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2011 Abstracts Stage 2

What are the Problems in the British Education System?

Overview
– Over time the British education system has witnessed various changes, some of which have led to improvements.
– Whereas others have created further problems rather than solutions within a very diverse and complex system.
– Educational reformists such as Michael Fullan and Andy Hargreaves highlighted the following problems:
o Overload of work
o Isolation of teachers
o Lack of leadership
o Pressure of assessments
o Cost
o Poor solutions and Failed reforms

Educational Reformists Ideas
– John Dewey believed that in its “broadest sense education is the means of the social continuity of life”.
– Michael Fullan and Andy Hargreaves suggested that changes need to be made to the education system in order to make it more successful.
– Mary Evans stated that the problems in education were as a result of it being a heavily bureaucratically controlled system with limited funds.

Schiller’s Thoughts On Education
– Schiller believed that the aesthetic experience could transform an individual and their society because of what morality and education demands from them.
– Therefore he believed it was important to have a good education in order to understand art and beauty.

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2011 Abstracts Stage 2

The Camera Never Lies: Exploring Interactions of the Real, the Human, and the Photographic

The cultural dominance and ubiquity of the photographic image invites an uncritical acceptance of its impact and our unconscious absorption of its information.

Knowing that it is literally a ‘trick of the light’ does little to dent our sense of its veracity – after all, our vision functions by a similar trick. The traditional problems of sense-belief apply doubly to photographs, reality is dimensionally translated and reduced, then extrapolated from the photograph by our visual and imaginative conception.

We read and imbue significance in an image, in order to make emotional and visual statements for it, without being quite aware of how we do so. Neither are we aware of what we do when we create images- selected representations of our world, isolated outside time and space – or of their violence upon us – capturing and reproducing a part of ourselves that acts as a whole, suspended in limbo; changing the way we react and perform, changing the world they are meant to mirror.

Vilém Flusser’s ‘Philosophy of Photography’, Susan Sontag’s ‘On Photography’, Roland Barthes’ ‘Camera Lucida’, and various works by Tagg, Elkins, Benjamin and others, explore the truth and utility of the semiotic and ontological interrelation, and the effect of its assumption, as well as the processes of communication of abstract meaning and emotion. By these processes, the apparatus of photography can become a social power without a master, which we feed and sacrifice for, forgetting that such systems, as with money, information, or legislation, are self-interested powers that ought to act for us.

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2011 Abstracts Stage 2

What is the Appeal of Intoxication Through Drug Use and is Society Right to Condemn It?

My project is an investigation into the ETHICS OF DRUG USE.

I used questionnaires and surveys done in the last 4 years on young people and most particularly, CLUBBERS. My empirical research showed me that the WAR ON DRUGS IS LOST, as almost 2 MILLION people use illegal substances EVERY MONTH.

I found that the EFFECTS OF DRUGS are EXAGGERATED in the media to support the SOCIAL ATTITUDE OF CONDEMNATION. I presented the arguments that DAVID HUSAK, a legal philosopher, puts forward as to why DRUGS SHOULD BE LEGALISED.

I explored the MOTIVATION BEHIND DRUG USE and concluded that for most, recreational drug use consists of a HEDONISTIC SEARCH FOR PLEASURE.

I used MILL’S HARM PRINCIPLE to explain why he might not condemn drug use, since in itself, it does not harm others and also looked into his ATTITUDE TO ALCOHOL. I also looked into a possible UTILITARIAN COUNTER ARGUMENT.

GUY DEBORD and the SITUATIONISTS help us to understand the CONDEMNATION of drug use by the MEDIA.

My most interesting CONCLUSION is that while we permit the consumption of alcohol, we must also PERMIT DRUG USE.

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2011 Abstracts Stage 2

The Dual Nature of the Artist as Genius & Madman and its Repercussions for the Theory that Art is a Source of Moral Enrichment

The aim of my project is to explore the potential repercussions of the non-dichotomous relationship between the genius, the madman, their works of art and the concept that said works of art may be used for the purposes of moral edification.

The western tradition of linking art with morality began with Plato and Aristotle, who each viewed the potential of art in a different way; Plato believed art was dangerous and should be censored, whilst Aristotle believed that art could get people to emotionally engage with traumatic events that they had not yet experienced.

However, the turning point for art originated in the 18th century with the work of Kant, who cemented the relationship between art and morality by concluding that judgements concerning beautiful things were of the same nature as judgements concerning the ethical and the good.

