Category: Stage 2

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2011 Abstracts Stage 2

Has our Society Been Changed by the Increasing Influence of the Television?

– “Television is by now so inextricably part of all our domestic lives that it resists analysis.” (Fred Inglis) 
– In this project my aim is to examine how the television has affected our lives in the last fifty years.

Guy Debord
– In this project I will discuss Debord’s theory of mass media 
– I apply his theory to contemporary television to discuss the extent to which his argument is valid.

“A Short History of Celebrity” by Fred Inglis
– Through looking at this book I have examined how the television has affected the celebrity 
– I have compared David Beckham to Stanley Matthews to see how the television has affected the footballer as the celebrity

Political Affect
– I have examined the different propagandas used by politicians 
– I have looked at the first televised debates in 1960 between Nixon and Kennedy 
– I have discussed the extent to which the television has influenced votes.

Paris Hilton
– I have chosen Paris Hilton as a case study 
– Paris has used the media and the television to create herself as a brand which she sells

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2011 Abstracts Stage 2

Nature vs Nurture. Why do Serial Killers Kill?

Can a serial killer ever be moral or good? What leads someone to kill repeatedly? Is it a genetic fault or the result of a neglected childhood?

In this project I have chosen to explore the illustrious philosophical debate of Nature vs Nurture in the context of serial killers. I want to better understand how the mind of a killer works and come to a strong supposition of whether of not it is something that they innately possess within their minds, a ‘killing gene’ or whether their behaviour is a result of the evils of society and an unkempt upbringing. On a philosophical front I am going to explore Free will and Determinism, Hobbes and Mill’s Direct and Indirect Obligation and Kant’s Intuitionism and Moral Conscience.

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2011 Abstracts Stage 2

Madness: Social Construct or State of Affairs

Madness is instantly an attractive subject to investigate because of the alien nature of ‘mad’ behaviour to the ‘sane’ majority. In investigating something so mysterious the line of enquiry I am following is not political or ethical, as I am not intending to investigate the ethical considerations when it comes to confinement or treatment of the mentally ill. Although ethics surrounding the treatment of the mentally ill would no doubt be fascinating, it has been talked about throughout history and well documented. It is easy to question what is right and wrong in the treatment of the mentally ill however what I think is more important and interesting is the nature of madness, what it is and where it comes from. Although it has been long discussed there has been no definite conclusions as to what defines madness, whether it be nature, nurture or something else. It is therefore my task to investigate madness in this manner as it interests me most, and it will, in my opinion, offer a more worthwhile conclusion.

As I previously stated I am going to discuss madness in reference to Michel Foucault and Sigmund Freud. Foucault’s Madness and Civilization: A History of Insanity in the Age of Reason will be my main focus but I will also use his work The Order of Things: An Archaeology of The Human Sciences and The Archaeology of Knowledge. In discussing Freud I will primarily reference The Ego and the Id and Civilization and Its Discontents. Throughout Madness and Civilization Foucault describes what society perceived to be ‘mad’ at certain points in history and how the ‘mad’ have been treated. He works from the Middle Ages up to the his present day (Madness and Civilization was published in 1961.) Foucault sees psychoanalysis to be the most modern method of treatment and the new medical approach that deals with attempting to find a cure for madness. Psychoanalysis is a Freudian method of psychological treatment and Foucault deals with Freud’s teachings to a certain extent. In analysing Foucault I will discuss what he claims modern society’s perception of the essence of madness to be. I will contrast these claims with those of Freud. Freud’s claims are of a scientific nature whereas Foucault’s point to a changing social discourse and therefore changing opinions of madness. I will argue that Freud’s argument is currently relevant and grounded in relatively logical thought that makes sense in our current method of thinking in the western world. Foucault’s arguments undermine the whole nature of the way the human sciences operate and that because of certain assumptions made upon apparent scientific truths, social discourse is affected. Considering this I will argue that Freud’s argument is the most useful as far as a timely and useful definition is concerned but Foucault’s argument attempts to invalidate human sciences and brings Freud’s ideas into question but does not supply a useful definition of madness and is largely a bitter critique of psychiatry.

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2011 Abstracts Stage 2

The Punishment of a Serial Killer. Is Utility Morality?

CONCEPT: The mind behind serial murder and the influence of mental illness on our judgement of correct punishment.

PHILOSOPHY: Mill’s Utilitarianism and Mill’s Speech in Favour of Capital Punishment; exploring contradictions, claims of morality and the influence of human nature.

