Although all forms of art have changed massively in the 21st century under the influence of digital technology, it is the forms of art that contained the aura in the 20th century that have changed the most as the aura that was once there, is no longer.
Category: 2021
This project aims to analyze the concepts of state capitalism, totalitarianism, authoritarianism, anarchism, and the idolization of revolutionary figures through a Marxist lens. It takes into consideration both the theoretical and practical sides of revolutionary history provided by theoreticians such as Marx, Engels and Parenti and leaders such as Lenin, Castro, Mao and Xi.
Doing so, with a heightened focus on communist nations and communities, it is intended to be a response to the BBC’s, and the general British Media’s, own claims about Marxism.
In discussing the true intentions of the media in regard to its portrayal of Marxism, I intend to highlight the obvious, and subtle, shortcomings of the British media. This project will focus on Marxism due to its decisive nature and extensive history, which allows ample opportunity for analysis and evaluation of journalistic sources.
An ethical consideration for those implicated in the participation actions leading to mass casualty events. Referencing primarily the philosophy of; Kant, Hegel and Nietzsche. The historical events and individuals involved feature predominantly in the 2nd World War.
looking at the question, ‘Has the covid-19 pandemic enhanced poverty in England or has it simply exposed the poverty that already existed in our society?’ with reference to Mbembe’s Necro politcs, The State of Exception, and Nixon’s idea of Slow Violence.
Object: QAnon is an online group consisting of a web of conspiracy theory, with the main premise being that there is a cabal of paedophilic, Satan-worshiping elites known as the ‘deep state’ controlling society from the shadows. The group began when an anonymous user named ‘Q’ started posting cryptic messages (‘Q drops’) on the online messaging board ‘4Chan’.
Territory: A psychoanalytic interpretation through the works of Jacques Lacan and Slavoj Žižek
Aims and Key Concepts:
• Birth of the Internet and the Death of the Author
I aim to investigate the impact the internet has had on conspiratorial thinking. What will also be made apparent is the fact that ‘Q drops’ present the implications of what Barthes calls “the death of the author”.
• ‘Q drops’ as a Text bound to jouissance
Through Barthes and Lacan, it will be shown that framing the ‘Q drops’ as a Text allows us to see how they are bound to the Lacanian term jouissance: a term linked to the ‘death-drive’ that is beyond the pleasure principle.
• QAnon: The Ultimate Hysteric Discourse?
With the help of Lacanian psychoanalysis, it is evident that the hysteric discourse is at play for particular QAnon members. Moreover, there will be an exploration of how the discourse of the hysteric causes cynical distancing to hegemonic master signifiers, leading to what Žižek defines as the “demise of symbolic efficiency.”
• The Paranoic Fantasy of the ‘Deep State’
Within QAnon, it is evident that there is a combination of perversion, psychosis and neurosis. I will attempt to show how the psychotic – the paranoid subject – formulates the belief in an ‘Other of the Other’ (the ‘deep state’), and this will be done with the aid of Slavoj Žižek.
Sources:
• Roland Barthes, Image-Music-Text (1977)
– The Pleasure of the Text (1975)
• Jacques Lacan, The Other Side of Psychoanalysis: Seminar XVII (1991)
• Slavoj Žižek, The Ticklish Subject: The Absent Centre of Political Ontology (1999)
– ‘The Matrix, or, the Two Sides of Perversion’ (2006)
In this project, I explore the contrasting legal systems, common law and civil code and compare them to my two principal philosophers:
– Jean-François Lyotard
– Plato
Additional philosophers I studied:
– Immanuel Kant
– Ludwig Wittgenstein
– Aristotle
– Socrates
The questions I focused on:
• Can we have a politics with or without a true essence of justice?
• Can we judge based on opinion, or based on prior criteria?
• Do legal systems work within situational context or universal formulas?
• What are the philosophical attributes embedded within legal systems?
