This project aims to argue that the doppelganger in cinema represents a fear in society. The project will aim to chart the change in this fear. Deleuze’s work offers a psychoanalytical perspective on this whereas Giddens and Beck look at modernity more generally. Science fiction cinema is a cinematic cousin of the double film and works in a similarly reflexive manner. As film projection is digitized so is our society, meaning that we both rely on and resent technology. So is the prevalence of double films in 2014 related to our increasingly strong links to machines?