From Kant’s work, the concept arrived in the philosophies of Schiller and Schopenhauer. Schiller believed that art was necessary in order to heal that which he saw as the fractured human spirit; beautiful art would improve the soul and return it to its proper moral course. For Schopenhauer, the beautiful was a part of the realm of Ideas, a, concept for which Schopenhauer is indebted to Plato. In turning our intellect towards the study of the beautiful, in whose realm resides also the moral, we can cancel out the influence of the will on our lives, the will which is the source of all human suffering.

These ideas form the philosophical basis of my project, in which the next step would be to apply the concepts of Schiller and Schopenhauer’s philosophy to the work of an accepted genius/madman.

For this part of the project I chose the work of Sylvia Plath, as I think she fulfils the criteria for both the genius and the madman. After her suicide, Plath left behind a rich body of poetic works, the themes of which correlate nicely with the work of Schiller and Schopenhauer. As such, I was able to examine her poetry using their philosophy and conclude that there are undeniable repercussions associated with the study of the artwork of a mad genius.

At the end of my study, I was able to discern that art, in a moral capacity, exists as somewhat of a double-edged sword and that we should be careful not to put too much faith in its ability to lead us to morality.

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2011 Abstracts Stage 2

Anarchism: the Path to Freedom

Aims: 
To highlight the impotence, invalidity and ineffectiveness of our current economic and political systems. Whilst illustrating the detriment this causes to our social and personal lives.
To promote Anarchism as a means to securing greater freedom and liberty whilst overcoming the problems of our current system.

Thinkers:
Kropotkin – A collection of Revolutionary writings.  
Nietzsche – Thus spoke Zarathustra  
Chomsky – On Anarchism

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2011 Abstracts Stage 2

Do the Mass Media and the Cult of Celebrity Alienate Us from Our True Selves?

In my project I discuss the effect that celebrity culture has on modern day society. The mass media have a stranglehold on what we see, what we read and what we believe through television, newspapers and the internet. It is almost inescapable but the question is does the power of the mass media and the cult of celebrity alienate us from ourselves and stunt our true desires in life?

In order to philosophically deconstruct this phenomenon my methodology revolves around the examination of the theories of Guy Debord and his notion of the spectacle, Theodor Adorno’s attack on mass culture in The Culture Industry and Karl Marx’s critique of commodity fetishism in Das Kapital.

“The more he contemplates, the less he lives; the more he identifies with the dominant images of need, the less he understands his own life and his own desires” (Debord, Society of the spectacle 16: 2004)

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2010 Abstracts Stage 2

Is Cooking an Art According to Kant’s Aesthetic?

My project is an investigation into gastronomy. My aim is to investigate whether cooking is regarded as an art or a craft or even maybe both. My territory is looking at two famous British chef’s Heston Blumenthal and Jamie Oliver. My philosophical concept is going to be using Kant’s aesthetic judgement from his third critique.

According to Kant art cannot be part of an aesthetic judgement, however there is a sense of ambiguity when it comes to the ideas behind Blumenthal’s molecular gastronomy. What is the difference between the two chefs? Why can one make it more acceptable for gastronomy to become close to an aesthetic experience?

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2010 Abstracts Stage 2

The Rise of the Posthuman: the Redefinition of the Human

The aim of my project is to demonstrate that a redefinition of the Human has taken place in contemporary culture.

Here is basic outline of my investigation

• I will explain, firstly, what Ontology is, due to the fact that it is this branch of philosophy that has been traditionally occupied with defining things, including ourselves, in order to categorise the universe

• Secondly, I will reveal that this system of ontology is obsolete in a postmodern landscape, as we see the crumbling of these categories.

• The questions we are left are, why has this crumbling of categories occurred and how does it affect our understanding of ourselves and of that which surrounds us differently?

• The answer lies simultaneously with an increasingly technocratic and cybernetic culture and the realisation that Man is not a categorical some priori but a historical one. In other words, the Human is an epistemological concept which is grounded within a particular epoch that is inevitably going to change when that knowledge finds a new form.

• Michel Foucault attributes our particular epoch’s understanding of the human to Immanuel Kant, since he was the first to recognise the epistemological consciousness of man as such.

• Therefore, I will investigate Kant’s understanding of the human and determine whether it has already found new form.

• By studying the notions of the philosophers, and in the developments in science and technology, that followed Kant, I will reveal that the Human has found a new form of knowledge.

• I will also demonstrate that certain art forms, such as literature and cinema, particularly that of the Science Fiction genre, reveal this by applying the aforementioned philosophical, scientific and technology developments to certain texts. Since art is generally seen as representation of truth, this method is perfectly valid.

• Finally, I will expose the result of this redefinition, The Posthuman.