SOURCES: newspaper reports, true story based films along with texts on Capital Punishment by Hodgkinson and Schabas and secondary texts on utilitarianism such as Utilitarian ethics by A. Quinton.

It was the relationship between mental illness and crimes of murder that first inspired my investigation into the punishment of a serial killer. I began to question what evidence of mental illness meant for the responsibility of the crime and how the law ought to respond to this. My initial intuition is that regardless of this, murder rates MUST be reduced, and so the introduction of a harsher punishment is necessary. Although, I am aware this causes problems when bringing up any causes that may have influenced the murder.

My aim is to use various reactions to the controversial issue of the death penalty to construct whether it is right to make judgements and decisions based purely on the ‘utility’ of the outcome.

Our reasons for and against capital punishment may not have an outcome of utility in mind but purely ‘what is right’. As well as the mental state of the criminal, many of us cannot but care for the right to life of the criminal, even for he who commits the worst crime imagin

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2011 Abstracts Stage 2

What is True Beauty and How Does the Media Effect this View?

What is beauty in today’s society? Beauty should not be based purely on physical attributes. Essentially, my project argues that the media is wrong for constantly portraying unattainable body images of young men and women. The media persistently tells us what we should wear, how we should look, what size we should be; giving us a normative dimension that is not beauty as a fact, but as a value; something we want it to be.

We need to set ourselves free from the media’s conception of beauty and perfection. We need to use our philosophy to understand and discover what beauty really is; for it is more than what we presented in the media. If we disregard the media’s perfectionist views on beauty, we will be happier. A better understanding of what beauty is can liberate us from the obligation to look ‘perfect’. In the same way that when I do not believe in God, the Priest ceases to have power over me; when I do not believe in the media’s representation of beauty, the images cease to have power over me.

I aim to conclude my project firstly by agreeing that beauty is in the eye of the beholder. I certainly agree that beauty can be many different things to many different people. I shall use Plato, Kant and Hume to support my view.

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2011 Abstracts Stage 2

Nietzsche – Aesthetic Jesus?

How far can we know ‘truth’ From artistic works? Comparing Nietzsche’s thought that we are living in delusion with Ayn Rand’s bitter Objectivism. Can we know and reflect an external reality through painting? Using Nietzsche’s ‘On Truth and Lies in a non-moral sense’ and Rand’s ‘The Romantic Manifesto’. In essence, we cannot attain rigid truth, but there are degrees of truth which we can have access to through our senses, even if delusional, these hold some consistencies. With Euclidean geometry, traditional versus modern art, Adorno, and quantum art…

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2010 Abstracts Stage 2

Entertainment and Education. Audrey Hepburn and Friedrich Schiller: Artists and Teachers

Audrey Hepburn is synonymous with the glamour, style and beauty of a bygone age. Her films have a lasting appeal and are as popular today as they were when they were released in the late 1950s and early 1960s. They gave hope to a world which was recovering from the Second World War and offered an escape to a generation.

Escapism into art, be it music, fine art or cinema is something which is done by all at certain times in life. There is something about the arts, in particular films, which invites us to lose ourselves in the moment and forget our reality.

The concept of the betterment of man from art is not new, dating back to the writings of Romantic poet and thinker Friedrich Schiller, who believed that society’s ills could be remedied through the arts.

Through the writings of Schiller, I intend to study the ways in which these films, as an example of art, can help and improve man. The films which I employ are amongst my favourite and are studied in terms of their plots, script, costume and locations to highlight the notion of aesthetic education.

The personal connection these films have with individuals is key and so my recollections and those of others will be studied in order to show that these films, and indeed art in general, have a greater purpose than mere entertainment.

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2010 Abstracts Stage 2

Absurdity and the Apocalypse. Meaningful Existence in a Dying World

Mankind has long held a kind of morbid fascination in the prospect of its own demise, and with that of the world as a whole. The apocalypse – the cataclysmic end of all life on Earth – has frequently been a subject of film, art and literature. In my project, I intend to investigate one such literary instantiation of a world subject to just such a cataclysm – the bleak and ruined existence described in Cormac McCarthy’s ‘The Road’ – with regard to the philosophy of the absurd, as found specifically in the works of Søren Kierkegaard and Albert Camus.

When faced with the absurdity and meaninglessness of our existence – by the tension between our intuitive feeling that our lives have meaning, and our inevitable failure to find it in the world – we are plunged into nihilism.

The absurd man has recourse to three possibilities upon his experience of nihilistic feeling; faith, defiance, and suicide.