I essentially wanted to establish the central aspects of the legal systems I am studying regarding how they view judgement. This was examined by determining whether judgement is based on the conformity of statutes and legislations or based on precedent. I determine that the civil law system’s rigid structure gives judges limited say in the outcome of cases as they abide by the law’s statutes. On the other hand, the common law works on precedent, using past cases to determine the conclusion of a case. Additionally, I compared the philosophical attributes of these two legal systems to the two philosophers I studied. I resolved that the common law generally related to Lyotard’s situational school of philosophy; judgement is based case-by-case without regard to prior criteria. Furthermore, Plato’s true essence of justice claims a universalism of judgement which coincides with the civil law system. Concluding, I argue the superiority of Lyotard’s philosophy and the common law system over the contrasting school of philosophy and legal system.
This research paper highlights the need for more transparency, open-source initiatives and regulatory bodies surrounding the big data economy. It will help individuals understand what is at stake each time they choose to give up parts of their personal information to companies who offer ‘free’ services.
For this project I chose to explore that way that societies attitudes towards gender have shifted in the past 100 years. Through analysis of the work of Judith Butler and Simone de Beauvoir, I created an argument based upon the notion that we are defined above all else by our gender.
In order to bring my argument into the modern day, I looked into the Vogue December 2020 cover and article featuring Harry Styles and the subsequent backlash that it received.
Furthermore, I explored the territory of masculinity and femininity, referencing things such as the Mars and Venus symbols for gender and their meanings.
Eventually, I came to the conclusion that gender whilst prevalent in modern society, has taken us as far as it can.
Does drug prohibition provide safety within society, or does it merely conceal our freedom, and the freedom of low-income and minority communities to protect the middle-classes?
This project focuses on a Foucauldian framework to analyse the power dynamics between the systems that are supposed to protect us, and addicts’ abilities to control their own forms of therapies. It also analyses the freedom of addicts themselves, and whether the therapies currently in place helps these people to break out of their situations and take control over their own lives, or whether it just slots them into a position that conforms with societal norms at current.
I also analyse different future options for therapies for low-income and minority communities breaking from their drug addiction with psychedelic therapies and psychoactive substances.
The aim of the essay is fundamentally an attempt to breakdown the lives of addicted people and the ways in which we can continue to support them and provide them with the freedom that as humans, we deserve.
Both Buddhism and Nietzsche’s philosophy point in the direction of nothingness. Nietzsche studied Buddhism at a young age due to his training as a classical philologist and it most likely accompanied him throughout his life as one of the cornerstones to his thought alongside his great educator Schopenhauer. Buddhism as a philosophy lacks breadth and depth, unlike Nietzsche who is a far-reaching philosopher writing on many topics in a variety of ways. It is an articulation of the application of emptiness and becoming onto all things in the universe – subtle in its poetic method of reducing many things’ Being to empty becoming. Buddhism is direct yet allusive in its brevity, a feat somewhat lacking in Nietzsche’s numerous aphorisms: there is so much character and enthusiasm in Nietzsche’s many articulations of nothingness and his many affirmations of life, forcing the discussion at hand to demand that portions be ignored, to allow other parts to make sense. So that Nietzsche may compliment Buddhism and Buddhism may compliment Nietzsche, the discussion will dissect Nietzsche’s most pure nihilisms from his array of articulations and applications of nihilism, in order to be able to compare their likeness to one another. The discussion will likewise only have eyes for Madhyamaka interpretations of the Buddha’s doctrine through Nagarjuna. Importantly, Nietzsche and the Buddha will be discussed within the milieu of their contextual origin, which will poke at the purpose of their philosophy: the Buddha’s extinction through nirvana demanded by his Indian peers (post-Brahmanical annihilation), and Nietzsche’s edified affirmations of life, attempting to provide the facilities for all to see ‘it’ for what ‘it’ is, in Europe upon God’s death. This discourse is a deliberately polemical approach to nihilism for the sake of being able to discuss Nietzsche’s selected philosophy and Buddhism mutually, improving ones ability to see where the two agree and disagree at the cost of excessive hyperbole.
