Special Guest Blog: Courier 1955-62, Changing Directions

This is the second installment in our Courier Special Collections Guest blog series. You can see the first, ‘1948-55 the early years’ here.


1955-62 Changing Directions

'Kings to Leave N.U.S', 12th May 1955

‘Kings to Leave N.U.S’, 12th May 1955

In 1955 the handover between editors was brought forward from summer to Easter, so that the outgoing editor could concentrate on their exams. It was also around this time that Monica Doughty joined the Courier as a permanent secretary, helping to provide stability to the paper during the frequent changes to the editorial team. Doughty organised the day-to-day running of the paper, while each editor shifted the overall tone and style of the paper to suit their own tastes. Brian Lloyd Davies, editor 1955-56, attracted controversy by his frequent use of the paper to publicise his own, left-wing, views.

Brian Lloyd as Courier editor, 27th October 1955

Brian Lloyd as Courier editor, 27th October 1955

His successor, Ramsey Rutherford, returned King’s Courier to a neutral position, being more interested in the arts and music than politics; he was described in the paper as a fan of “traditional jazz, modern jazz, classical music, opera, folk songs of all types, and modern ‘pops’.” The changeover of editors was a big event in the late 1950s, with each editor’s final issue including multiple tributes to their time with the Courier from other members of the team. Rutherford was followed by John McCormack, who continued the arts focus and non-confrontational tone.

'Courier-A Policy Statement' reviewing John McCormack, 8th May 1958

‘Courier-A Policy Statement’ reviewing John McCormack, 8th May 1958

In 1958, however, his successor, Brian Shallcross, shifted the focus to news. He redesigned the paper, introducing a new colour masthead, significantly more photographs, and large, tabloid-style headlines.

The King's Courier with the new colour masthead, 15th May 1958

The King’s Courier with the new colour masthead and tabloid style headlines, 15th May 1958

The stories were similarly daring, including a survey that revealed very few students knew who their elected student representatives were, and close scrutiny of a poorly-organised Rag Week.

'The End of Rag', 5th February 1959

‘The End of Rag’, 5th February 1959

Most of these changes were reversed once Shallcross left the paper, when it became known simply as Courier. As the new decade dawned the paper became a weekly publication, coming out every Wednesday during term time. The extra issues placed a greater demand on the editor, and at the end of 1960 it was agreed that editors should only serve half the year, with changeovers in December and at Easter.

The Courier‘s main competition during this period was the Wall News, posted on noticeboards in the Union and often a vehicle for gossip and scandal. The Wall News predated the Courier and survived well into the 1960s, with the relationship between the two publications occasionally descending into one or the other printing derogatory comments about their competitor.

Wall News complaint about the gossip, 8th May 1958

Wall News complaint about the gossip, 8th May 1958

The other significant publication at King’s College was the Northerner, a literary magazine founded in 1901 and published once or twice a year. Whilst never especially successful, the introduction of a 6d cover price in 1958 marked the beginning of the Northerner‘s decline, and by the early 1960s the publication faced major financial problems. A revamp in 1963 saw the Northerner printed on glossy paper and with a greater focus on design, but this was not enough to save the magazine and staff shortages and printing problems contributed to its decline in the mid 60s. Numerous attempts were made to revive it, as Package in 1968, Ashes in 1970, the New Northerner in 1972 and Five Seconds in 1973. None of these, nor more recent arts magazines such as Alliterati, established in 2006, lasted more than a few years.

Front cover of the first issue of the Northerner, 1st December 1916

Front cover of the first issue of the Northerner, 1st December 1916


The above content is taken from Courier alumni, Mark Sleightholm’s Courier History site and is interspersed with images from the Courier Archive online website. Mark has begun documenting the history of Newcastle University’s Courier student newspaper, which gives a fascinating insight into reporting trends, recurrent stories and issues, and profiles of the different sections through the ages.

Cataloguing the Collector: The life and career of Frederick Charles Pybus

Exhibition now open to the public March – August 2017.
Level 1, Philip Robinson Library, Newcastle University. 

The text and images below are from the exhibition, ‘Cataloguing the Collector: The life and career of Frederick Charles Pybus’. Items within this exhibition are taken from the Frederick Charles Pybus Archive.  


Exhibition talk: ‘The Life of the Collector: Frederick Charles Pybus

 

ALL WELCOME

Date: 29th March 2017
Time: 5.30-7pm
Location: Room 152, Level 1 of the Philip Robinson Library

A talk on the exhibition will be given by our archivist Alex Healey hosted by the Friends of the University Library.

