Category: Stage 3

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2017 Abstracts Stage 3

Between Emancipation and Control: A critical discussion of social media in postmodern

Between Emancipation and Control: A Critical Discussion of Social Media in Postmodern Society

Is social media the key to emancipation, or the handcuffs prohibiting liberation? This project started from the object of social media and the claim that, as society has become highly mechanised, it is a further perpetuation of control and the very medium, which keeps individual behaviour in accordance with what is deemed socially acceptable. This project aimed to investigate this claim, using the case of Cambridge Analytica, to reach a conclusion to the overriding question: CAN SOCIAL MEDIA EMANCIPATE?

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2017 Abstracts Stage 3

From Selfie to Surgery: The Impact of Technology on Human Self-Worth

An investigation into the ways that technology is used as a method of creating insecurities with the self, leading to cosmetic surgery and the sustainability of capitalism.

My aim of this investigation is to explore the effects of technological apps such as Snapchat and Instagram on self-esteem and confidence. Also to investigate how far there is a link between beautifying apps and the cosmetic surgery industry, in a 21st century society where the conception of beauty is given great importance.

In this investigation, I conduct a survey to understand the effects of technology. I ask questions regarding frequency of usage, confidence levels after usage and pressure in society surrounding beauty.

Philosophical Concept 1: Adorno and the Culture Industry
Philosophical Concept 2: Freud and ‘Civilisation and its Discontents’

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2017 Abstracts Stage 3

Data-Mining

What is data-mining?
In the case of Cambridge Analytica, data-mining is extracting data from people’s social media accounts to gather information on them.

What is micro-targeting
Micro-targeting is using data and information gathered on people to identify their interests and beliefs and then use this to try influence them, in this case their political decisions.

Cambridge Analytica
Cambridge Analytica is a data analytics company founded in 2014. They manipulated Facebook in order to access millions of people’s personal details and information and used it to influence elections.

Democracy in the age of technology: a philosophical enquiry exploring the effect data-mining and micro-targeting has on a democratic government.
Philosophy used to explain this: Debord’s Society of the Spectacle and Rousseau’s Social Contract.

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2017 Abstracts Stage 3

Is the Queen, as portrayed and understood by the Netflix production ‘The Crown’, truly treated as an Other?

The Queen is not truly recognised by us for the work she does, but by the title she holds. Do we treat her as we should treat another human being, or do we treat her as if she is just her title?

The philosophy of Sartre and Levinas will be used as they both put forward a theory of the Other. We have an effect on the others freedom for both philosophers.

For Levinas, it is getting away from Heidegger’s view that we encounter everything with its use value. We have a relationship and a responsibility over the Other.

For Sartre, is the Queen acting in Bad Faith? Rather than recognising herself beyond her duty.

So, does the Queen restrict herself from becoming an Other, or do we restrict the Queen from being treated as an Other truly should be?

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2017 Abstracts Stage 3

The Reality Of ‘Generation Snowflake’ In Relation To The Contemporary Situation Facing Free Speech

Generation Snowflake and The Contemporary Situation

Defined in the Collins English Dictionary – ” the generation of people who became adults in the 2010’s, viewed as being less resilient and more prone to taking offence than previous generation”

How has ‘Generation Snowflake’ come to be?

Foucault’s analysis of the kind of power at work today in Generation Snowflake is the interference and dominance of medicine, a discreet mode of power facilitating the set-up of this transactional reality.

Does Free Speech Exist Today in ‘Generation Snowflake’?

Mill’s Harm Principle – to safeguard liberty and free speech, ” the only purpose for which power can be rightfully exercised over any member of a civilized community against his will, is to prevent harm to others”.

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2017 Abstracts Stage 3

Song is Existence

The first part of my project was to prove that accepting a scientific and medical approach to mental illness was wrong. I used Jean-Paul Sartre’s account of bad faith, in which the human being freely gives up their freedom. I then applied this behaviour to the person who accepts the scientific explanation for the dark thoughts and emotions we experience when suffering from illnesses such as depression and anxiety.

In the second part, I introduced Heidegger’s lecture on the origin of the work of art, and how poetry uncovers truths about the world through its use of
language. Music is also a form of poetry so in contemporary times I believe that accepting the truths presented to us about mental illness by musicians is acting in good faith. I supported this argument with the examples of Kurt Cobain, Amy Winehouse, and Kendrick Lamar. Additionally I analysed a select few examples of medical accounts of mental illness in order to prove that they were an insufficient approach to mental health.

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2017 Abstracts Stage 3

Does Technology Merely Distort or Substantially Change Law and Justice?

Does Technology Merely Distort or Substantially Change Law and Justice?