I will be exploring the relationship between consumerism and identity. I will ask if people are free to create an identity and control the way in which they express themselves under the social order of consumerism. I will argue that rather than being emancipatory, consumerism instead imposes restrictions on people in ways that will be explored in this essay. The main philosophical ideas used to engage with this thesis will be drawn from works of Jean Baudrillard. I will primarily be drawing from Baudrillard’s The Consumer Society and will later incorporate some ideas from his Simulacra and Simulation. Baudrillard’s philosophical analysis of consumerism provokes much thought about identity, and the freedom that we possess to manipulate this identity. These ideas will be fundamental to my argument.
The recent and ongoing COVID-19 pandemic has shown a clear display of the attitudes and values some of society withhold in response to the restrictions and guidelines put in place to protect the larger community. While there is constant conflict between opinions on these restrictions, one thing that the debate almost always comes back to is the question of freedom and freewill, and whether enforced mandates are a violation of this or a commitment to the greater good regardless of sacrifice. Current events present this question; however, this discussion is not new and has been debated throughout history by many philosophers, but speakers Karl Popper and Fredrich Nietzsche present particularly appealing arguments that can be applied to both the conversation regarding the lack of freewill in this modern pandemic and in the past with reference to morality and religion. Furthermore, the debate of the validity of the proof behind the reasoning for the COVID-19 restrictions is constantly argued, often from two uncompromising parties, one that sides heavily with the scientifically backed restrictions and the other who completely disagrees with the evidence and its validity. The heavily discussed philosophical concepts of rationalism, empiricism and relativism can be applied to this argument to analyse each viewpoint and provide an insight on how philosophers like Popper and Nietzsche would approach the argument based on their philosophical beliefs and views of the above concepts. With this project being heavily based on the differing viewpoints of the community during the pandemic and linking this to different philosophical concepts based in several different fields: rationality, focusing on the subject’s personal beliefs; empiricism, focusing on scientific, verifiable truth; and relativism, focusing on the subjects moral and religious beliefs.
An evaluation on women’s position in the transition to capitalism, the function of capitalism, and 21st century capitalism through the works of key Italian Marxist Feminist thinkers. This project will analyse how Italian feminists have critiqued and developed Marx to develop a new theory on capitalism which focuses specifically on women’s exploitation. Analysis of Italian Marxist feminist theory will demonstrate how and why they understand capitalism to inherently entail women’s exploitation.
The so-called ‘cathartic’ elements of art, especially music, have fascinated me in some way for a long time. The strong emotions that can be aroused in the presence of an artwork, or while one is listening to certain music, are very often difficult to comprehend and put into words – such feelings can be said to ‘elude common vocabulary’ (Gabrielsson, 2010, p. 548). Especially since by nature our individual experiences are so subjective, the cathartic or therapeutic nature of art can also be very difficult to make sense of and thus communicate to others, perhaps even yourself. However, there have been and continue to be more sociological and medical articles being published investigating the idea of art therapy, which seem to be gaining traction as sound cases arguing in favour of art therapy. In light of all of this, what this article aims to accomplish is split up into two parts: firstly, I will provide a thorough philosophical foundation for understanding the very idea of artistic catharsis, which will entail a deep and critical exploration into Aristotle’s concept of catharsis and the debates surrounding it; and secondly, once this has been done to a satisfactory level, I aim to transition into a more social and psychological approach by considering the current ways in which art therapy and catharsis are viewed today. This latter half will pay specific attention to the effects of music on various individuals and groups, taking into account the different factors at play that may impact how those individuals or groups experience music, and even several other art forms.
The philosophical concept known as ‘The Death of the Author’ was first coined by Roland Barthes, in his 1967 essay of the same name. In short, it is the idea that all prestige bestowed upon an author should be removed, and that the figure of the author is no more important than anyone else.
Within my work I intend to argue that if this concept were to be applied within the modern world, it would either directly cause, or allow for, the oppression of minority authors.
