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2022 Abstracts Stage 2

Is it worthwhile to use drugs for aesthetic production?

Aesthetic production is an innovative and important part of humanity that holds value. Using psychedelic drugs can increase human potential and possibilities in aesthetic production but outdated moral views on drug use are holding us back. Psychedelic drug use should not be dismissed as a means to facilitate creativity. The hermeneutic-interpretative approach is appropriate to develop this claim due to analysing Friedrich Nietzsche and George Bataille’s primary texts and secondary interpretations of them to formulate an argument. I shall critique the norms and axiology of contemporary culture to assess the moral views on drugs because it is an endeavour into what is worthwhile. This methodological approach is favourable over a historical contrastive method because this project is interested in the concepts of transgression and enhancing creativity not in changing attitudes towards drugs over time. For clarification psychedelic drugs can be defined as a group of substances that can change or enhance thought processes, sensory perceptions and energy levels. They are known informally as hallucinogenic drugs and are used recreationally to heighten one’s state of awareness and induce mind-altering experiences. The most common psychedelic drugs used are Lysergic acid diethylamide (LSD/ Acid), Dimethyltryptamine (DMT), Mescaline and Psilocybin (magic mushrooms), these will be referred to in abbreviated form. All of which are naturally occurring substances found in specific plant species, fungi or mould.
It is crucial to certify that aesthetics is a fundamentally important element of existence that is worth enhancing. Aesthetics attends to the nature of beauty, artistic experimentation and an extensive list of art forms that embody free creative human expression. Different modes of being and doing manifest themselves in aesthetic creation along with diverse ways of thinking that encompass emotion. Art is a precious component of human existence, and the process of aesthetic experience should have room to transcend and realize itself beyond the sphere of human understanding, if we can enhance it further, we ought to.

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2014 Abstracts Stage 3

The Power of Solitude. A critical analysis of solitude as a stimulant for creativity.

The objective of this essay is to produce an accurate analysis of our understanding of solitude, artistic creativity and its origins, and to examine whether solitude can be an aid to maximising creativity.

To reach an appropriate conclusion, it will first address the nature of creativity from Plato, Kant, Freud and from various modern thinkers.

It will then address theories on solitude from Thoreau, Artistotle, Descartes and Koch, followed by an analysis of the extent to which it can stimulate artistic creativity. I also see it necessary to briefly examine the role of technology in today’s society and the use of drugs to see how these two factors can influence solitude and creativity.