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2010 Abstracts Stage 2

Free Will in Relation to Advertising in the Modern Society.

In my project I hope to achieve an understanding of the free will problem and through this explore how various elements of society may subconsciously coerce us into action that we do not want to take.

I will look into elements of;
• Causal determinism
• Libertarianism
• Compatibilism
• Self determination
• Coercion
• Desires

I will also be looking at Hobbes and Kant to compare and contrast their views on freedom and then look at the modern society and explore how the concept of freedom can change and also how it is relative to the self. I will then look at political coercion and various forms of advertising to show how we can be controlled and our freedom can be easily threatened, I will then ask if we even truly have freedom for it to be threatened or is this coercion essential to society and is it even important that we have a totally free will.

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2010 Abstracts Stage 2

The Strange Case of Dr Ego and Mr Shadow

For this project I’m investigating views on the unconscious. I think that it is important to learn as much as we can about ourselves in order to better ourselves and the society in which we live. Philosophers who I have looked at are Freud and Jung. I have used Robert Louis Stevenson’s novel, ‘The Strange Case of Dr Jekyll and Mr Hyde’ to parallel with the idea of hidden aspects of our personality in our unconscious. The novel also reflects upon the notion of drugs unlocking these hidden, repressed aspects of self; a topic in which I am also interested.

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2010 Abstracts Stage 2

Though Hope Is a Virtue, Can It Also Be Considered a Vice?

Out of the ashes of despair came hope. Though the human race suffers so much hatred, famine, illness, war; through it all there has been hope, there always will be.

Through the works of Nietzsche and Marcel I intend to study the positive and negative effects of hope on the human condition.

“Hope need not mean expectancy. It suggests here rather the music that can come from the remaining chord” – George Watts

As long as there is man, there will be hope. Though it may prolong one’s torment, it is a necessary evil to overcome the despair and anguish in the world around us today.

“For hope, which is just the opposite of resignation, something more is required. There can be no hope that does not constitute itself through a we and for a we. I would be tempted to say that all is hope is at the bottom choral…. the only genuine hope is hope in what does not depend on ourselves, hope springing from humility and not from pride” Gabriel Marcel

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2010 Abstracts Stage 2

Unmasking the Hero: Re-Evaluating Heroic Morality with Reference to the Graphic Novel Watchmen

The object concerning my project is the comic book character The Comedian. In my project I want to investigate how The Comedian can be considered to be evil by conventional morality and yet referred to as a hero. The main objective of my project will be to argue that although the Comedian acts beyond conventional morality, his label as a Hero is very much deserved. He is the epitome of what a Hero should be and so beyond normal considerations.

In my project two other characters from the comic book will also be discussed, Rorschach and Ozymandias, both of which illustrate two alternative moral systems. Rorschach takes on Kant’s Deontological value system that argues for universal morality known as the categorical imperative. It is obvious in the end that due to Rorschach’s moral inclinations he is not able to function as person let alone a hero. Ozymandias on the other hand illustrates Mill’s concept of Utilitarianism. Ozymandias justifies his actions in killing millions of people by arguing that it is for the greater good. Is the sacrifice too great? If it is ever discovered what he did would he still be considered a hero? Both these moral systems are considered to be socially accepted conventions. However I will argue that although they may be acceptable for general society, it is inadequate for a Hero to use either of these moral systems.

Unlike the other “Heroes” Rorschach and Ozymandias, the Comedian’s value system is over and above conventional social morality, he is the creator of his own values. The Comedian accepts that life is absurd and that society is not as civilised as we think it is and so he acts accordingly as the hero we need rather than the kind of hero we want. The Comedian utilises Hegel’s concept of the right of heroes to be the lawgivers in an uncivilised time. They are granted the right to do whatever is necessary to establish a civilised society.

The Philosophers and concepts
Machiavelli – The Prince
Nietzsche – The Overman
Hegel – World Historical individuals
Kant – categorical imperative
Mill – Utilitarianism
– The Eternal Return
– The Rights of Heroes

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2010 Abstracts Stage 2

A League of Their Own: Can Professional Athletes Be Justified in Earning So Much Money?

MY AIM: To discuss the debate of whether or not athletes can be justified over earning so much money. This has been one of the biggest talking points within professional sport in the 21st century. My debate is primarily centred around the notions of ‘ethics’ and whether or not it is right or wrong for an athlete to earn the amount that they do. I therefore intend to look at this discussion from an ethical and economical point of view.

TERRITORY: I have decided to primarily focus on the NFL franchise in America, and the Football Premier League in England. These are two renowned leagues that have been well known to pay their athletes incredible salaries.