Objectives: To establish the extent of influence Social Media has on people’s identity using the philosophical concepts of: Lacan, Goffman, Bauman and McLuhan. Furthermore, to investigate if the anxiety surrounding, what Farman described, as the ‘techxistential crisis’ of the 21st century is rational. And if Social Media can have a positive influence on one’s Identity.
Conclusions: The Black Mirror – Social Media has a pervasive influence over our identity as the ‘mirror stage’ does for Lacan. This is because we spend a lot of time staring into the “black mirror” of the screen in which we use for Social Media. The performance of our identity on Social Media and in real life converge. Social Media’s influence on our identity does not have to be a negative one. Our identity has always been performative and Social Media just offers a new medium in which to explore this. If we learn how to monitor our usage and utilise Social Media positively; social media can be a positive influence for exploring and performing identity
The theories that attempt to explain the derivation of meaning in art concerning the individual usually assume the original creator is one individual. Theatre however always contains three distinct creative groups in the formulation of a play. This dissertation aims to examine how theatre stands out amongst other art forms in the derivation of meaning due to the distinct creative groups involved in a theatre production.
I will be taking an autoethnographcial approach by applying the concepts to a performance of Hamlet that I was in and, by examining that experience, hopefully see if such theories accurately apply to theatre.
My project will posit the notion that society is entrapped in a one dimensional mode of thinking due to the technological rationality of our time. I will dissect the notion of neutrality and how it is simply a facade to cover the logic of domination. This will be evidenced by the impositions on religious beliefs and the oppression of the Islamic community and voice, highlighting that the commodification of high culture into mass culture has reduced us to a society where there is no critical angle left. A society in which one cannot argue against the supposed ‘rational’ a society that follows the history of domination yet we are all deluded into believing it is more progressive than ever. Furthermore I will reflect on case studies to illustrate the repressive nature of this society and focus on Frankfurt school critical thinkers: Marcuse and Adorno. The use of critical theory is necessary as it will enable dialect thought that will hopefully allow for the the individuals real liberty.
This project looks at the question, ‘Is the age of social media marketing creating a warped sense of reality for Generation Z?’. This project explores and applies Baudrillard’s concepts of hyperreality as well as his theory of sign value, to the modern world of social media. As well as looking at areas such as fast fashion marketing and the effect social media can have on both mental health and our perception of reality.
The object of this project is the sport of MMA itself, and the project will emphasise and refer to the philosophical concepts of Sun Tzu, with a concise focus on his philosophy of war within The Art of War. With regards to context, this project will emphasise how a mixed martial artist’s adherence of Sun Tzu’s war philosophy can contribute to the elevation of their performance. This essay will firstly address Sun Tzu’s Five Indispensable Matters of the leader and demonstrate how an MMA head coach’s adherence of these concepts can build the foundations of a successful team. This will be executed by outlining a specific MMA Gym that subconsciously adheres to the five matters and will meanwhile demonstrate the type of leader that aspiring mixed martial artists should aim to fight under in accordance with Sun Tzu’s philosophy. After evaluating the five matters, I will then focus upon Sun Tzu’s concepts of The Spirit of the Troops and Emptiness and Strength as here the emphasis will shift from leader to soldier, and therefore I will apply his philosophy directly to the fighter’s rather than their head coaches. Here I will apply his concepts to contemporary mixed martial arts examples and demonstrate circumstances where they are subconsciously applied by successful MMA practitioners. The purpose of this will be to demonstrate how a mixed martial artists adherence of the Sun Tzu’s philosophy can prove to be prudent in one’s pursuit of a world title. With regards to secondary literature, I will utilise Michaelson’s Sun Tzu for Execution, which is his interpretation of how to utilise Sun Tzu’s war philosophy to get results in the modern day. In order to improve the validity of this project I have also conducted two online interviews via direct message with professional mixed martial artists Nathan Fletcher (6-1) and Luke Riley (3-0), with the two athlete’s responses showing contrasting perspectives.