Ribbon – The Music Studios

Microphone Type	Ribbon
Polar Pattern	Figure of 8
Frequency Response	30Hz – 15KHz
+48v Phantom Power Required:	No – Phantom power will break this microphone!
Manual	Interstage

The Coles 4038 is a microphone that has a long and illustrious history in the world of broadcasting. Originally designed by the British Broadcasting Company (BBC) in the 1950s, it has been a mainstay in the industry ever since. Despite its history in broadcasting, the 4038 has found a home in many studios thanks to its unique capabilities.

What sets the 4038 apart is its extremely flat frequency response. This response provides an accurate and natural reflection of sound, making it an ideal choice for recording spoken word. The microphone is also highly sensitive, able to capture even the most delicate signals with clarity and precision.

In a studio setting, the 4038 is a versatile microphone that can be used for a variety of recording tasks. Its response to an instrument’s natural sound makes it ideal for use as an overhead microphone for drum recordings, and its clarity and warmth make it a great choice for guitar recordings as well.

The Coles 4038 is a microphone that provides a sense of warmth to all of the instruments it records while still delivering exceptional clarity. With its flat frequency response, it is versatile enough to be used in a variety of studio recording applications.

To use the 4038, remove the microphone from the case and protective velvet bag, along with the small allen key, microphone stand adaptor and 2 allen keys (these can sometimes be found stuck to the microphone due to its strong internal magnet). Align the holes on the bottom of the microphone’s stalk with the stand adaptor, insert the screws and tighten until secure. Next, insert the silver XLR adaptor into the bottom of the microphone (this can be released later using the metal band just above the base of the stalk. You can then attach the microphone to a sturdy and stable (the microphone is heavy!) microphone stand by holding the micropohone still and screwing the boom arm of the microphone stand into the microphone adaptor you secured earlier.

Then, ensuring phantom power is turned off, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Select the correct input in Pro Tools (the number of the input on the patch bay) or on your mixer and set the gain.

WARNING: This microphone is susceptible to damage if Phantom Power is used. Always ensure Phantom Power is turned off before plugging this microphone in.

Microphone Type	Ribbon
Polar Pattern	Hypercardioid
Frequency Response	40Hz – 18KHz
+48v Phantom Power Required:	No – Phantom power will break this microphone!
Manual	Beyerdynamic

The Beyerdynamic M160 is a versatile and capable microphone that excels in a wide range of applications. With its warm, natural sound and ability to handle a range of instruments, the M160 is a go-to choice for many professionals. Whether you’re recording violins, cellos, pianos, saxophones, guitar amplifiers, or even drums, the M160 delivers clear, focused recordings every time.

One of the standout features of the M160 is its hypercardioid polar pattern, which is a departure from the typical figure-eight pattern of most ribbon microphones. This gives the M160 superior resistance to ambient noise, making it an excellent choice for recording in noisy environments. Its noise suppression of 25dB at 110 degrees further adds to its ability to reject unwanted noise, ensuring that you get a clean recording every time.

In terms of its build and design, the M160 is unassuming but packs a punch. Its lightweight construction makes it easy to use and position, while its reliable performance and clear recordings make it a trusted choice for many professionals. If you’re in the market for a versatile and dependable microphone, the Beyerdynamic M160 is an excellent choice that is sure to deliver the results you need.

To use the M160, start by attaching the microphone clip to a stable microphone stand before putting the microphone securely into the clip. Then, ensuring phantom power is turned off, plug the XLR into the connection at the bottom of the microphone and the other end into the patch bay. Select the correct input in Pro Tools (the number of the input on the patch bay) or on your mixer and set the gain.

WARNING: This microphone is susceptible to damage if Phantom Power is used. Always ensure Phantom Power is turned off before plugging this microphone in.