The Media:

Common-held belief was that – because of Simpson’s celebrity- he would not be prosecuted.
Despite the incriminating evidence against him, the public supported Simpson. As noted by Bugliosi, there were “people carrying sings outside the courtroom during the trial declaring “Free OJ” and “Save the Juice”

The Pharmaceutical Industry

Euthanasia:
Technological advancements have made it considerably more comfortable for us to watch someone “slip away”

The Death Penalty:
At this present- day, advancements in the pharmaceutical industry ensure that ‘the shelf life of benzodiazepine’ also plays a role in this process.

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2017 Abstracts Stage 3

Artistic Appropriation: Do you Own what you Create?

Plagiarism is wrong. Says who? Why should we obey this? Does Plagiarism stifle creativity? Is plagiarism a force of coercion and obedience?

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2017 Abstracts Stage 3

The Right to Privacy: A philosophical investigation in to the notion of a right to privacy in contemporary society; looking at the ways in which this right is upheld/struck down

“To be left alone is the most precious thing one can ask of the modern world”
–
Anthony Burgess

We live in a society today in which privacy concerns seem to be cropping up more and more frequently. This essay basis its’ notion of a right to privacy on Warren and Brandeis’s article for the Harvard Law Review titled The Right to Privacy, and investigates the ways in which the culture today strikes down this right.

My essay focuses on the primary ways in which the notion of privacy has been struck down in the post 9/11 society that we live in. In doing this, I was able to use the philosophy of Martin Heidegger and John Rawls, among many other philosophers, to formulate a response to this abolition of privacy in the society we live in. Their philosophies provide us with a thoughtful response to the factors affecting our right to privacy, and henceforth allows for a thorough investigation into the notion of privacy from a perspective not entirely common.

‘Perhaps the most striking thing about the right to privacy is that nobody seems to have any very clear idea what it is.’
– Judith Jarvis Thomson

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2017 Abstracts Stage 3

Would it be Better if Human Beings did not Exist?

If children were brought into the world by an act of pure reason alone, would the human race continue to exist?” Schopenhauer

“Being brought into existence is not a benefit but always a harm” Benatar

“Our self-removal from this planet would still be a magnificent move… What do we have to lose?” Ligotti

This project will investigate the claim that human existence is a value.

There tends to be a given assumption that human existence is a good thing. I intend to question the validity of this and investigate whether it has valid justification.

The effects of human existence will be considered from three perspectives to determine whether human existence is worth its costs.

An ethical perspective will be used to evaluate the suffering and harm evoked by and for human beings.

An environmental perspective will contemplate the impact human beings have had on the planet and the detrimental effects caused.

A positive perspective will be adopted to investigate whether human beings deserve respect. It will be questioned if something would be lost without us.

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2017 Abstracts Stage 3

On Bunnies: An Interpretative Approach to Playboy in the Sphere of Art

PLAYBOY
The use of nude photography does not exclude a work from the sphere of art

Featured Articles

Rose: The Paradigm case of Pornography-Playboy does not possess the same explicit sexual characteristics of other ‘adult’ entertainment.
-In the production of Playboy, there is no violation of liberty or victim.

Noë: ‘strange tools’ -art is purely the subversion of function and purpose, that calls into question the surrounding presuppositions -Playboy does not have his same subversion intention.

Hegel- the closest instance to absolute truth within art is the human form “we must search out that in Nature which on its own merits
belongs to the essence and actuality of the mind…The human form is employed…exclusively as the existence and physical form correspond to themind” (Hegel, 2004)

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2017 Abstracts Stage 3

Kaliai Cargo Cults: Understanding Death and Western Influences in Papua New Guinea.

“O Father Consel, you are sorry for us. You can help us. We have nothing – no aircraft, no ships, no jeeps, nothing at all. The Europeans steal it from us. You will be sorry for us and send us something” – cargo cult prayer.

Jarvie, I.C. (1964). The Revolution in Anthropology. New York, Routledge. (p64)

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2017 Abstracts Stage 3

The Case for Drag: Exploring drag performance and culture through the work of Friedrich Nietzsche.

Given the rapid rise of drag performance in pop culture, it is now one of the most popular and varied forms of entertainment. But isn’t seeing drag performance and culture as nothing more than a source of amusement, to obfuscate swathes of its political, emotional and metaphysical potential? How might we do drag justice? How might we unlock this potential? The answer lies in the work of Friedrich Nietzsche, an engagement with whom, will help us see the potential drag offers.Early Nietzsche: The Birth of Tragedy helps us understand drag’s potential in revealing a harsh reality, and in making it possible to bear by transfiguring suffering into beauty. Middle-period Nietzsche: Nietzsche sews the seeds for the ideas which develop in his mature work. Mature Nietzsche: Nietzsche’s critique of the Kantian subject helps us understand how drag pulls us towards a less anxious, less restricted and more emancipated subjectivity. Thus Nietzsche helps us appreciate drag as more than a piece of entertainment, as offering us a more tolerable and healthier way of being in the world.

