With particular reference to Francis Bacon’s use of red in his Three Studies for a Crucifixion, do the existentialists give a more satisfying account of the effects of colour than earlier thinkers?
Tag: existentialism
Outline: I aim to explore the concept of anxiety, loss of meaning and absurdity of life as presented within “Existentialist” narrative. In evoking these ideas from specific novels I will analyse them more precisely with relation to Martin Heidegger’s concept of anxiety. Territory: In particular I will be studying Jean-Paul Sartre’s Nausea, Albert Camus’ The Outsider, Fyodor Dostoyevsky’s Notes from Underground, and Leo Tolstoy’s A Confession. In examining these texts I hope to explore how the idea of loss of meaning is presented and focus particularly upon the individual’s coming to terms with the absurdity of life. Philosophical Material: The philosopher that I have chosen to focus on is Martin Heidegger and particularly his concept of anxiety within his work What is Metaphysics? Here Heidegger produces an account which indicates how the individual is able to think about and question their own existence and how, through the state of anxiety, they are able to reflect upon “the nothing” that appears on their horizon of thought. As well as analysing What is Metaphysics? I shall also use Heidegger’s Being and Time, On the Essence of Truth and The Origin of the Work of Art to indicate the significant role that this concept of anxiety plays within his greater philosophy. Where Heidegger builds upon a philosophy considering the individual I shall also look at the work of Emmanuel Levinas, who concentrates on a more social philosophy, in order to bring contrast to Heidegger’s thought. In his struggle to come to terms with a finite existence Leo Tolstoy was torn between suicide and religion. The struggle of the individual’s existence is the concept that lies at the heart of my project.
TERRITORY- FIGHT CLUB. 1999 film about an unnamed protagonist who struggles with his growing discomfort with consumerism and changes in the state of masculinity in American culture. In an attempt to overcome this, he creates an underground fighting club as a radical form of psychotherapy in order to change the way in which he lives his life. CONCEPTS- My main concept was the idea of EXISTENTIALISM and the way in which we live and our influence to live our lives The two philosophers I looked at with relation to the concept where • Jean-Paul Sartre • Friedrich Nietzsche The relationship between my territory and my concept is that fight club is a film based around how we should live and tells the story of one man’s struggle to achieve the existentialist ideal of discovering your own truth. It also challenges existentialist views on God and the question of whether or not we all have a “will to power”. Relevance : The idea of how we should live is particularly relevant today with people more equal than ever are we conforming to the way in which the government wants us to live. Why has violence become so prominent in modern day society- what can we do to stop it?
The basic aim of my project is to explore the fundamental themes of both aesthetic and ethical lives. What does drive us to make decisions and what should drive us to make decisions; in other words what sort of a life should we live? Through the exploration into my territory “The Picture of Dorian Gray” by Oscar Wilde, I identified the key concept of aestheticism and observed the character’s downfall due to his choice of life. This led me to explore the life of the aesthete in comparison with the ethical in the context of existentialism. The existentialists believed that it is the choices that we make as individuals on how we live our lives that provides the central sense of meaning to our existence. In particular I chose to look at Kierkegaard and more specifically at his work “Either/Or.” Kierkegaard closely explores the relationship between the aesthetic life; where the individual is consumed by beauty and the fulfilment of the senses, and the ethical; where the individual bases decisions on commitment and rational thought. He shows that the aesthete is ultimately doomed to a life of despair due to the limited nature of such a life. Those that live within the ethical stage of life will on the other hand achieve happiness in balancing aesthetical values with ethical conduct and responsibility. The final thought on my project brings these values of aesthetics and ethics into modern society in order to observe the concepts in relation to today’s generation. It seems that the majority of today’s youth are being consumed by the media and having aesthetical values forced upon them. Magazines are primarily concerned with looks and bombard the senses with images telling the reader how to think of themselves and others. Little is done to promote ethical values in this modern age and as this worsens future generations could suffer.