 


Frederick Charles Pybus is arguably best known for his collection of historic medical books, held here in the library. However, items from his personal archive reflect his medical career and personal interests, demonstrating that collecting was only one aspect of his personality.

Pybus the Surgeon

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Surgery team including Pybus ready for theatre in the Fine Arts department at Armstrong College, 1st Northern General Hospital, c. 1915 (Professor Frederick Pybus Archive, FP/1/3/9)

 

 

 

 

 

 

 

 

 

 

At the start of the 20th century, medical developments relating to antiseptics and anaesthesia allowed surgeons to perform more elaborate and lengthy procedures on their patients.

Frederick Charles Pybus entered the profession, registering as a medical student in 1901 and graduating in 1906. He was to remain associated with the medical profession for over 50 years, until his retirement in 1961.

Pybus not only witnessed the development of surgery in this period, but himself conceived and undertook experimental processes on his patients, contributing directly to the development and improvement of surgical procedures, including tonsillectomies and the removal of cysts.

With the exception of a brief stint in London after his graduation, Pybus’ career both as a student and a practitioner was spent working in medical institutions here in Newcastle, including the Royal Victoria Infirmary, the Fleming Hospital for Sick Children and the Newcastle General Hospital.


Pybus the Veteran

The Royal Army Medical Corps (RAMC) were responsible for the wellbeing of all military personnel during the First World War. As well as serving overseas, members of the RAMC worked on the home front. Suitable buildings were requisitioned as hospitals to accommodate the huge number of wounded soldiers returning from the trenches.

Pybus received his papers placing him on reserve duty in 1910. When war arrived four years later, he helped requisition Newcastle University’s Armstrong College for use as the 1st Northern General Hospital.

Over 1000 operations were performed by Pybus at the 1st Northern, at least some of which were performed in what had been the Fine Arts department. Many surgeries were attempts to correct the damage caused by gun-shot wounds and it was during this period that the field of plastic surgery was developed.

Image included in patient notes for removal of a bullet from Private J. Shrubb of the Inneskilling Fusiliers, Sept 1914 (Professor Frederick Pybus Archive, FP/1/3/3)

Image included in patient notes for removal of a bullet from Private J. Shrubb of the Inneskilling Fusiliers, Sept 1914 (Professor Frederick Pybus Archive, FP/1/3/3)

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Pybus and Children’s Medicine

After the First World War Pybus was appointed Assistant Surgeon at the Fleming Memorial Hospital for Sick Children, located at what is now Princess Mary Court in Jesmond.

The early 20th century was a period of change for children’s hospitals, in which their status was shifting from being seen as the last resort of impoverished families, to places in which modern medical techniques, tailored to the needs of children, were delivered by skilled practitioners.

During this period, Pybus’ publications and research interests became focussed on the treatment of children. This culminated in the publication of his book The Surgical Diseases of Children: A Handbook for students and practitioners in 1922. The book was published in England and North America, and was received favourably by the medical press.

The Surgical Diseases of Children: a handbook for students and practitioners, 1922 (Pybus J.I.11)

The Surgical Diseases of Children: a handbook for students and practitioners, 1922 (Pybus J.I.11)

Pybus and Cancer Research

At the start of the 20th century improved understandings of the causes of cancer caused this long known illness to become a focus of public debate. The understanding that environmental factors could directly cause cancer made the illness a social issue as well as a medical one.

As a result of this, research into the identification of carcinogens became increasingly popular as the 20th century progressed. Having spent some time at cancer specialist hospitals early in his career, Pybus established a Cancer Research Institute in Newcastle in 1925.

The Institute used animal testing to research bone tumours and was one of the first to suggest that atmospheric pollution could be a major contributing cause.


Pybus the Collector

Arguably, Pybus’ most well-known legacy is the Pybus Collection of historic and rare medical texts. He became interested in such books after an encounter with a ‘really handsome book’ at the first meeting of the Association of Surgeons in the early 1920s. He later recalled that this encounter with the ‘magnificent’ plates of a Vesalius folio ‘wetted his appetite with a vengeance’.

Frontispiece from 'De humani corporis fabric' (Fabric of the Human Body) by Andreas Vesalius (Pyb.N.v.10)

Frontispiece from ‘De humani corporis fabric‘ (Fabric of the Human Body) by Andreas Vesalius (Professor Frederick Pybus Collection, Pyb.N.v.10)

Despite offers from book dealers and American universities to purchase parts of the collection, Pybus donated it in its entirety to Newcastle University Library in 1965, where a dedicated reading room was established in the old library. The collection is now held by Special Collections here in the Philip Robinson Library, and is included on the library catalogue.


