Categories
2011 Abstracts Stage 2

“Madness. Death. Passion. Perfection.” A Philosophical Commentary of Black Swan and The Red Shoes

Sophie Hall, 2011, Stage 2

Is madness a symptom of a quest for perfection, or is madness a social failure? Is it passion that kills us, or does death consume us once our passion is achieved? These are the territories I will explore in response to my concept of Black Swan and The Red Shoes.

Black Swan and The Red Shoes are cinematic experiences of the ballet world, and of a passion that leads to madness and death. One protagonist is trapped by a perfection that makes her envy her lucid alter ego, and the other protagonist is torn between the love of her work and the love of her life. Both are alike in a tragic finale of death. But it must be asked – was it the ballet that led to their downfall, or were they in themselves a destructive force?

Apollonian + Dionysian ≠ A Beautiful Soul

Nietzsche’s Apollonian and Dionysian from The Birth of Tragedy, proved that the ballerinas were tormented. The Apollonian was the “ethical deity” of the innocent white swan, and the “self knowledge” of outstanding ballet ability. The “chaotic” Dionysian was the seducing black swan, and despairing romance. In being torn between two passions, and two perfections, the ballerinas became mad.

Schiller’s notion of the “Beautiful Soul” reveals why. There must be inner harmony between the formal and sense drives in order to have a beautiful soul. In always allowing the Dionysian to devour the Apollonian, the ballerinas could never have harmony. Real perfection was in the culmination of both passions.

A Tragic Finale

Nietzsche enforced that “the continuing development of art is tied to the duality of the Apollonian and the Dionysian” , whilst Freud warned that satisfying dreams could hide “painful ideas”. The ballerinas could not equate their two passions, and so their art could not continue. Death became inevitable. Their aspirations were not pleasurable, they were painful.

Foucault’s Madness and Civilisation discusses madness a symbol of passion verses madness a social fault. It allows the conclusion that the ballerinas cause their own downfall. And death became a necessity. Madness and torment was seeping into their art. It was slowly destroying their inability. And so they had to die, because it was the only way to preserve the legacy of their passion.

Leave a Reply