Chilean artist Constanza Mendoza will be visiting the department from Berlin. Constanza’s work studies games and play as critical tools to examine power structures, ethic-politics and new strategies for collaboration. She will be giving a talk as part of the visiting speakers programme, but we will also be running a session to play Game of Kin, a collaborative card game designed by Constanza’s collective, Laboratorio de Pensamiento Lúdico. The game works from a scenario in which the climate crisis has caused the collapse of life on Earth. The objective is to generate relationships between non-human species in order to survive in their habitats.
This will take place on Thursday 5 October between 14:00 and 17:00 in 14 Windsor Terrace.
We have ten spaces for students to join and play the game. If games are important for you, you would like to explore how they might become part of your practice or you’re interested in creative responses to the climate crisis, I encourage you to sign up here.
More details about the game are included below. Also if you would like to meet and speak with Constanza about your work, tutorial slots are available on Friday 6 October. Please add your name and info here to book one. All the best, Giles.
GAME OF KIN Can you imagine what life on Earth will be like in four hundred years when the Anthropocene is over? Game of Kin is a speculative game about the species that survived the global collapse to fabulate a new era of cooperation and relationality. Game of Kin changes the perspectives on what is happening, because by modifying the questions we will be able to propose new answers. As long as we imagine it, we will have already started a new era. Game of Kin is designed for up to 24 people to participate. It does not require any specific skill or knowledge. Game of Kin consists of a deck of cards with which groups are formed that are defined as ecological niches. That is, each group is determined by a territory with differentiated climatic conditions and inhabited by interdependent organisms adapted to those conditions and territory. The possibilities of each game are infinite and never repeated, but always imply responsibilities.
Game of Kin is a game designed by Laboratorio de Pensamiento Lúdico (LPL) and it will be facilitated by Constanza Mendoza.
LONGING DISCO, a participatory project by Nick Fox is staged as part of Modern Love Festival , EMST Athens 29 Sept – 1 Oct ! The Festival offers a rich programme of talks, panels, screenings, music and performances that look into the relationship between humans and technology, focusing especially love and close human relationships in the age of late capitalism, globalisation, digital connectivity and social media. Check out the entire festival programme at https://www.emst.gr/en/events-en/events-upcoming-en/modern-love-festival#press
Longing Disco at the MODERN LOVE BAR
@ EMST, Τhe National Museum of Contemporary Art Athens
Friday 29 Sept 2023, 22:30-1:30 (GR time)
Free:Join in person or insta via the festival website.
Have you ever been left heartbroken, not knowing what to do next, and played a track over and over again? Share your story and dance the pain away!
As part of IMODERN LOVE festival 2023, you are invited to participate in LONGING DISCO staged by artist Nick Fox at The Modern Love Bar (EMST Athens) , Friday 29th September
Longing Disco invites you to come along to share your stories of Modern Love & unspoken personal desires inspired by your favourite ‘lovestruck’ track in an evening of music and dance. Participants request songs beforehand and also anonymously share their personal stories of longing behind song choices that chronicle blissful courtships, tragic romances, displacement, betrayal, unrequited loves, loss hopes and dreams. By connecting through personal stories of love and loss, Longing Disco creates a counterpoint to the digital disconnect and reminds us that longing and loss can also be a powerful driving force to create fulfilment and joy in our own lives.
You can request songs and share your story even if you can’t attend the event .
Uncertain Subjects the body of works by Uta Kögelsberger developed in response to Brexit between 2017 and 202o, included in:
Leave to Remain: A snapshot of Brexit, by Noni Stacey, Published by Lund Humphries … a very timely investigation of the role art and photography played in capturing and reflecting on the conditions for the Brexit referendum. Illustrated by a range of work by artists including Cornelia Parker, Wolfgang Tillmans, David Shrigley, Uta Kögelsberger, Tacita Dean and Jeremy Deller as well as the satirists Cold War Steve and Led By Donkeys, who offer fascinating insights into their work
Tues 19 September 4.30 – 7pm Exhibition Dates: Mon 18 – Sat 30 September
Venue: Fine Art Department XL gallery & Long Gallery, NE1 7RU
Please join Fine Art to celebrate the opening of Right Here, Right Now, and to mark the Launch of FINE ART 100, our four-year long celebration of the creation and awarding of the very first BA (Hons) of Fine Art in England, at Newcastle University
Over the next four years and leading up to the 100th anniversary of the awarding of our first degree, Fine Art 100 will mark this milestone in the history of Art Education by curating and hosting a series of exhibitions, events and creative activities with alumni , students, staff and partners. Our programme marks the innovation, value, and contribution of the department across pedagogy, research, and creative practice.