Pybus the Person

Photograph of Professor Pybus, c. 1913

Photograph of Professor Pybus, c. 1913 (Frederick Charles Pybus Archive)

Much of Pybus’ life was taken up with his medical career and hobby of collecting medical texts. His archive demonstrates that these were the dominating aspects of his life. Nevertheless, there is evidence of other interests.

Other items in the archive hint at Pybus’ other interests. These include involvement with lecture societies, membership of Masonic organisations and an attempt to resurrect the historic Company of Barber Surgeons and Tallow Chandlers of Newcastle upon Tyne.


Other Resources

Interested in Pybus’ book collection. Find out more about the Professor Frederick Pybus Collection.

More about Pybus our blog:

Special Guest Blog: History of the Courier

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As the voice of Newcastle University students, The Courier has always been an expression of student news, views, and opinions relating to campus life and how the University operates.

The Courier archive has been digitised and you can now search and browse over 65 years of reporting from the first edition in 1948, when the University was still known as King’s College. View the Courier Archive online.

Courier alumni Mark Sleightholm has begun documenting the history of our student newspaper on a dedicated Courier History site. This gives a fascinating insight into reporting trends, recurrent stories and issues, and profiles of the different sections through the ages.

In this Courier guest blog series, we have added to this site’s content and illustrated it with images from the digitised Courier archive.

We are kicking off this Courier guest blog series with:

1948-55 The early years

In 1948 what is now Newcastle University was known as King’s College and formed part of the federal University of Durham. Early in the year several Durham students established the Palatinate newspaper, and in October one member of the editorial team, Allan Marsh, decided to set up a paper for the Newcastle campus. Anyone was invited to help produce the paper, “regularly or spasmodically”, while Stuart Shaw was appointed editor. The first issue of King’s Courier came out on 18 November.

First issue of the Courier, 18th November 1948

First issue of the Courier, 18th November 1948

The early papers were generally eight pages long and came out once a fortnight. They focussed on such riveting topics as meetings of student societies and the opening of new buildings on campus, but also reported on University sports matches and reviewed books, art, theatre and – on some daring occasions – films and music.

New Science Block drawing, 14th December 1948

New Science Block drawing, 14th December 1948

Film criticism, 19th May 1949

Film criticism, 19th May 1949

There were few photographs, although there was generally at least one on the front page, and several cartoons and illustrations, drawn by Courier staff, appeared, alongside an occasional crossword.

'HECTOR and NECTAR' cartoon, 3rd November 1949

‘HECTOR and NECTAR’ cartoon, 3rd November 1949

There was humour, too – for 1952’s Christmas issue the staff produced a four page supplement called King’s Scrouier, which parodied many of the Courier‘s contemporary news stories, reviews and even adverts.

The King's Scrouier, 16th December 1952

The King’s Scrouier, 16th December 1952

The letters page became a forum for discussion, with some debates continuing for months. Particular controversy came in 1953 with a series of articles by Stanley Brodwin, an American student at King’s, and an aspiring playwright. His candid style and criticisms of British customs prompted fierce replies in the letters page, with his plays attracting similar outrage.

'I'll dig you later in the U.S.A.' by Stanley Brodwin, Friday 16th October 1953

‘I’ll dig you later in the U.S.A.’ by Stanley Brodwin, Friday 16th October 1953

At this point the students’ union was split between two institutions: the Students’ Representative Council, which dealt with politics, representation and societies, and the Union itself, run by the Union Management Committee, which ran the union building and organised social events. The Courier was overseen, and eventually funded, by the SRC, but was always (at least in theory) editorially independent of both SRC and Union.

Stay tuned for more Courier Special Guest Blogs…

Kathleen Ainslie’s Mischievous Dutch Peg Dolls

Front cover from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

Front cover from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

Kathleen Ainslie was an illustrator, active in the years 1900-1911. She is best-known for her series of children’s books based on jointed Dutch peg dolls which were popular during the 19th and early-20th centuries (Florence Kate Upton’s The Adventures of Two Dutch Dolls and a Golliwogg had been published in 1895.)

The first of two books that we have recently added to our Rare Books Collection is Catherine Susan and Me’s coming out, published in London by Castell Brothers Ltd. and in New York by Frederick A. Stokes, c.1906 (COPAC lists just one copy, at Cambridge University).

