Blue Baby Bottle

Microphone TypeCondenser
Polar PatternCardioid
Frequency Response20Hz – 20KHz
+48v Phantom Power Required:Yes
ManualManualslib.com

The Blue Baby Bottle is a microphone that provides a classic warmth and presence to a wide range of instruments. It is known for its versatility and ability to capture a rich and clear recording, whether you’re recording electric and acoustic guitars, drums, brass, or vocals.

One of the standout features of the Baby Bottle is its -20dB pad and built-in 100hz high pass filter. This allows it to accommodate different performance styles while still delivering a clear recording free of distortion. It’s especially useful when recording in a studio setting, where its very present midrange and smooth top end can produce a warm and classic sound that complements its vintage appearance.

The Baby Bottle is designed to accommodate a wide range of instruments and performance styles, making it a versatile choice for studio recording. Whether you’re recording a guitar, drums, brass, or vocals, this microphone provides a warm and clear recording with a classic presence. With its built-in 100hz high pass filter and -20dB pad, the Baby Bottle can handle different performance styles without distorting the sound. Overall, if you’re looking for a microphone that can deliver a rich, classic sound, the Blue Baby Bottle is a great option.

To use the Baby Bottle, start by attaching the microphone cradle to a stable microphone stand before putting the microphone securely into the clip. Then, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Switch on the 48V Phantom power on the preamp or mixer and select the correct input in Pro Tools (the number of the input on the patch bay) or on your mixer and set the gain.

Audix D6

Microphone TypeDynamic
Polar PatternCardioid
Frequency Response30Hz – 15KHz
+48v Phantom Power Required:No
ManualAudixusa.com

The Audix D6 is a highly versatile microphone that is well-suited to a wide range of applications, both in live performance settings and in the studio. Its compact, lightweight design and exceptional performance make it a popular

The Audix D6 is a versatile microphone that is suitable for a variety of applications, from live performances to studio recordings. It has become a popular choice among technicians due to its ability to accurately capture the essential low frequencies of bass-heavy instruments such as kick drums and bass guitars.

When it comes to recording low frequencies, the D6 is engineered to deliver accurate and clear results. The microphone’s directional pickup pattern also helps to isolate the sound source and minimize unwanted background noise, making it ideal for recording in noisy environments.

The Audix D6 is a reliable choice for anyone looking for a high-quality microphone that is easy to use and can deliver clear and accurate results in a variety of recording scenarios. Whether you’re a beginner or a seasoned recording professional, this microphone is sure to meet your needs and provide you with the results you’re looking for.

To use the Audix D6, start by attaching the microphone clip to a stable microphone stand before putting the microphone securely into the clip. Then, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Select the correct input in Pro Tools (the number of the input on the patch bay) or on your mixer and set the gain.

Audio-Technica AT8022

Microphone TypeCondenser
Polar PatternStereo (X/Y) Cardioid
Frequency Response20Hz – 15KHz
+48v Phantom Power Required:Yes
ManualAudio-Technica

The Audio-Technica AT8022 is a highly versatile X/Y stereo microphone with a low signal to noise ratio and low cut switch, making it a great tool for capturing clear and accurate stereo recordings.

To use the microphone, begin by attaching the microphone clip to a stable stand and securing the microphone in the clip. Connect the 5-pin XLR cable to the bottom of the microphone and the left and right XLR connectors to two channels on the patch bay/interface. Then, switch on the 48V Phantom power on the preamp or mixer and select the correct input in your recording software or mixer. This microphone can also be powered by an internal battery.

Its two outputs, which are necessary to achieve the X/Y stereo polar pattern, allow for clear stereo imaging with very little noise of its own.

In addition, the AT8022 has a low-cut switch of 80Hz, which is perfect for removing unwanted low-frequency noise from your recordings. Whether you’re recording in the studio or in the field, the AT8022 is the perfect tool for capturing accurate and high-quality stereo recordings.

AKG Perception 150

Microphone TypeCondenser
Polar PatternCardioid
Frequency Response20Hz – 20KHz (dips at 50Hz)
+48v Phantom Power Required:Yes
ManualManualsLib.com

When it comes to recording music, choosing the right microphone can be the difference between a mediocre and an exceptional performance. The Perception 150 by AKG is a versatile microphone that can accommodate various recording scenarios and deliver high-quality results.

This all-purpose microphone is designed to handle high volume sounds of up to 145dB, making it ideal for recording drums, brass instruments, and other loud sources. Its switchable pre-attenuation control of 10dB allows you to position the microphone closer to the sound source, providing you with greater freedom and flexibility in your recordings.

While the Perception 150 does not have built-in high pass or bass cut filters, this can be easily compensated for by adjusting the mixer and preamp settings. This adaptability makes the Perception 150 an excellent option for a wide range of recording situations.

