8 of the ‘Authentic account of a visit to the haunted house at Willington near Newcastle-upon-Tyne’ (W159.9612252 RIC), published 1842

Extract taken from pg. 8 of the ‘Authentic account of a visit to the haunted house at Willington near Newcastle-upon-Tyne’ (W159.9612252 RIC), published 1842

In 1847, the Procter family vacated the house after 11 years. After the Procters had moved, local residents continued to experience hauntings. By 1890 the mill was closed and converted into a warehouse and the house was divided into apartments. The house was later torn down and for many years after there were still reportings of paranormal activity from workers at the mill.

If you are interested in coming into the reading room to see this pamphlet and others from the collection…

# This item is held in the Robert White Collection (Ref Code W159.9612252 RIC).

# You can place your order by linking to our request form. The reference code and title will be ‘W159.9612252 RIC – Authentic account of a visit to the haunted house at Willington’.

Showing the Way to Wallington – July 2016

Exhibition can be seen on Level 2 Exhibition Space, Philip Robinson Library, until October 2016

The lives of Sir Charles Philips Trevelyan and Molly Trevelyan, as shown through their family photograph and ephemera albums, from the Sir Charles Philips Trevelyan Archive.

‘Showing the Way to Wallington’ gives a unique insight into the family life of Charles Philips Trevelyan and Mary Katherine Bell, who in 1928 made Wallington Hall their home until it was gifted to the nation in 1941. The images and articles showcased in the exhibition covering areas such as Arts, Politics and War, and come from the family photograph albums which Charles and Mary (better-known as Molly), compiled themselves in scrapbook form.

As part of an ongoing project, 39 Volumes are being digitised and converted into an accessible online virtual book format called ‘Turning The Pages’ by Karen Atkinson, our digitisation assistant in Special Collections. This exhibition contains some favourite and striking images along with interesting facts discovered in the course of her work.exhib banner

The panel above is the first of 6 display cabinets and features a preserved ‘perfect, six-bloomed Sweet Pea’, which was pressed between the pages of Volume 10 of the Trevelyan family albums in 1922.

Volume 10 front cover (CPT/PA/9)

Volume 10 front cover (CPT/PA/9)

Here’s how the sweet pea stem looks in the album

Sweet pea stem in the album

Sweet pea stem in the album (CPT/PA/9)

Page 49 of the same Volume (image below) contains a newspaper clipping (see left) dated November 1923 and written about a gathering at the Village Hall in Cambo to honour the outgoing needlework Exhibition Secretary, Mr. Edward Keith, on his retirement. Apart from his other talents such as wood-carving and bee-keeping, Mr. Keith was also a well-respected gardener at Wallington Hall. The article pasted into Volume 10 reads, “His work is excellent and artistic. His sweet peas are famous nationally. The Wallington garden is one of the best in our country.”

Found on page 49 of Volume 10, Newspaper cutting, Mr Edward Keith, November 1923

Sweet peas and the beauty of Wallington are also mentioned in ‘Wallington’ by Sir Charles Trevelyan – Its’ History and Treasures [6th ed.] published in 1950 (Edwin Clarke Local, Clarke 631).

Page 38 in the Out of Doors section in Its History and Treasures:

“In summer the place is gay with flowers. Wallington is famous for its sweet peas, and near the house they often grow in a great profusion of colour.”

Page 39 in The Garden section:

“Below may be found beds of roses, lilies, gladioli, etc, but above all sweet peas, which two generations of Wallington gardeners have made famous.”

Shew’s the Way to Wallington
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The exhibition title was inspired by a border pipe version of a tune called “Shew’s the Way to Wallington”, the manuscript of which is dated 1830, and was written by Robert Elliot Bewick, son of the famous naturalist and engraver Thomas Bewick (1753-1828).

'Shew’s the Way to Wallington, from a manuscript date 1830, written by Robert Elliot Bewick

Below are the words to the song, found on page 3 of TREV/CET/76:

The Songster, found on page 3, TREV/CET/76

The Wallington Songster, found on page 3, TREV/CET/76