Catherine Susan and Maria are weary of household chores so they issue a public notice to announce that they are ‘coming out’. Their coming out is both in the sense of venturing out on a trip to London and of being presented to society.

Pages 1-2 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

Pages 1-2 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

Of course, such a momentous occasion requires clothes and the dolls have nothing appropriate to wear. Dutch peg dolls were sold undressed and children made clothes for them from scraps of cloth. Towards the end of the 19th Century, the female silhouette changed rapidly and, certainly in the early 20th Century, styles, designs and fabrics from other cultures had become more influential in fashion. In the haberdashery store, the dolls argue about whether to wear muslin or white satin, both of which were considered stylish at the time. In the 1880s and 1890s, small hats ornamented with birds, feathers and artificial flowers were fashionable. The mischievous dolls chase hens and then secure the feathers to their heads with hammer and nails!

Pages 11-12 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

Pages 11-12 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

Catherine Susan and Maria squeeze into car and find a warm welcome in London. They are invited to attend a ball – in the 19th and early 20th centuries, numerous balls were held for members of ‘high society’. Debutante balls were occasions at which young women ‘came out’. Fans were essential: not just part of the outfit but a form of non-verbal communication conveying rejection (a closed fan), interest (an open fan) or excitement (a fluttering fan). Catherine Susan isn’t shy and sits with her fan open and, later, dances with a gentleman she tells everyone was a prince.

Pages 17-18 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

Pages 17-18 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

The dolls go to a polo match. Polo had been imported to England in the 1860s, from India, and its popularity grew in the late 19th and early 20th centuries. Although the dolls exclaim at how fast the horses gallop, British polo was slower and more methodical than the polo played in Manipur. They also try their hands at punting. Punting boats were first built for pleasure in England in the 1860s. Pleasure punting probably started on the River Thames but became increasingly popular in the early 1900s. In the evening, they go to the theatre – although Maria doesn’t remember what they saw, from the balcony scene, it looks as though it might have been Romeo and Juliet. Victorian productions of Shakespeare’s plays often prioritised ‘authentic’ costumes and scenery and to be a bona fide actor/actress, like Henry Irving (1838-1905) or Ellen Terry (1847-1928), was to be a great Shakespearean actor.

Pages 27-28 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

Pages 27-28 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

By the end of the book, the dolls are both exhausted.

Pages 29-30 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

Pages 29-30 from ‘Catherine Susan and Me’s Coming Out’ by Kathleen Ainslie (Rare Books 823.912 AIN)

The second book by Kathleen Ainslie that we have added to our Rare Books Collection is What I did, published c.1905 (COPAC lists copies held at the British Library, Manchester University and Oxford University.) Inside the front cover, someone has written in pencil “I hope you will like reading this book. It is very amusing”. This time, the protagonist is a naughty Dutch doll schoolboy and the book recounts his boarding school escapades: fagging (i.e. slaving) for an older boy called Tomkins; swimming; playing cricket; cavorting in the dormitory; and smoking.

Pages 25-26 from ‘What I Did’ by Cathleen Ainslie (Rare Books 823.912 AIN)

Pages 25-26 from ‘What I Did’ by Cathleen Ainslie (Rare Books 823.912 AIN)

We do not currently have any more of Kathleen Ainslie’s Dutch peg doll books but in other stories, Catherine Susan and her companion, Maria, celebrate holidays, take on odd jobs and even agitate for women’s suffrage (Votes for Catherine Susan and Me, 1910). Ainslie wrote about 25 books (the first being Me and Catherine Susan in 1903), as well as illustrating a series of six calendars (1906-1911). They all feature the same brand of humorous chromolithographed illustrations.

Beauties in Strains Seldom Heard: The Famous Tune

Image from ‘An Introduction to Harmony by William Shield’ (18th Century Collection 780 SHI)

Image from ‘An Introduction to Harmony by William Shield’ (18th Century Collection 780 SHI)

25th January, Burns’ Night, has just passed for 2017. The day (and evening!) celebrates the birth, life, and work of famous Scot Robert (‘Rabbie’) Burns (1759-1796). Regarded as the national poet of Scotland, Burns composed many folk songs. He also collected songs and adapted them for his own use.

To many, he is best-known for his anthem ‘Auld Lang Syne’, which is often sung (in Scotland and throughout the world) at New Year. Burns ‘wrote’ the words for ‘Auld Lang Syne’ in about 1788 and sent a copy of the original song to the Scots Musical Museum with the remark,

“The following song, an old song, of the olden times, and which has never been in print, nor even in manuscript until I took it down from an old man.”