To get started with the AKG Perception 150, it’s important to properly set it up. First, attach the microphone clip to a stable stand and secure the microphone in the clip. Connect the XLR cable to the bottom of the microphone and the other end to a patch bay. Then, switch on the 48V Phantom power on the preamp or mixer and select the correct input in your recording software or mixer.

AKG D112

Microphone TypeDynamic
Polar PatternCardioid
Frequency Response20Hz – 17KHz
+48v Phantom Power Required:No
ManualAKG.com

The AKG D112 is a dynamic microphone that is commonly used in professional recording studios and live sound settings. It is known for its strong bass response and high SPL (sound pressure level) handling, making it well-suited for capturing the low-end frequencies of instruments such as bass drums and bass guitars.

The D112 also has a unique diaphragm design and construction which is essential for the microphone’s effectiveness in capturing the low-end frequencies, The bass-reflex design, which improves the handling of low frequencies.

The AKG D112 is a popular choice for recording bass drums and bass guitars, and it can also be used for other low-frequency instruments such as cellos and floor toms. It’s not only a favourite among engineers and producers, but also among touring sound engineers, thanks to its durability and built to withstand the rigors of life on the road.

Overall, the AKG D112 is one of the go-to microphones for recording low frequency instruments. Its strong bass response and high SPL handling make it well-suited for this application. With its durability and build it’s a great option for those who needs it for touring or studio recording.

In terms of using the AKG D112, it is typically placed in front of the instrument or sound source, with the grille facing the sound source.

Using the D112 MKII is simple. The microphone’s built-in clip attaches easily to a microphone stand for stability. The original AKG D112 has a separate clip. Connect the XLR cable to the bottom of the microphone and the other end to a patch bay, and select the correct input in your recording software or mixer.

AKG C451e

Microphone TypeCondenser
Polar PatternCardioid
Frequency Response30Hz – 20KHz
+48v Phantom Power Required:Yes
ManualAKG.com

The AKG C451e is a classic small diaphragm condenser microphone that has been a staple in recording studios for years. One unique feature of the C451e is its detachable capsule, allowing for the attachment of different polar patterns to suit your recording needs.

This microphone is known for its reliability and versatility, making it a great option for recording drum kits and most instruments in the studio. However, it’s not recommended for recording vocals as it does not have the same features for controlling extreme frequencies and volumes as other microphones in the AKG line. Nevertheless, the C451e is still a solid choice for those seeking a reliable and classic microphone option.

To use the C451e, begin by attaching the microphone clip to a stable stand and securing the microphone in the clip. Connect the XLR cable to the bottom of the microphone and the other end to a patch bay. Then, switch on the 48V Phantom power on the preamp or mixer and select the correct input in your recording software or mixer.

AKG C451b

Microphone TypeCondenser
Polar PatternCardioid
Frequency Response20Hz – 20KHz
+48v Phantom Power Required:Yes
ManualAKG.com

The AKG C451b is a versatile small diaphragm condenser microphone that is perfect for recording a range of musical instruments. With three bass cut filters and three pre-attenuation filters, it’s easy to reduce extreme volumes and low frequencies that can cause peaking and distortion in recordings. The C451B is great for recording instruments such as strings, percussion, and is even suitable for overhead microphone use. However, it’s not recommended for recording vocals as it’s a small diaphragm microphone and not very effective in capturing vocals.

To get started with the C451B, it’s important to properly set it up. First, attach the microphone clip to a stable stand and secure the microphone in the clip. Connect the XLR cable to the bottom of the microphone and the other end to a patch bay. Then, switch on the 48V Phantom power on the preamp or mixer and select the correct input in your recording software or mixer.

AKG C414

Tech Specs

Tech Specs

Microphone Type – Condenser
Polar Pattern – Multi – Pattern Condenser
Frequency Response – 20Hz to 20kHz
48V Phantom Power – Yes

Microphone TypeCondenser
Polar PatternMulti-Pattern:

Omnidirectional
Wide Cardioid
Cardioid
Hypercardioid
Figure of 8
Frequency Response20Hz – 20KHz
+48v Phantom Power Required:Yes
ManualAKG.com

The AKG C414 Condenser Microphone is a versatile and reliable microphone that can be used in a variety of applications. This microphone features a multi-pattern condenser, allowing you to switch between five different polar patterns:

It also features three bass cut filters (Hz) and three pre-attenuation filters (dB) so you can cut and mitigate the extremes of volume and low frequency. These features are useful as they help create clean recordings by reducing peaking and by removing the very low frequencies that, although imperceptible to the human ear, will still affect and muddy the frequencies that we can hear.

The C414 is great for recording vocals, giving them a crisp and modern sound, and for recording instruments such as acoustic guitars and pianos. It is also available as a pair and is great for getting accurate and clean recordings.

To use the C414, start by attaching the cradle to the microphone stand before putting the microphone in its cradle and twisting the bottom of the cradle until it is stable. Then, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Switch on the 48V Phantom power on the preamp or mixer and select the correct input in Pro Tools (the number of the input on the patch bay.) or on your mixer.