The Crown PZM-30D is a pressure zone microphone that stands out from the crowd with its innovative design and versatile capabilities. Unlike traditional condenser microphones, pressure zone microphones such as the PZM-30D record sound from both the source and the sound that is reflected off a reflective plate, resulting in recordings that are free from phase interference and sound clear and vivid. To achieve the best results, the microphone must be placed on a hard, non-absorbent surface such as a table, floor, or even the underside of a grand piano lid.
The PZM-30D is equipped with a switchable dual frequency response, R and F, providing users with the flexibility to choose between a flatter frequency response for a natural sound (F) or a brighter, snappier attack (R) for a more vibrant recording. With this feature, the PZM-30D is ideal for capturing a wide range of musical performances, including percussion.
The Crown PZM-30D is a unique microphone, its innovative design and versatile capabilities make it a great addition to any recording setup and provide a unique opportunity to experiment with new recording techniques.
Put the microphone onto a flat surface, (sometimes this involves using tape to ensure the microphone’s stability). Then, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Switch on the 48V Phantom power on the preamp or mixer and select the correct input in Pro Tools (the number of the input on the patch bay) or on your mixer and set the gain.
The Coles 4038 is a microphone that has a long and illustrious history in the world of broadcasting. Originally designed by the British Broadcasting Company (BBC) in the 1950s, it has been a mainstay in the industry ever since. Despite its history in broadcasting, the 4038 has found a home in many studios thanks to its unique capabilities.
What sets the 4038 apart is its extremely flat frequency response. This response provides an accurate and natural reflection of sound, making it an ideal choice for recording spoken word. The microphone is also highly sensitive, able to capture even the most delicate signals with clarity and precision.
In a studio setting, the 4038 is a versatile microphone that can be used for a variety of recording tasks. Its response to an instrument’s natural sound makes it ideal for use as an overhead microphone for drum recordings, and its clarity and warmth make it a great choice for guitar recordings as well.
The Coles 4038 is a microphone that provides a sense of warmth to all of the instruments it records while still delivering exceptional clarity. With its flat frequency response, it is versatile enough to be used in a variety of studio recording applications.
To use the 4038, remove the microphone from the case and protective velvet bag, along with the small allen key, microphone stand adaptor and 2 allen keys (these can sometimes be found stuck to the microphone due to its strong internal magnet). Align the holes on the bottom of the microphone’s stalk with the stand adaptor, insert the screws and tighten until secure. Next, insert the silver XLR adaptor into the bottom of the microphone (this can be released later using the metal band just above the base of the stalk. You can then attach the microphone to a sturdy and stable (the microphone is heavy!) microphone stand by holding the micropohone still and screwing the boom arm of the microphone stand into the microphone adaptor you secured earlier.
Then, ensuring phantom power is turned off, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Select the correct input in Pro Tools (the number of the input on the patch bay) or on your mixer and set the gain.
WARNING: This microphone is susceptible to damage if Phantom Power is used. Always ensure Phantom Power is turned off before plugging this microphone in.
The Blue Baby Bottle is a microphone that provides a classic warmth and presence to a wide range of instruments. It is known for its versatility and ability to capture a rich and clear recording, whether you’re recording electric and acoustic guitars, drums, brass, or vocals.
One of the standout features of the Baby Bottle is its -20dB pad and built-in 100hz high pass filter. This allows it to accommodate different performance styles while still delivering a clear recording free of distortion. It’s especially useful when recording in a studio setting, where its very present midrange and smooth top end can produce a warm and classic sound that complements its vintage appearance.
The Baby Bottle is designed to accommodate a wide range of instruments and performance styles, making it a versatile choice for studio recording. Whether you’re recording a guitar, drums, brass, or vocals, this microphone provides a warm and clear recording with a classic presence. With its built-in 100hz high pass filter and -20dB pad, the Baby Bottle can handle different performance styles without distorting the sound. Overall, if you’re looking for a microphone that can deliver a rich, classic sound, the Blue Baby Bottle is a great option.
To use the Baby Bottle, start by attaching the microphone cradle to a stable microphone stand before putting the microphone securely into the clip. Then, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Switch on the 48V Phantom power on the preamp or mixer and select the correct input in Pro Tools (the number of the input on the patch bay) or on your mixer and set the gain.
