Arches

Photo credit: Anne Whitehead

Next week sees the installation of our sound piece in the Arches that mark the entrance to the main quadrangle of Newcastle University. Built in 1911 from a donation by north-east mining magnate John Bell Simpson, the brick structure now houses the Arches Sound Project, which projects four-track audio pieces through the microphones that have been installed in each of its corners. Passers-by can sit on the benches under the Arches to listen to the sound works in full, or they might encounter fragments of them as they walk through, whether to visit the campus or to cut through it to the Royal Victoria Infirmary beyond.

In the area just in front of the Arches, Antony Gormley’s Clasp has been installed, a semi- abstract sculpture that depicts two people embracing. The sculpture was installed on this site to celebrate the twentieth anniversary of The Angel in Gateshead, and our project both recognises and reinforces the line of connection between the two. Those listening to Sounding the Angel can also see the Clasp sculpture, so that the two works are brought into a new conversation with each other.

Turning to look in the opposite direction, one of the trees that has been planted immediately behind the Arches is a handkerchief or ghost tree, named after its beautiful, white flower-like bracts that flutter in the breeze, resembling innumerable pocket handkerchiefs. The bracts have now mostly fallen from the tree and been dispersed by the wind, which resonates with how the memorial tributes are described by participants in the sound work.

The installation, which lasts 30 minutes, is played on the hour every hour from 6am – 10pm, from 1-7 July. It comprises four parts, organized according to the seasons, and you can hear two counterpointed conversations with participants who have left memorial tributes at The Angel. These are combined with field recordings from the site across the seasons, documenting the sounds of nature and the vibrations resonating through The Angel itself. The piece is punctuated by a loud boom that was made by the metal of the Angel contracting after the heat of a summer’s day.

Photo credit: Anne Whitehead