Some of the lyrics were indeed “collected” rather than composed by the poet; the ballad “Old Long Syne” printed in 1711 by James Watson shows considerable similarity in the first verse and the chorus to Burns’ later poem, and is almost certainly derived from the same “old song”.

25 January also marks the anniversary of composer William Shield, who died on the same day in 1829. Shield was born in Swalwell, Gateshead, on 5 March 1748 and was taught music by his father before becoming an apprentice shipbuilder in South Shields following the death of his mother. He continued studying music with Charles Avison, church organist at St John’s Church in Newcastle, and moved to London in 1772 to play violin in the opera at Covent Garden (later the Royal Opera House). He met Joseph Haydn and, in 1817, was appointed Master of the King’s Musick.

Like Burns, Shield was a great plunderer of folk tunes, often incorporating them into his own compositions. He is often cited as being the composer of the tune of Burns’ ‘Auld Lang Syne’.  In 1998, John Treherne, Gateshead’s Head of Schools’ Music Service, studied Shield’s score for his operetta Rosina (1782):

“I started to copy out the score and hummed the tune as I was writing it down. I was coming to the end when I realised the tune floating through my head was Auld Lang Syne.”

Had Burns ‘stolen’ the tune from Shield and taken credit for it? It’s more likely that Shield knew the tune of a traditional Scottish folk song and used it in Rosina to convey a Scottish atmosphere. The same could probably be said of Burns: he may have ‘stolen’ the tune from Rosina, but it’ more likely that he borrowed from a traditional Scottish tune that he’d heard somewhere. The debate has raged on for years, with north-of-England folk song traditionalists claiming that it was their local lad who composed the tune to one of the most-performed songs ever.

Shield’s ‘An Introduction to Harmony by William Shield’ (18th Century Collection 780 SHI) was published in 1800. This comprehensive treatise on the elements of harmony shows Shield’s encyclopedic knowledge of local and more ‘exotic music’ by using (unnamed) excerpts of existing music as exercises and examples. Shield’s ‘Introduction’ is, in fact, composed of an anthology drawn from music in his own library, including obscure pieces never reproduced before.

A second edition appeared in 1817. In the preface to Part the Second, Shield explains his reasons for using excerpts of existing music:

“. . . it has appeared to me the most liberal plan to let every musical illustrative example recommend itself by its own intrinsic merit, and not by the name of its author.”

Is this what Shield possibly felt when he first heard the theme he adapted in Rosina? Or what Burns experienced when he heard the tune he appropriated an obscure air for ‘Auld Lang Syne’?

Shield’s ‘Introduction’ met with varying reviews on its publication. The Gentleman’s Magazine and Historical Chronicle, although acknowledging Shield’s genius and popularity, dismissively stated:

“This work has proved serviceable by enticing grown-up lady-performers to acquire some knowledge of musical theory.”

 Robert Burns, 25 January 1759 – 21 July 1796. William Shield, 5 March 1748 – 25 January 1829.

 

Mary Elizabeth Coleridge’s Handwritten Poetry Collection

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Note written by Lucy Violet Holdsworth to accompany Mary Coleridge’s handwritten collection of poems, later to be published as ‘Fancy’s Following’. (Miscellaneous Manuscripts 56)

 

 

 

 

 

 

 

 

 

 

 

 

 

Mary Elizabeth Coleridge was born on 23 September 1861, and she grew up surrounded by literary and artistic talent. She was the great-grand-niece of Romantic poet Samuel Taylor Coleridge and her family friends included Alfred, Lord Tennyson, Anthony Trollope, John Ruskin, and Robert Browning. During her lifetime, she became best known for her essays, reviews and her five published novels. These included ‘The King with Two Faces’ which she received the substantial sum of £900 for in 1897.

However, posthumously it is her poetry which has taken centre stage. Our first Treasure of the Month for 2017 is a fair copy of Mary Coleridge’s first poetry collection, ‘Fancy’s Following’, which was handwritten by the poet for her friend, Lucy Violet Holdsworth.