The Beyerdynamic M160 is a versatile and capable microphone that excels in a wide range of applications. With its warm, natural sound and ability to handle a range of instruments, the M160 is a go-to choice for many professionals. Whether you’re recording violins, cellos, pianos, saxophones, guitar amplifiers, or even drums, the M160 delivers clear, focused recordings every time.
One of the standout features of the M160 is its hypercardioid polar pattern, which is a departure from the typical figure-eight pattern of most ribbon microphones. This gives the M160 superior resistance to ambient noise, making it an excellent choice for recording in noisy environments. Its noise suppression of 25dB at 110 degrees further adds to its ability to reject unwanted noise, ensuring that you get a clean recording every time.
In terms of its build and design, the M160 is unassuming but packs a punch. Its lightweight construction makes it easy to use and position, while its reliable performance and clear recordings make it a trusted choice for many professionals. If you’re in the market for a versatile and dependable microphone, the Beyerdynamic M160 is an excellent choice that is sure to deliver the results you need.
To use the M160, start by attaching the microphone clip to a stable microphone stand before putting the microphone securely into the clip. Then, ensuring phantom power is turned off, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Select the correct input in Pro Tools (the number of the input on the patch bay) or on your mixer and set the gain.
WARNING: This microphone is susceptible to damage if Phantom Power is used. Always ensure Phantom Power is turned off before plugging this microphone in.
The Audix D6 is a highly versatile microphone that is well-suited to a wide range of applications, both in live performance settings and in the studio. Its compact, lightweight design and exceptional performance make it a popular
The Audix D6 is a versatile microphone that is suitable for a variety of applications, from live performances to studio recordings. It has become a popular choice among technicians due to its ability to accurately capture the essential low frequencies of bass-heavy instruments such as kick drums and bass guitars.
When it comes to recording low frequencies, the D6 is engineered to deliver accurate and clear results. The microphone’s directional pickup pattern also helps to isolate the sound source and minimize unwanted background noise, making it ideal for recording in noisy environments.
The Audix D6 is a reliable choice for anyone looking for a high-quality microphone that is easy to use and can deliver clear and accurate results in a variety of recording scenarios. Whether you’re a beginner or a seasoned recording professional, this microphone is sure to meet your needs and provide you with the results you’re looking for.
To use the Audix D6, start by attaching the microphone clip to a stable microphone stand before putting the microphone securely into the clip. Then, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Select the correct input in Pro Tools (the number of the input on the patch bay) or on your mixer and set the gain.
The Audio-Technica AT815B is a shotgun microphone that is widely used in broadcast and video production recording. It excels in recording clear audio over long distances, while effectively reducing unwanted sounds from the sides and back of the microphone. This is due to its directional pickup pattern, which focuses on capturing audio from the front of the microphone while rejecting sound from other directions.
One of the key features of the AT815B is its low frequency roll-off switch. This switchable filter reduces the presence of ambient noise such as traffic or footsteps, which can significantly impact the quality of your audio recordings. By cutting out these low-frequency sounds, the AT815B provides a cleaner and more focused sound.
Another benefit of the AT815B is its versatility. It can be used in a variety of recording environments, from field recordings to in-studio sessions. Its directional pickup pattern allows it to capture a wide range of sounds while isolating them from background noise. This, combined with its low-frequency roll-off switch, makes the AT815B an excellent choice for those who require high-quality audio in challenging recording conditions.
However, despite its many benefits, the AT815B may not be the ideal microphone for every situation. For example, the microphone’s directionality can be a disadvantage as it only captures sound from the front, which means that it might not pick up the full sound of a space, should ambience be desired.
Another consideration is the microphone’s length and design, which can make it difficult to use in tight spaces or when working with limited mobility. It may also be more challenging to use the AT815B for handheld recording, as its length and weight may cause hand fatigue. It may be paired with a Rycote handle or windshield in these situations.
To use this microphone attach the clip to a stable stand before securing the microphone in the clip. Connect the XLR cable to the bottom of the microphone and the other end to a patch bay. Then, switch on the 48V Phantom power on the preamp or mixer and select the correct input in your recording software or mixer.