Roy Keane is one of the greatest players of his generation and one of the most controversial. This essay aims to come to a conclusion as to whether Roy Keane is an Egoist or an Existentialist. Aims and objectives: To critically assess the philosophical ideas of Egoism and Existentialism; To relate these philosophical ideas to football and Roy Keane’s actions and what he has said; To look at the evidence put forward and come to a conclusion as to whether Roy Keane is an egoist or an existentialist
Territory: Branding (the world’s largest include Coca-cola, Microsoft, IBM and Nokia) Philosophy: Existentialism, notably that of Jean-Paul Sartre(1905-80), (right). The aim of my project is to explore the world of branding and assess the relevant applications of existentialism. I shall examine how an investigation into existential freedom can reveal new and intriguing insights into the world of brands. I consider the significance of branding to my own existential freedom, (and issues including brand loyalty), asking such questions as: In what way does branding affect my freedom? Is my freedom diminished by brand loyalty? Is brand loyalty merely a symptom of existential freedom; perhaps an inevitable outcome in light of the vast choice offered? Is it a safe option, to avoid anguish and anxiety over my freedom, to choose the big brand? Through investigating our everyday existence, I hope to explore, the relationship between ourselves, our freedom, and branding. I aim to develop these ideas through the work of Jean-Paul Sartre, and existential philosophy, which itself has undergone considerable change, from its birth to its present-day form. However the most important element of change, that I discuss in my project, is the movement from my own existential freedom in relation to brands, to the existential freedom of the brand itself –an existential brand/’brand existentialism’.
Outline of Place: What is and what makes a person an ‘outsider’? An investigation of selected ‘outsiders’ with reference to and analysis of Albert Camus’ Outsider and The Rebel, Jean-Paul Sartre’s Nausea, theory of existentialism and the sociology of deviance; why some people choose to be outsiders or rebel against society. I will be looking into the reasons of why some people simply cannot be part of society. Typical outsiders keep to themselves; they are existentialist types and stay out of people’s way, looking out mainly only for themselves; refusing to be emotionally attached in any way. Camus’ character Meursault, in The Outsider, has the mind and curiosity of a child, he does not understand the rules of life, he does not act accordingly as people would expect one to act in society. He cannot however get away with it like a child could; the distraction of things in a room is overpowering when he should be listening to people and behaving a proper way. He is condemned for this and sentenced to death, as he is unwilling to pretend any emotions or defend himself with little white lies in the court of justice. One must however not compare this to Socrates, who refused to deny his beliefs for the sake of life; it an absurd attitude this outsider has towards society that inevitably dooms him. Aim: This project will be a piece by piece report and examination of these selected texts, with philosophical reasoning applied as to why these outsiders simply do not fit into society and are not considered to be the norm. Their thinking and mentality will be examined; what exactly this indifferent, unsocial attitude signifies and why it is this way. Answers to absurd behaviour and this completely different perspective of life will result through this investigation. Criticisms by and for authors will feature as well as points of views. References: Main Texts: Camus, Albert The Outsider & The Rebel, Sartre, Jean-Paul Nausea & selected texts on Existentialism, Analysing Texts and Commentaries: Becker, Howard Outsiders: Sociology of Deviance, Thody, Philip Albert Camus 1913-1960, Wilson, Colin The Outsider, A selection of definitive websites will be used also.
A Philosophical Enquiry into the Existential Condition of Love based on a Literary Analysis of Flaubert’s ‘Madame Bovary’. Key Concepts: being, existence, reality, individuality, subjectivity, freedom, will, authenticity Aims: in short, to combine love, literature and philosophy. This project will investigate the notion of love as philosophical concept. In taking the notion that the discipline of philosophy is essentially a quest for knowledge and truth, I feel that love is perhaps neglected within the subject. The concept (i.e. love) is of such breadth (as well as depth) that I have specified it to the Existential period. The tool I am using is literature, as it seems to be the most accessible for the topic in hand. The novel has a feeling of timelessness about it at the same time as holding the quintessence of a certain philosophical epoch, i.e. Existentialism. Structure: The first part of my project is an introduction into love as philosophical notion with regards to epistemology, ontology etc. The second part of my project will be entitled simply ‘Existentialism’ and will explore the definition and nature of it, which instead of being a simple definition will contain key themes which are indicative of it. This will be followed by studies of philosophers such as Kierkegaard, Sartre, Nietzsche and Heidegger. The third part of my essay will draw upon Flaubert’s Madame Bovary in relation to the previous two sections. i.e. existentialism and love. Primary Sources: Flaubert: Madame Bovary, Sartre: Being and Nothingness & Existentialism is a Humanism, Kierkegaard: The Works of Love, Heidegger: Being and Time