Categories
2017 Abstracts Stage 2

The Shift Of Equality and Power for Men and Women, within the United Kingdom overtime.

Object:
The difference in equality and power between men and women.

Territory:
Early 20th century to modern day.

Concepts:
Thomas Hobbes- Leviathan
Jeremy Bentham- Utilitarianism
Simone de Beauvoir – The Second Sex

The object of this project is to produce an accurate analysis and an understanding of the shift of equality and power for men and women in the UK, showing how the status of a woman and a man has changed overtime from the early 1900s to modern day. It will focus on Thomas Hobbes’ theory on power being the deepest drive, thus this will explore why men are deemed to have the most power in society. Jeremey Bentham’s theory on Utilitarianism gives the statement ‘The greatest good of the greatest number’ therefore this will focus on those who are in the majority do actions that are in their favour. Also a look at Simone De Beauvoir’s analysis on the ‘Second Sex’ will suggest how civilisation has constructed the woman. Consequently this project will offer possible reasons as to why the status between men and women have been so different overtime.

Categories
2017 Abstracts Stage 3

Kaliai Cargo Cults: Understanding Death and Western Influences in Papua New Guinea.

“O Father Consel, you are sorry for us. You can help us. We have nothing – no aircraft, no ships, no jeeps, nothing at all. The Europeans steal it from us. You will be sorry for us and send us something” – cargo cult prayer.

Jarvie, I.C. (1964). The Revolution in Anthropology. New York, Routledge. (p64)

Categories
2017 Abstracts Stage 2

Can We Own a Vibe? A Philosophical Inquiry into Our Understanding of Music Copyright.

This project aims to look at the concept of private property within the context of copyright. I will investigate current copyright law in the case of music and examples of copyright infringement. Through these cases, I will question the grounds on which they have been ruled guilty of copyright infringement. With Robin Thicke’s ‘Blurred Lines’ (2013) being ruled as infringing the copyright of Marvin Gaye’s ‘Got to Give It Up’ (1977) due to copying the vibe of this song. With the idea of a vibe having not been previously protected by copyright, this challenges our previous understanding of the copyright of music and what it means to own musical property.

I will also discuss the implications copyright has upon the possibility of creativity within the music industry. Copyright law is in place to protect the original creative works of an individual and therefore protecting creativity as a whole. Through questioning whether copyright helps of hinders creativity in music, I will discuss whether copyright does protect creativity as it sets out to do so.

My project aims to question how appropriate the concepts grounding our copyright of music are and call into question whether we need to revise our music copyright system.

Categories
2017 Abstracts Stage 3

The Right to Privacy: A philosophical investigation in to the notion of a right to privacy in contemporary society; looking at the ways in which this right is upheld/struck down

“To be left alone is the most precious thing one can ask of the modern world”

Anthony Burgess

We live in a society today in which privacy concerns seem to be cropping up more and more frequently. This essay basis its’ notion of a right to privacy on Warren and Brandeis’s article for the Harvard Law Review titled The Right to Privacy, and investigates the ways in which the culture today strikes down this right.

My essay focuses on the primary ways in which the notion of privacy has been struck down in the post 9/11 society that we live in. In doing this, I was able to use the philosophy of Martin Heidegger and John Rawls, among many other philosophers, to formulate a response to this abolition of privacy in the society we live in. Their philosophies provide us with a thoughtful response to the factors affecting our right to privacy, and henceforth allows for a thorough investigation into the notion of privacy from a perspective not entirely common.

‘Perhaps the most striking thing about the right to privacy is that nobody seems to have any very clear idea what it is.’
– Judith Jarvis Thomson

Categories
2017 Abstracts Stage 3

Is the Queen, as portrayed and understood by the Netflix production ‘The Crown’, truly treated as an Other?

The Queen is not truly recognised by us for the work she does, but by the title she holds. Do we treat her as we should treat another human being, or do we treat her as if she is just her title?

The philosophy of Sartre and Levinas will be used as they both put forward a theory of the Other. We have an effect on the others freedom for both philosophers.

For Levinas, it is getting away from Heidegger’s view that we encounter everything with its use value. We have a relationship and a responsibility over the Other.

For Sartre, is the Queen acting in Bad Faith? Rather than recognising herself beyond her duty.

So, does the Queen restrict herself from becoming an Other, or do we restrict the Queen from being treated as an Other truly should be?

Categories
2017 Abstracts Stage 3

BDSM, Power and Self-mastery: the strength of submission

Does power equate to dominance? Is there a strength in submission?

Categories
2017 Abstracts Stage 2

Money: A Social Network Ontology, Complimented by the Abstraction of Theoretical Monetary Units Throughout Time.

This project argues for Georg Simmel’s Sociological account of money through two means:

Firstly, its ability to explain changes in monetary theory through time.
Secondly, the fact it can explain a nuanced human economic agent in a social network.

Money in a Simmelite Social Network:

My project explored the account of the human subject in Simmel’s The Philosophy of Money and applied this to the network theory from Dodd’s The Sociology of Money. Thus, the essay was able to create and analyse a framework that could both argue for the creation of money through a tool of desiring subjects, and how this interacts with society at large through a societal network.

Changing Monetary Theory Through Time:
This project explores the history of economic philosophy from the enlightenment onwards through four defined periods.

Smith and Classical Economics – Using An Inquiry into the Nature and Causes of the Wealth of Nations I was able to explore monetary theory that is reliant upon substance, and the ways Smith’s economic theory often ends up with a reductionist view of human agency.

Friedman and Neo-Classical Economics – Using Capitalism and Freedom I explored monetary theory and the belief that money is simply an economic lubricant, while also contesting the fact that Friedman truly believes in the imperfect being.

Post-Modern Economics – Using Lazzarato, and his influences, I was able to analyse the idea that digitised economics represent power and the desire of the subjects in this network as the creation of this power.

Bitcoin and the Satoshi Nakamoto Institute – This conception of money is a commodity guided by the rules of blockchain, however Bitcoin itself is only substantiated by ideological belief of a small number of active traders.

Throughout this project I argue that the Framework of the Simmelite Social Network can not only explain the beliefs of these four types of theory through time, but also why the path of history towards further abstraction has occurred.

Categories
2017 Abstracts Stage 3

On Bunnies: An Interpretative Approach to Playboy in the Sphere of Art

PLAYBOY
The use of nude photography does not exclude a work from the sphere of art

Featured Articles

Rose: The Paradigm case of Pornography-Playboy does not possess the same explicit sexual characteristics of other ‘adult’ entertainment.
-In the production of Playboy, there is no violation of liberty or victim.

Noë: ‘strange tools’ -art is purely the subversion of function and purpose, that calls into question the surrounding presuppositions -Playboy does not have his same subversion intention.

Hegel- the closest instance to absolute truth within art is the human form “we must search out that in Nature which on its own merits
belongs to the essence and actuality of the mind…The human form is employed…exclusively as the existence and physical form correspond to themind” (Hegel, 2004)