Are you looking to explore the sounds of the underwater world? Look no further than the Aquarian H2A hydrophone. This easy-to-use and waterproof microphone is a must-have for field recordings, providing a window into the mysteries of the depths below.
With its laboratory and military-grade construction, the H2A is built to withstand even the harshest environments, including the occasional acid drop. Its cable and microphone are completely waterproof, allowing you to lower the microphone into the water as far as the cable will allow.
Thanks to its high sensitivity, the H2A provides clean and accurate recordings. However, it’s important to monitor and adjust your levels continuously to avoid overloading the gain. Whether you’re working with water on the studio, on stage, or out in the field, this versatile hydrophone is a great choice. It can also be used with an included rubber enclosure which switches its functionality to that of a contact microphone.
To use the H2A, simply attach its XLR to your interface or mixer and switch on the 48V Phantom power. If you’re using it for field recordings, consider pairing it with a Zoom F8 or F4, which will provide the necessary interface and phantom power for use in a field recording setting.
When it comes to recording music, choosing the right microphone can be the difference between a mediocre and an exceptional performance. The Perception 150 by AKG is a versatile microphone that can accommodate various recording scenarios and deliver high-quality results.
This all-purpose microphone is designed to handle high volume sounds of up to 145dB, making it ideal for recording drums, brass instruments, and other loud sources. Its switchable pre-attenuation control of 10dB allows you to position the microphone closer to the sound source, providing you with greater freedom and flexibility in your recordings.
While the Perception 150 does not have built-in high pass or bass cut filters, this can be easily compensated for by adjusting the mixer and preamp settings. This adaptability makes the Perception 150 an excellent option for a wide range of recording situations.
To get started with the AKG Perception 150, it’s important to properly set it up. First, attach the microphone clip to a stable stand and secure the microphone in the clip. Connect the XLR cable to the bottom of the microphone and the other end to a patch bay. Then, switch on the 48V Phantom power on the preamp or mixer and select the correct input in your recording software or mixer.
The AKG D112 is a dynamic microphone that is commonly used in professional recording studios and live sound settings. It is known for its strong bass response and high SPL (sound pressure level) handling, making it well-suited for capturing the low-end frequencies of instruments such as bass drums and bass guitars.
The D112 also has a unique diaphragm design and construction which is essential for the microphone’s effectiveness in capturing the low-end frequencies, The bass-reflex design, which improves the handling of low frequencies.
The AKG D112 is a popular choice for recording bass drums and bass guitars, and it can also be used for other low-frequency instruments such as cellos and floor toms. It’s not only a favourite among engineers and producers, but also among touring sound engineers, thanks to its durability and built to withstand the rigors of life on the road.
Overall, the AKG D112 is one of the go-to microphones for recording low frequency instruments. Its strong bass response and high SPL handling make it well-suited for this application. With its durability and build it’s a great option for those who needs it for touring or studio recording.
In terms of using the AKG D112, it is typically placed in front of the instrument or sound source, with the grille facing the sound source.
Using the D112 MKII is simple. The microphone’s built-in clip attaches easily to a microphone stand for stability. The original AKG D112 has a separate clip. Connect the XLR cable to the bottom of the microphone and the other end to a patch bay, and select the correct input in your recording software or mixer.
The AKG C451e is a classic small diaphragm condenser microphone that has been a staple in recording studios for years. One unique feature of the C451e is its detachable capsule, allowing for the attachment of different polar patterns to suit your recording needs.
This microphone is known for its reliability and versatility, making it a great option for recording drum kits and most instruments in the studio. However, it’s not recommended for recording vocals as it does not have the same features for controlling extreme frequencies and volumes as other microphones in the AKG line. Nevertheless, the C451e is still a solid choice for those seeking a reliable and classic microphone option.
To use the C451e, begin by attaching the microphone clip to a stable stand and securing the microphone in the clip. Connect the XLR cable to the bottom of the microphone and the other end to a patch bay. Then, switch on the 48V Phantom power on the preamp or mixer and select the correct input in your recording software or mixer.