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2012 Abstracts Stage 3

Is Music Worth Saving? How Changing Social Norms and Conventions have Contributed to the Decline of the Music Industry.

Daniel Carson, 2012, Stage 3

Aims
 To gain an understanding of how largely capitalist organizations, such as Apple, Sony BMG and Warner are slowly eliminating the competition – smaller independent record labels and stores and alienating the musician from their art
 To investigate whether the use of free illegal downloading and file sharing websites can ever be justified in the current economic climate?
 To decide whether or not we should care about the demise of the record industry and whether music is a good that is worth saving?

Thinkers + Texts
 Mark Fisher— Capitalist Realism
 Immanuel Kant—Groundwork for the Metaphysic of Morals
 Karl Marx—Capital
 Arthur Schopenhauer—The World and Will as Representation

“It is easier to imagine a total catastrophe which ends all life on earth than it is to imagine a real change in capitalist relations” (Zizek, 334: 2011)

“We could just as well call the world embodied music as embodied will; this is the reason why music makes every picture, indeed every scene from real life and from the world, at once appear in enhanced significance” (Schopenhauer, 262-263: 1969)

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