This project looks at photojournalism and the role it plays in our culture. Whether or not photojournalism is ethical and, if it isn’t, what is the function of it?
Focusing specifically on the work of Kevin Carter in the Sudan in 1993, this project explores these topics through critical examination of Theodor W. Adorno’s discourses on Culture as mass deception and Martin Heidegger’s essay On the Origin of the Work of Art.
It will explore the idea of the roles played in society by the photograph, the photographer and the media, and bring to light the idea of the ‘icon of outrage’ as a necessary feature, both for our society and culture and for ethical realisation.