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Page taken from Mary Coleridge’s handwritten collection of poems, later to be published as ‘Fancy’s Following’. (Miscellaneous Manuscripts. 56)

 

 

 

 

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Page taken from Mary Coleridge’s handwritten collection of poems, later to be published as ‘Fancy’s Following’. (Miscellaneous Manuscripts. 56)

The copy was made before it was later issued privately by Daniel Press in 1896, and in fact, it was this small white book which led to the publication. Holdsworth’s cousin, Monica Bridges (nee. Waterhouse) was married to the Robert Seymour Bridges, Britain’s poet laureate from 1913 – 1930. Holdsworth planned for the book to be left out for Bridges to take notice and when he did, he asked to meet Mary to encourage her to publish her work. Coleridge agreed, but with the stipulation that it was published under the pseudonym ‘Anodos’ in order not to disgrace her family name by acknowledging she was the author. It wasn’t until four months after her death in 1907 that a book of two hundred and thirty-seven of her poems was finally published under her real name, and by that time, it proved so popular that it was reprinted four times in just six months.

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The score for ‘The Blue Bird’, a poem by Mary Coleridge set to Music by Charles Villiers Stanford. (Stanford Collection, Op.119.3.)

 

‘A Blue Bird’, which appeared in ‘Fancy’s Following’, was one of eight of Mary Coleridge’s poems which was set to music by Charles Villiers Stanford. The score can be found in our Stanford (Charles Villiers) Collection, and you can listen to a performance of it below.

Suffragette banners on the march!

We recently came across a piece of historic film on the British Film Institute website, showing a Suffragette march through Newcastle in 1909. Clearly on view near the beginning of the film is the banner of the Newcastle Women’s Suffrage Society. A second banner can be seen later in the film.

View the video from the British Film Institute here.

One of these banners may be the one made by Newcastle’s first female GP and suffragist Dr. Ethel Williams in about 1905. These banners were carried on national demonstrations, not only in Newcastle, but also in London.

Ethel William’s suffragette banner (Item reference: GB 186 EWL/3/5) is part of our Ethel Williams Archive, which you can find more information on here.

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24th December – ‘The Night Before Christmas’

#ChristmasCountdown

Page from 'The Night Before Christmas' (821.91 MOO)

Page from ‘The Night Before Christmas‘, 1903 (821.91 MOO)

“The moon on the breast of the new-fallen snow,
Gave the lustre of midday to objects below – 
When what to my wondering eyes should appear,
But a miniature sleigh and eight tiny reindeer.”

The above image and extract are from ‘The Night Before Christmas’,  Dean’s Rag Books Co. Ltd.

‘The Night Before Christmas’ (1903) contains colourful illustrations printed on fabric (also known as rag books) and is sewn up the spine using thread.

Dean’s Rag Books Co. Ltd, was founded in 1903, by Henry Samuel Dean. The company was originally set up to make rag books but soon diversed into rag sheets and soft toys, including teddy bears. During the 1920s and 1930s Dean’s were at the forefront of British bear manufacturing.

If you would like to see this book in Special Collections you can do so by requesting to consult in Special Collections. You may also be interested in other books as part of the 20th Century Collection.

23rd December – ‘A Very Pretty Little Christmas Carol’

#ChristmasCountdown

'A Very Pretty Little Christmas Carol' from A Garland of Christmas Carols (Chapbooks 821.89 GAR)

‘A Very Pretty Little Christmas Carol’ from A Garland of Christmas Carols (Chapbooks 821.89 GAR)

Chistmas day is growing near so here’s a little carol to wish you a Merry Christmas and a Happy New Year!

This carol is from A Garland of Christmas Carols chapbook, which consists of many other Christmas Carols. A Chapbook is an early type of popular literature. They were produced cheaply, were commonly small paper-covered booklets that were usually printed on a single sheet and folded into books with 8, 12, 16 and 24 pages.

If you would like to view this Chapbook, you can request to view it our Special Collections reading room.

22nd December – ‘Making the perfect Christmas dinner’ from the Courier

#ChristmasCountdown

Making the perfect Christmas dinner

‘Making the perfect Christmas dinner’ from the Courier, 2011

Looks yummy doesn’t it? What will you be having for dinner on Christmas day? Will you use these ‘coping’ mechanisims to ‘survive’ Christmas?

Page taken from a Christmas special of the Courier, dated 12th December 2011.

Editorial from the Courier:
“Coping with Christmas
Sometimes it isn’t always all carolling out in the snow. Here’s what to do when festive spirit runs low, reality takes a bite and there isn’t a treble close at hand…”

The Courier is Newcastle University’s student newspaper and has always been a voice for students to express their news, views, and opinions relating to campus life and the operation of the University. Its first issue was released in 1948, when the University was still known as King’s College (Kings College later split into Newcastle Universtiy and the University of Durham in 1963). The Courier is still being published today.

To find out more about the history of the Courier, visit here.

Click here to view this December 2011 article in full. The Courier archive has also been digitised and is available online here.