Through an investigation into the absurdist thought of Kierkegaard and Camus, and with reference to the world imagined in The Road, I intend to show existence in the post-apocalyptic world to be the ultimate embodiment of the absurdity of human life; that in this Godless world, where death is an experience one cannot stop living, and where nihilism is substantiated, inescapably, by existence itself, we find the true essence of our being, and the true nature of our attempt to give a point to our lives.

I intend to argue two things; one, that our world and the post-apocalyptic one are, in terms of human meaning, identical. And secondly, that despite the absurd nature at the core of human existence, our lives can still be worth living.

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2010 Abstracts Stage 2

Falling Asleep Consciously – a Quest for the Truth

The subconscious mind stores vast amounts of information on what we have experienced in our lives. When in a lucid state, a dreamer becomes aware that he is dreaming. In this state he has greater access to his subconscious. Is it possible to understand our waking reality more clearly, by harnessing our subconscious memories?

To explore this idea, I am, primarily, going to be focusing my discussion around the philosophy of Immanuel Kant, namely his works on knowledge and reality, with the psychology of Stephan La Berge, including his work on lucid dreaming.

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2010 Abstracts Stage 2

Commodification: Has It Tarnished the Beautiful Game?

• Historically, sports existed ‘to promote aretê or human excellence which could be applied to almost any endeavour in life’.
• Contemporarily, the market forces of Capitalism have taken over and money has become the primary objective – football is the greatest example of this transition from a character building activity to a mass-market business.
• What, though, does this process of Commodification involve? George Bataille and Guy Debord will be used to cast enlightenment on this within the context of the Surrealist and Situationist Parties.
• Furthermore, has the footballer become tarnished by this process of Commodification? In assessing the effects this has on the professional footballer’s character, I shall be drawing on Schiller’s Aesthetic Education and its arguments regarding modern society’s obsession with specialists.
• Alistaire MacIntyre’s views on how man’s virtues should be able to be summoned and used in all situations will also be made relevant

Schiller: ‘‘[contemporary society encourages the footballer to be] nothing more than the living impression of the craft to which he devotes himself’’

MacIntyre: ‘‘someone who genuinely possesses a virtue can be expected to manifest it in very different types of situation’’.

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2010 Abstracts Stage 2

Depression on the Increase in Britain! Is “Affluenza” a Contributor?

We are truly in a bad way emotionally …Selfish Capitalism is not a good way to run things, if you care about people’s emotional well-being. [Affluenza, 2007]

These are the words spoken by Oliver James in his book Affluenza. In his book James suggests that the virus he names Affluenzais a set of standards which boost our defencelessness against psychological distress: we are now placing a high value on needing money and possessions, we want to look good in front of our fellow man and are coveting fame. James suggests that the studies he has made in his book show not only is the epidemic at pandemic proportions but is also on the increase.

My aim within this project is too show that depression has risen in Britain since the 1970’s. My hypothesis’ will be that because of the “Affluenza”, we are ignoring our natural instincts and desires, we are constantly feeding our ‘Id’ and because we cannot always feed our ‘Id’ we become dissatisfied and depressed.

In 1905 Freud published three essays on the theory of sexuality; these essays were where Freud developed his sexuality theories and also where he put forth his psychosexual development theory. It is important that we understand these theories as we will have a clearer view of how when we are not allowed to develop as Freud said was necessary, that we lose ourpersonal identity and also our social evolution as individuals.If this is correct then the problem is greater than just a rise in depression since the 70’s it also shows us that the future will be very bleak for our future generations as if we now are wrapped up in ‘selfish capitalism’and susceptible to Affluenza, how will we help our future generations to develop?, when we ourselves have been stunted

When James talks of people in his book we notice that these people have many of the above habits which can eventually lead to depression, but the correlation between Freud and Olive’s Affluenzais that by wanting to satisfy our ‘id’constantly because of such things as consumerism we are indeed destroying our personalities and our mental health. We are not meant to constantly satisfy our ‘id’ the ‘id’ works in conjuncture with the ‘ego’ and ‘super id’ according to Freud.

I will Be using Freud, and looking at his psychosexual development theory, to show how when we can become warped as humans if we do not satisfy our needs and are well rounded. I will be using Freud in conjunction with the writer Oliver James and will be referring to the problem named in his book as “Affluenza”. In my Project I will include statistical data to show that depression has risen in Britain. I will also be talking about the impact that “Affluenza” will have on our future generations. We must satisfy our needs and self-reflect, replacing our intrinsic needs with possessions will ultimately lead to our downfall!

