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2005 Abstracts Stage 2

A Portrait of the Female Writer

Nichola Hunter, 2005, Stage 2

Territory: Derrida’s theory of deconstruction provides us with a position of duplicity that operates within the language of reason. This allows us to escape from the condition of falleness. In relation to this I will explore Heidegger’s: ‘end of philosophy’. Derrida’s deconstructionist theory is a theory that is applied to feminine writing. Cixous argues that when we read deconstructively it invites us to recognise ourselves. For Cixous, the feminine is the embodiment of duality and as a result she is open to the other. Cixous argues that writing is woman’s because woman admits that there is another. As a writer of philosophy and fact as well as fiction she maintains that one must write in the present with an acceptance of inevitable death. Heidegger argued that to live authentically one must contemplate one’s inevitable death. To see death without dying allows us to live and frees us from all censors and judges in life. Themes: Derrida’s deconstructionist theory in relation to feminine writing and how femininity is open to the other due to an admittance of difference. Feminine writing and how it sketches an alternate possibility to self other relations in being/becoming. Heidegger and his notion of the ‘end of philosophy’ and that philosophy was nothing more than the ideology of the western ethos and true philosophical questions are based on ‘being’. Application: I intend to explore my territory and themes in relation to the feminist critique of Gayatri Chakravorty Spivak, focusing on her translation of Derrida’s work on deconstruction and how this deconstruction is a political safeguard.

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