Territory: I decided to begin my research with one of my favourite bands the ‘Gorillaz’. The Gorillaz is a project created by Damon Albarn, who composed the music, but created a cartoon-like band to represent it for him. The band exists between the boundaries of the real world and the imagination of Albarn. Whilst researching the band, I was amazed to discover how many different artists, musicians and producers worked on the albums. The cartoon front for the band meant that all the artists and contributors could work on the album without having to be acknowledged for it. The animated characters take responsibility of looking and acting like the greatest rock band on earth, whilst the real musicians can contribute the music without the pressure of the commercial image which accompanies it. Concept I decided to focus on the notion of society as a spectacle as written about by Guy Debord. The main reason for this is because I agree with Debord’s notion that we live our everyday lives through a spectacle of society. I think in some ways the Gorillaz create their own spectacle of society as they reflect flaws in society through themselves. Examples of this are the ruining effect that big record companies have on music, and the harsh reality of the supposed glamour of being a star. Questions To what extent do the Gorillaz reflect Debord’s notion of the spectacle? Is it possible to escape the reign of the spectacle through art and music? Does the spectacle of a capitalist society fuel our sense of isolation and loss of creativity?