This inaugural exhibition Right Here, Right Now shines a spotlight on the present, bringing together the work of all the current staff and students in one space, offering a snapshot of the Fine Art department as it exists now, at this significant point in it’s history. The exhibition continues Mon 18 – Sat 30 September, XL gallery.
An accompanying timeline display in the Long Gallery highlights the historical and current innovations that has kept Fine Art at Newcastle at the forefront of academic and creative practice in the UK.
Looking to the next 100 years, we want to ensure that Fine Art at Newcastle University remains an inclusive and diverse place for the artists of tomorrow to think, create, experiment, and thrive. As part of the Fine Art 100 celebrations, we are also launching the FINE ART 100 Fund . This will help support our creative & civic vision for fair and equal access to Fine Art education at Newcastle University for all students.
Please Join us on Tuesday 19 Sept from 4.30pm as we celebrate the past, look at the present, and question what the next 100 years of Fine Art education and research might be.
This opportunity allows up to 5 Fine Art students (UG and PG) to engage in a 12-day intensive stone and wood carving workshop, led by architectural and artistic master carver Paul Lewis. The workshop will take place in Galicia (North-West Spain) during the summer period (28 August- 9 September 2023). The students have the opportunity to join a professional stone carving workshop in a taller / apprenticeship setting developing their skills set by start working on individual projects.
Costs for travel, accommodation, and transport within Spain will be covered.
The place of the workshop is significant: the region has a long tradition of ornamental and prehistoric stone carvings (petroglyphs), going back 4,000 years. Paul Lewis set up his workshop in the Pontevedra region 15 Years ago. Students will experience prehistoric stone art and the opportunity to source local stone (granite) from a local quarry. Lewis has experiences of working in stone through artistic and architectural carving in cathedrals, historic properties, private houses and public buildings.
In the first briefing session we had a strong response of over 20 students joining us which indicates a a demand.
Focus of Workshop:
Students would be selected through an open selection process by submitting an expression of interest form (see details below);
The workshop will cover opportunities to:
Introduce students to the stone carving workshop: tools (including handmade tool making), materials of wood and stone carving practice;
Familiarise to the carving process from initial ideas, design, choice of materials, discussion/agreement with (potential) clients, execution, the finished piece
Awareness of the physicality of working – ergonomics of movement/ body and mind in harmony with the materials difference word/stone carving;
Raise awareness of the long tradition of carved stone in Galicia and prehistoric stone carvings (petroglyphs); source regionally stone in local quarry;
Working on site with Master stone and wood carver alongside ‘live’ projects in the workshop;
Start a practice that could then be continued in Newcastle (e.g. cage working area/ woodworkshop);
Time Plan:
2 Feb 2023 First briefing session with students;
16 Feb 2023 Deadline of Expression of Interest.
2 March 2023 Interviews of shortlisted students (on Zoom) with Paul Lewis;
Mid-March 2023 successful candidates will be contacted ;
28 Aug -9 Sept 2023: Workshops Dates: Galicia, Spain.
How to take part in the workshop?
Send an Expression of Interest by answering three questions (max 200 words total):
Why would you like to take part in the workshop?
How would the workshop benefit your work?
Are you available during the weeks during the summer period (28 August – 9 Sept 2023)?
‘Into the Unknown’ is a research seminar taking place on February 17th at 2pm in the Fine Art Seminar Room aimed at those already doing or thinking about undertaking a practice based PhD in Art by current Leverhulme Early Career Fellow Dr Lyn Hagan.
Imposter syndrome is common during the PhD process when a shift towards theory and writing can overshadow practice. Relying heavily on reflections about my own PhD experience, I hope to offer some useful guidance on how to take on and navigate the research, writing and examination process so that it feels authentic to your ethos as an artist. Unlearning and allowing yourself to get lost in the research is a fundamental part of the journey. What can you uniquely offer as researchers that those in other disciplines may not be able to? Should you be creative with the format of your submission or is it more productive to keep the format within set examination guidelines? There is a debate around whether a thesis is even necessary in practice-based research but how do you balance freedom to experiment, with the requirements of the examination process and the necessary publication of original knowledge? By showing examples of successful PhD’s that interrogated these seemingly set conventions, this seminar wants to open up the debate so that you can chose the path that is right for you with your research and defend your arguments before a panel.
About Practice is a series of practice workshops led by international artists. Each workshop focuses on particular skill sets. Workshops are optional and extra-curricular activities in addition to regular studio teaching in Fine Art. Check the Fine Art Community Board how to sign up.