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2010 Abstracts Stage 2

Glastonbury Festival and the Festivals of the Cherokee Tribe of Indian America

Aim: I intend to explore, in depth, both the Glastonbury festival and the festivals of the Cherokee Indian American tribe. I will compare and contrast their methods of celebration and their traditional customs.

Territory: I will be looking through the history of Glastonbury festival; how it has changed and developed through its forty-year span, including its transformation through commerce, charity and attendees. Conversely, I will focus on the Cherokee festivals through their very broad historical traditions; establishing the reasons behind their elaborate celebrations and the methods used to do so.

Philosophers and Concepts: I will mainly focus on Bataille’s philosophy, with particular reference to The Accursed Share and amongst his other writings; looking at his notions of unproductive expenditure, potlatch and the sacred. In addition, I will use a variety of resources, such as film, literature and internet sites to illustrate these notions and apply them to my aim.

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2010 Abstracts Stage 2

Alienation. A Catalyst for Two Great Men

The picture that…….. …….changed a life

The Brechtian Theatre presents;
The Political Ideology of Karl Marx
Starring: Karl Marx and full supporting cast including Hegel & Kant, Engels, Sartre and Marcuse

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2010 Abstracts Stage 2

Protecting the Wealth of the Nation. A Study of the Ideological Structures of Radical Capitalism

As anyone may notice there is an obvious assumption in my title which I should first work to explain, namely my assertion that current, late capitalist power structures are radical. I use this term in its meaning of ‘extreme’. As I will seek to show, while the values of the majority of people, across most societies of the world, are those, broadly speaking, of freedom, democracy, choice and fairness, and of respect for the dignity of human life, these are not values that are followed through in the operating of modern states or the capitalist system.

In my project I intend to explore how this radical state manages, through its prevailing Ideology, to continually reproduce the conditions of production, and so continually assert itself over the rights of the majority of the people.

In order to do this, I shall use Guy Debord’s concept of the visible manifestation of ideology – the spectacle – in order to show the spectacle/reality distinction in several examples, centred in the last ten years of Neo-Liberal Capitalism.

EXAMPLES INCLUDING: The Illusion of Democracy Capitalist Realism and The Myth of the West’s Civilizing Force

I shall expand on these examples with comparison to Orwell’s Nineteen Eighty-four as a paradigm for a radically oppressive ideological system, as well as theory and analysis from Slavoj Žižek, a prolific writer on the functioning of ideology, Noam Chomsky, an outspoken critic of modern state manipulation and the manufacturing of consent, Louis Althusser’s theory of Ideological State Apparatuses and Mark Fisher’s book Capitalist Realism. In this way I intend to show how Ideology dictates what is thinkable in life, how our free market Neo-Liberal system, is really just a system for funnelling rights and capital into the hands of the incredibly wealthy, and how our free and fair democracy is in fact a cynical sham, in which policy is dictated by corporate leaders.

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2010 Abstracts Stage 2

Is Cooking an Art According to Kant’s Aesthetic?

My project is an investigation into gastronomy. My aim is to investigate whether cooking is regarded as an art or a craft or even maybe both. My territory is looking at two famous British chef’s Heston Blumenthal and Jamie Oliver. My philosophical concept is going to be using Kant’s aesthetic judgement from his third critique.

According to Kant art cannot be part of an aesthetic judgement, however there is a sense of ambiguity when it comes to the ideas behind Blumenthal’s molecular gastronomy. What is the difference between the two chefs? Why can one make it more acceptable for gastronomy to become close to an aesthetic experience?

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2010 Abstracts Stage 2

The Rise of the Posthuman: the Redefinition of the Human

The aim of my project is to demonstrate that a redefinition of the Human has taken place in contemporary culture.

Here is basic outline of my investigation

• I will explain, firstly, what Ontology is, due to the fact that it is this branch of philosophy that has been traditionally occupied with defining things, including ourselves, in order to categorise the universe

• Secondly, I will reveal that this system of ontology is obsolete in a postmodern landscape, as we see the crumbling of these categories.

• The questions we are left are, why has this crumbling of categories occurred and how does it affect our understanding of ourselves and of that which surrounds us differently?

• The answer lies simultaneously with an increasingly technocratic and cybernetic culture and the realisation that Man is not a categorical some priori but a historical one. In other words, the Human is an epistemological concept which is grounded within a particular epoch that is inevitably going to change when that knowledge finds a new form.

• Michel Foucault attributes our particular epoch’s understanding of the human to Immanuel Kant, since he was the first to recognise the epistemological consciousness of man as such.