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2017 Abstracts Stage 3

BDSM, Power and Self-mastery: the strength of submission

Does power equate to dominance? Is there a strength in submission?

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2017 Abstracts Stage 3

Everything Now, as Result of Creativity or Commercialism; Reading Arcade Fire with Adorno’s The Culture Industry.

Money + Love
Can artists make a statement about consumer culture without falling into it themselves?

Territory: Arcade Fire’s album Everything Now

Object: Consumer Culture
Philosophy: Adorno’s The Culture Industry

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2017 Abstracts Stage 3

Should student happiness be made a part of university rankings? If so, which type of happiness should be used and how should it be measured?

Should student happiness be made a part of university rankings? If so, which type of happiness should be used and how should it be measured?
What indicators are normally used in university rankings?
Entry Standards Industry Income
Graduate Prospects Number of Students
Student Satisfaction Teaching Quality

As we can see happiness does not feature as an indicator however it is becoming a bigger part of society and because of this I, and many other students, believe that it should become an indicator for university rankings.

The best way to measure happiness would be through questionnaires given to students at the end of the year.

So what type of happiness should be used?

Eudaimonia
Hedonic
Jouissance

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2017 Abstracts Stage 3

When NO means NO

Rape Culture: “a society or environment whose prevailing social attitudes have the effect of normalising or trivialising sexual assault and abuse.”
Consent: “someone agrees, gives permission, or says “yes” to sexual activity with other persons. Consent is always freely given and all people in a sexual situation must feel that they are able to say “yes” or “no” or stop the sexual activity at any point.”

Preliminary Questionnaire
 25 male students and 25 female students were asked to take part in a questionnaire about rape culture and what constitutes consent
 example: students were asked whether they thought women were sexually objectified – of the 25 females asked, they all said yes, and, in contrast, all 25 males said no
 questions also asked about the influence of drugs and/or alcohol in conjunction with sexual acts – whether an individual can consent to sex or not when under the influence

Case Studies
 3 cases used: Brock Turner, Judy Garland & Melanie Martinez
 all case studies had things in common but applied to the 3 thematic links of power, gender, freedom and agency

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2015 Abstracts Stage 3

As Time Goes By: An investigation into the relationship between music’s commodification, in the age of mass reproducibility, and its declining objective worth

Adorno – MUSIC is OBJECTIVE. Music was at its best in the Classical Period, due to its complexity and its projection as an art form. If you are to disagree with his opinion, it is because you cannot understand the music properly…

Capitalism commodified music, creating an environment of ‘pseudo-subjectivity’. As music began to be attached to pop stars as a commodity, the relevance of artistic talent was eradicated.

Benjamin + Vattimo – MUSIC is NOT SUBJECTIVE or OBJECTIVE.

The age of mass reproduction removed the objectivity of music by eliminating its ‘aura’. With no object, it is impossible for something to be subjective, as there is nothing to be subjective in relation to.

INSTEAD, our age’s MUSIC is INTERPRETIVE, meaning that there is no objective or subjective point of view, only our own interpretation, which is formed due to our historical origins and upbringing.

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2015 Abstracts Stage 3

Mental Illness: Social Construct or Scientific Fact?

I am going to explore the differing perceptions, classifications and treatments of mental illness, in particular depression.

Key Themes

Personal: The sufferer’s explanation

Scientific: A biochemical explanation of the causes and symptoms, and consequent treatment using medicine

Holistic: Classification of a mental illness takes into account the patient’s experiences, cognition processes and learned behaviours, which therapy seeks to overcome

Social: The onlooker’s explanation and the stigma in society

Foucault: Modern psychiatry, although grounded in scientific truths, is primarily a system of moral judgements. Treatment of the mentally ill can be seen as society’s way of controlling what they deem to be immoral / undesirable.

Sartre: Man has the freedom to choose what their life is, however many of us live in bad faith by hiding from this freedom as it is accompanied by the responsibility to have meaning; man is condemned to be free.

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2015 Abstracts Stage 3

The Origin of the Work of Art: An Investigation Into the Relevance of Heidegger’s Thought in the Context of Modern Music.

This project will examine will investigate the philosophical concepts as demonstrated in “The Origin of the Work of Art”. The objective will be to show evidence of Heidegger’s thought in the context of modern music. The essay will involve a philosophical enquiry into modern music-society, using Foucault, Lyotard, Kant and Taylor to compare and contrast Heidegger’s opinion with others.