SOURCES: I intend to use four topics of discussion in attempt to dispute and support the justification of athletes’ salaries:
Thomas Hobbes – the State of Nature and Social Contract theory
Karl Marx – The fear of a capitalist crisis and the concept of Socialism
Milton Friedman – Business Ethics: what is the purpose of a business?
Friedrich Nietzsche – The will to power

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2010 Abstracts Stage 2

How Has the Power of Mass Communication Changed over Recent Years and What Influence and Control Does It Have over Society?

A study of the ways in which society has changed as the advancement of mass communication has occurred.

Can we think for ourselves today or is autonomy impossible in this world of unlimited influence?

History of Modernity

• Modernity
• Crisis of modernity
• Post­modernity

Aim: To discus whether we have the ability to be autonomous in society today or are we are too broadly influenced by mass communication.

Territory: various forms of advertising particularly focusing on online advertising today

Philosophical concepts: Marxist ideas of the prevention of uprising, Guy Ernest Debord ‘The Society of the Spectacle’, Jean Baudrillard “The Ecstasy of Communication”

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2010 Abstracts Stage 2

Assess the Validation Theories for the Existence of Ghosts

DEFINITION: ‘The spirit of a dead person, especially one believed to appear in bodily likeness to living persons or to haunt former habitats’

My primary objective in this project is to investigate whether or not there is valid ground for the existence of ghosts. I attempt to achieve this through the study of previous case studies and claims to paranormal activity. Obviously this study can be taken further through the examination of the reality and how this influences our judgment of ghosts.

As can be seen in the photo on the left people have attempted to obtain hard evidence through the use of modern technology. Whether or not this has ever been achieved still remains to be seen.

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2010 Abstracts Stage 2

Why the Trends in Suicide Rates?

New Religious Movements?

Aims: philosophically interpret the graphical data. Understand firstly why, since the beginning of postmodernity, suicide rates have dropped so significantly, halving in number on average. Secondly why they were inclining prior to this?

Sources: Oliver James’s ‘Affluenza’, Durkheim’s ‘Suicide’, and antisecularization theses.

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2010 Abstracts Stage 2

From the Ship of Fools to Anti-Psychotic Medicine

I believe that society, and therefore madness, are based on the main system of thought of every era and that through this we can study why changes in the treatment of madness occur.

Heavily influential in this work are Michel Foucault and Friedrich Nietzsche.

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2010 Abstracts Stage 2

Art, Definition and Essence: Doomed to Failure?

Many Philosophers over the centuries have debated whether the attempt to define art is plausible, indeed, possible. Numerous artist and philosopher, alike, have tried to define art in one corresponding universal term, bringing together all sufficient and necessary factors involved.

Many denied that art could be defined at all; in fact, it was considered anti essentialist. Meaning that art has an essence which is unable to be defined, the range is so broad. Others however maintained that art has no essence and turned their backs on the philosophical notion of essentialism all together. They maintained that the essence of art cannot be hidden from us, therefore denied the existence of a definition. Philosophers’ such as Weitz’s argued in his highly famous paper “The Role of Theory in Aesthetics” that it was no coincidence that there was a constant failure from both artists and aestheticians to define art in a universal term.

The aim of this dissertation is to work through a multitude of philosophical views on the definition of art, to find out the terms that art is placed under and what qualities a piece needs in order to qualify. For example, what qualities have to be similar in order for a renaissance portrait and a contemporary installation need in order to satisfy a universal definition? I will be looking at concepts such as essentialism, beauty, essence, expressionism and reality within art.

This dissertation will use a multitude of key philosophers such as Plato, Aristotle, Weitz, Bell and Kant; along with others that interlink during the project.

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2010 Abstracts Stage 2

When Is Excess Too Great?

When is excess too great?

Due to anthropocentric approach to nature, a false conception of “progress” has been implemented which continues to push the boundaries of sustainability. With an unessential form of expenditure taking hold, a Society of the Spectacle is formed, in which essentials are abused to produce the unessential. If there is to be a change against unessential excess, is a reduction in population necessary?

Mill argues that a child should only be conceived if sufficient means can be provided.

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2010 Abstracts Stage 2

In an Age Reliant upon Technology and Machines, Is Artificial Intelligence Currently Possible?

The Aim:
The aim of this project is to discuss the likelihood that machines are, by the standards of the Turing test already intelligent, or indeed are ever likely to be able to be described as being intelligent. Is it a problem with the Turing test if they cannot be described as intelligent? Or just something that machines lack?

Territory:
The territory is the realm of artificial intelligence and computers.