• Therefore, I will investigate Kant’s understanding of the human and determine whether it has already found new form.

• By studying the notions of the philosophers, and in the developments in science and technology, that followed Kant, I will reveal that the Human has found a new form of knowledge.

• I will also demonstrate that certain art forms, such as literature and cinema, particularly that of the Science Fiction genre, reveal this by applying the aforementioned philosophical, scientific and technology developments to certain texts. Since art is generally seen as representation of truth, this method is perfectly valid.

• Finally, I will expose the result of this redefinition, The Posthuman.

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2010 Abstracts Stage 2

Free Will in Relation to Advertising in the Modern Society.

In my project I hope to achieve an understanding of the free will problem and through this explore how various elements of society may subconsciously coerce us into action that we do not want to take.

I will look into elements of;
• Causal determinism
• Libertarianism
• Compatibilism
• Self determination
• Coercion
• Desires

I will also be looking at Hobbes and Kant to compare and contrast their views on freedom and then look at the modern society and explore how the concept of freedom can change and also how it is relative to the self. I will then look at political coercion and various forms of advertising to show how we can be controlled and our freedom can be easily threatened, I will then ask if we even truly have freedom for it to be threatened or is this coercion essential to society and is it even important that we have a totally free will.

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2010 Abstracts Stage 2

The Strange Case of Dr Ego and Mr Shadow

For this project I’m investigating views on the unconscious. I think that it is important to learn as much as we can about ourselves in order to better ourselves and the society in which we live. Philosophers who I have looked at are Freud and Jung. I have used Robert Louis Stevenson’s novel, ‘The Strange Case of Dr Jekyll and Mr Hyde’ to parallel with the idea of hidden aspects of our personality in our unconscious. The novel also reflects upon the notion of drugs unlocking these hidden, repressed aspects of self; a topic in which I am also interested.

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2010 Abstracts Stage 2

Though Hope Is a Virtue, Can It Also Be Considered a Vice?

Out of the ashes of despair came hope. Though the human race suffers so much hatred, famine, illness, war; through it all there has been hope, there always will be.

Through the works of Nietzsche and Marcel I intend to study the positive and negative effects of hope on the human condition.

“Hope need not mean expectancy. It suggests here rather the music that can come from the remaining chord” – George Watts

As long as there is man, there will be hope. Though it may prolong one’s torment, it is a necessary evil to overcome the despair and anguish in the world around us today.

“For hope, which is just the opposite of resignation, something more is required. There can be no hope that does not constitute itself through a we and for a we. I would be tempted to say that all is hope is at the bottom choral…. the only genuine hope is hope in what does not depend on ourselves, hope springing from humility and not from pride” Gabriel Marcel

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2010 Abstracts Stage 2

Unmasking the Hero: Re-Evaluating Heroic Morality with Reference to the Graphic Novel Watchmen

The object concerning my project is the comic book character The Comedian. In my project I want to investigate how The Comedian can be considered to be evil by conventional morality and yet referred to as a hero. The main objective of my project will be to argue that although the Comedian acts beyond conventional morality, his label as a Hero is very much deserved. He is the epitome of what a Hero should be and so beyond normal considerations.

In my project two other characters from the comic book will also be discussed, Rorschach and Ozymandias, both of which illustrate two alternative moral systems. Rorschach takes on Kant’s Deontological value system that argues for universal morality known as the categorical imperative. It is obvious in the end that due to Rorschach’s moral inclinations he is not able to function as person let alone a hero. Ozymandias on the other hand illustrates Mill’s concept of Utilitarianism. Ozymandias justifies his actions in killing millions of people by arguing that it is for the greater good. Is the sacrifice too great? If it is ever discovered what he did would he still be considered a hero? Both these moral systems are considered to be socially accepted conventions. However I will argue that although they may be acceptable for general society, it is inadequate for a Hero to use either of these moral systems.

Unlike the other “Heroes” Rorschach and Ozymandias, the Comedian’s value system is over and above conventional social morality, he is the creator of his own values. The Comedian accepts that life is absurd and that society is not as civilised as we think it is and so he acts accordingly as the hero we need rather than the kind of hero we want. The Comedian utilises Hegel’s concept of the right of heroes to be the lawgivers in an uncivilised time. They are granted the right to do whatever is necessary to establish a civilised society.

The Philosophers and concepts
Machiavelli – The Prince
Nietzsche – The Overman
Hegel – World Historical individuals
Kant – categorical imperative
Mill – Utilitarianism
– The Eternal Return
– The Rights of Heroes